If I try to put the essence of these works into words, I find it hard to remain objective, for subjectivity is this music’s true core. Indeed we are confronted here with a series of different forms: sonata form, ABA form, theme with variations, rondos and dances. Yet those very forms start to metamorphose as we approach the threshold of musical Romanticism – and its forerunners were Romantic poets, several of whom Schubert counted among his close circle of friends.

Part II of the complete Cycle played on a modern Steinway with a great competence. When she was seven years old, Dina Ugorskaja gave her first public performance in the Philharmonic Hall of her home town of Leningrad (today renamed Saint Petersburg). Born in 1973, she received her first musical instruction from her father, Anatol Ugorski, and from Maria Mekler. She also took voice lessons specialising in early music.

Ten years ago, in 2006, three musicians got together to play Mendelssohn. The trio eventually started looking for an appropriate name, and they eventually found their “patron” in Oberon, one of the characters in Shakespeare’s play A Midsummer Night’s Dream. The King of the Elves embodies the pleasure anyone can find in metamorphosis, in games and creativity, and that remains this musical trio’s creed until today – the will to remain flexible at all times, avoiding any sort of routine in music-making and programming. “We ‘compose’ our programmes with great care”, affirms cellist Antoaneta Emanuilova.

After his wonderfully quirky and highly praised Haydn & Ligeti album, Shai Wosner returns to solo piano repertoire for his next project. As always with this artist, there is something very different on offer - Impromptus by Chopin, Dvorak, Liszt, Gershwin, and Schubert rub shoulders with Beethoven's Fantasy Op.77 - the nearest thing we have to a Beethoven 'improvisation'. The composer did indeed improvise this work at a private house performance, then went home and wrote it down from memory! Ives's Improvisations 1&3 round off an eclectic programme.

An ensemble selected from the excellent Capelle of Friedrich August I in Dresden, the Cammer-Musique and its leader, the phenomenal oboist Johann Christian Richter, inspired some of the leading German composers and Italian guests at the court around 1720 to write sonatas in which oboes and bassoon are challenged with extremely expressive and virtuosic parts.

Piet Blank and Jaspa Jones - the producers known worldwide. For two they have let out already many albums and tens magnificent singles, reliably having fixed in world history of dancing music. Their hits more than once appeared at tops of charts, and each new album stably got to number 50 of the best to Germany. The first release which has left in 2003 of an album "Relax: Edition One" to a descent has occupied 22 place in charts of Germany, and a chill-miss the version of track Pet Shop Boys "Love Comes Quickly" from this album became the present hit.
20 new songs inspire with their unique mix of warm acoustic sounds and subtle electronic finesse. The handpicked guest vocalists Coralie Clement, Jason Caesar, Emma Brammer and Zoe Dee give the Balearic Vibes the special note.