"United" is a studio album by soul musicians Marvin Gaye and Tammi Terrell, released August 29, 1967 on the Motown-subsidiary label Tamla Records. Harvey Fuqua and Johnny Bristol produced all of the tracks on the album, with the exception of "You Got What It Takes" (produced by Motown CEO Berry Gordy, Jr.) and "Oh How I'd Miss You" (produced by Hal Davis). Fuqua and Bristol produced "Hold Me Oh My Darling" and "Two Can Have a Party" as Tammi Terrell solo tracks in 1965 and 1966, and had Gaye overdub his vocals to them in order to create duet versions of the songs. United yielded four Top 100 Billboard chart hits, including the two Top 10 singles "Your Precious Love," "If I Could Build My Whole World Around You," the Top 20 single, "Ain't No Mountain High Enough" and "If This World Were Mine".

Trent Reznor wasn’t lying when he said 2016 wasn’t finished yet. Nine Inch Nails will release the new EP, Not the Actual Events, on Dec. 23!

Constantly in the vanguard of enlightened interpretation, Sir John Eliot Gardiner stands as a leader in today’s musical life. His award-winning Mendelssohn cycle on LSO Live showcases his period performance expertise; the LSO muscians standing to play, highlighting their individual musicianship. As Gardiner notes: "It gives a different type of dynamism and energy… it means that the fiddles are freer in the way that they attack the extremely virtuosic lines and it gives a tremendous sense of occasion to the music making."

Smashes, Thrashes & Hits is a compilation of Kiss's greatest hits from their '80s career. Since there weren't enough chart-toppers from that period to fill an entire album, however, '70s classics from their more theatrical days are also included, such as "Love Gun," "Shout It Out Loud," and "Rock and Roll All Nite." (Peter Criss' power ballad, "Beth," is also featured on the album, but is a re-recorded version with then-drummer Eric Carr on vocals.)

Red Headed Stranger propelled Willie Nelson to stardom, finally giving him a smash hit, yet its spare arrangements and hushed intimacy were a bit of an anomaly, both in his prior work and the albums that followed on Columbia. His second LP for the label, 1976's The Sound in Your Mind, opened up the sound of Stranger, retaining some of the low-key vibe, but fleshing out music and even picking up the tempo on occasion.

Whether intentionally or not, the first album after a greatest-hits collection always raises the curtain on a new era, and in Willie Nelson's case, the difference between the era recapped on 1981's Greatest Hits (& Some That Will Be) and the one started with 1982's Always on My Mind is startling. Throughout the late '70s, Nelson's freewheeling, organically eclectic music was not just the biggest thing in country, it was also some of its best, most adventurous music.

Re-teaming with Don Was and Jacknife Lee, the pair who produced his 2014 album Melody Road, Neil Diamond cut Acoustic Christmas, his fourth holiday album and first since 2009's A Cherry Cherry Christmas. The title Acoustic Christmas suggests that this 2016 LP will be sparse, but it's hazy and open, consisting of much more than a man and a guitar. Usually he's supported by a full band – a rhythm section, another guitarist, a keyboardist, and backing vocalists – and that gives Acoustic Christmas some spunk, which is enough to keep things lively.

One of the first in a series of duet albums with country legends that Willie Nelson undertook during a period of seemingly uncontrolled output at Columbia, this remains one of the best. Ray Price may be regarded as something of a laid-back smoothie by listeners whose ears are stuffed with wax, but the reality is that Price is one of country's most expressive vocalists as well as a man interested in kicking country tempos as well as ballads. In fact, a certain type of swing boogie beat favored in Texas is known by musicians as "the Ray Price shuffle."

Arguably John Coltrane's finest all-around album, this recording has brilliant versions of "Afro Blue" and "I Want to Talk About You"; the second half of the latter features Coltrane on unaccompanied tenor tearing into the piece but never losing sight of the fact that it is a beautiful ballad. The remainder of this album ("Alabama," "The Promise," and "Your Lady") is almost at the same high level.