A musical manifesto? Pablo Heras-Casado, leading the musicians of the Balthasar Neumann Ensemble into the heart of Monteverdi’s “Moral and Spiritual Forest”, captures the magic of its madrigals, psalm settings, Marian hymns, motets and mass settings collected in the monumental 1640 publication which forms a summation of the composer’s life’s work. His intensive activity as “maestro di cappella” at St Mark’s Basilica in Venice – a veritable haven for the musical avant-garde of his day – is typified by this selection of the choicest gems chosen from the imposing anthology.

2017 release, the seventh album by Irish outfit The Corrs. Twenty years on from the release of their all-conquering second album Talk On Corners, which featured singles What Can I Do and So Young, the Irish hit makers are back with a magical new album produced by T-Bone Burnett.

Petit Biscuit is an accurate pseudonym for Mehdi Benjelloun, nearly 18, of French and Moroccan heritage and the precocious creator of precious electronic pop. "Presence" is the follow-up to a very successful self-titled 2015 EP containing the hit "Sunset Lover," also included here. As the album cover illustrates, Petit Biscuit's perspectives and inspirations are linked mainly to places beyond the blue sky, reflected in tracks like "Creation Comes Alive," ''Beam," ''Forever Being" and "Gravitation."

Greta Van Fleet are brothers Josh (vocals), Jake (guitar), Sam (bass/keys) Kiszka, & best friend Danny Wagner (drums). With their debut single 'Highway Tune' #1 at Active and Mainstream Rock radio, their first-ever tour of the U.S. completely sold-out, Greta Van Fleet is - in just a few months - as hot a brand-new band as one can be. „From The Fires“ is the band's debut mini-album, which includes the 4 tracks from their previously released EP, 'Black Smoke Rising' along with 4 new tracks. Putting the four old tracks and the four new recordings together made perfect sense, says singer Josh Kiszka: "All eight of these songs share a theme of basic humanity."

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

Milt Jackson's third album for CTI part of a wonderful run that really helped him redefine his sound in the 70s! The album's got the electric approach you'd expect from the label a great change from the sound of Jackson in the Modern Jazz Quartet, and a surprisingly great setting for his wonderful work on vibes! Milt's laidback style is perfect for the CTI mode open, flowing, and filled with great tones matched up here with sax work by Jimmy Heath, bass by Ron Carter, piano from Cedar Walton, and drums by Mickey Roker a perfect setting to let loose in a way he rarely did on his earlier albums. The whole set's great and titles include "Lost April", "Rerev", "The Metal Melter", "The Steel Bender", and "I'm Not So Sure".

Après le succès de son 1er album « Chambre 12 » écoulé à 1.5million d exemplaires, Louane revient avec un 2eme album éponyme. 15 titres pop comme le 1er single « On était beau » - qui s est hissé en haut des charts dès sa sortie- ou plus intimistes avec des balades qui touchent en plein c ur. Un album riche en collaborations aussi, avec des textes et mélodies signées par Julien Doré, Vianney, Benjamin Biolay, Dany Synthé ou encore Loic Nottet.

Amy Lee takes her back catalogue into a new, alternate dimension. For a band with only three studio albums to revisit, Evanescence’s decision on Synthesis to rework some of their best-loved songs is an ambitious and unexpected move. No doubt drawing on her experience of scoring film soundtracks, Amy Lee, along with long-time collaborator, composer and arranger David Campbell, has given their body of work an ethereal, cinematic makeover on Synthesis that goes way beyond simply remixing or re-recording.

Ten years ago – October 2007 – we released our debut album, “Gee Whiz But This Is A Lonesome Town”. We didn’t know it then, but it was the start of a never-ending tour that would take us some 514’000km around the planet, through 800 concerts and 25 countries… A wild ride across space and time, a decade of musical journeys and human encounters, that left our minds bedazzled, exhausted, blissful and (happily) insane.

« Ici la Voix… » Ça y est ! La 11ème saison de "Secret Story" a officiellement été lancée vendredi soir en direct sur TF1 devant 1,1 million de téléspectateurs. Mais cette année, la Maison des secrets fait peau neuve : place au Campus des secrets… et les nombreux mystères qu'il réserve aux candidats.

Widely considered to be one of the best albums of the 90s, 1992’s Automatic For The People features R.E.M.’s iconic hit singles “Nightswimming,” “Man on the Moon” and “Everybody Hurts.”

'The beloved actor, singer and all-round entertainer Shane Richie will fulfil a lifelong ambition when he releases his contemporary country music album ‘A Country Soul’ on November 10th. With ‘A Country Soul’, Shane Richie has made a record that’s true to him and true to his passions.

Cecilia Bartoli and Sol Gabetta – two of the most captivating women in classical music – are joining together for a new album ‘Dolce Duello’ to be released on Decca Classics on 10th November. It is a collection of Baroque masterpieces which showcase the stunning combination of voice and cello in a series of dazzling duels and wondrous arias. To coincide with the release, Bartoli and Gabetta will be performing on a European tour with Cappella Gabetta and conductor and violinist Andrés Gabetta.

Accademia Bizantina and Ottavio Dantone present a refreshing new interpretation of Bach’s The Art of Fugue.

Opera Fuoco's latest recording features three former members of the Opera Fuoco studio, Lea Desandré, Natalie Perez, Chantal Santon and the Opera Fuoco orchestra conducted by David Stern. Berenice, che fai? is a compilation of late Baroque and early Classical works based principally on Metastasio’s famous 18th-century opera scene «Ah Berenice» from his opera Antigono.