Meticulously hand brushed - this M.Cho font is mainly clean with a little rough edge to it. Very versatile ttf file.

A warm welcome to JERVIS a hand drawn font from ink drop. JERVIS is a lowercase font with numerals. It has a striped element creating a bold yet delicate design.

Suppa Medium is an handwritten typeface which combines a joyful and childish style. It's perfect for projects like cartoons, child birthday cards, wedding cards & invitations, greeting card, book cover, packaging, vintage creations, illustrations…

Odesta is a decorative script typeface with detached strokes and pronounced ball terminals. It comes in 7 weights with small capitals, swash capitals, plenty of ligatures, and initial & final forms for each of the lowercase letters.

Steelfish is a condensed headline font family I created in in 2001. The original cut included regular, bold & outline styles. Steelfish was okay but it was in need of a good tuneup to perform well as a web headliner in the 2010’s. After rebuilding it, I expanded it into seven weights with italics. The weight of the original Steelfish Bold looks more like the new Steelfish Extra-Bold; keep that in mind if you're replacing the old one.

Reaching a total of more than 1000 glyphs, Breathe Pro is Maximiliano R. Sproviero’s gift of the year. The aim of the designer was once more to give the user the chance to play and travel from very formal and conservative letterforms to the amazing world of swashes and flourishes. Possibilities of alternating and ligating characters in this font are absolutely fantastic.

There is plenty of lyric and literature about looking over one’s shoulder in contemplation. What would you have done differently if you knew then what you know now? This is the kind of question that comes out of nowhere. When it does and whether its context is personal or professional make very little difference. It’s a question that can cause emotions to rise and passions to run hot. It can trigger priority shifts and identity crises. It’s never easy to answer.Three years ago, I published a font called Semilla. My aim with that was to distill the work of Bentele, a lettering artist from early 1950s Germany. Picking such an obscure figure back then was my way of pondering the meaning and efficiency of objectivity in a world where real human events and existences are inevitably filtered through decades of unavoidably subjective written, printed and oral history.

Theorem is an interesting change from the usual calligraphic work of Koziupa and Paul. An art deco font with a 1990s twist in its capitals, Theorem’s lowercase characters were designed to automatically achieve the best optical spacing in typesetting. To accomplish that goal, a variety of alternates were drawn for most letters, and plenty of vowel-focused ligatures were designed. The automagic of OpenType ties it all together to make a very versatile typeface that is quite useful for packaging and many different applications of display typography.

Inters is a very strict and rhythmic font, but at the same time very sensual and emotional. Inters — a real typeface for the dreamers. It is very well suited for each design. You can use Inters font for a flower shop or a postcards. But it is also perfect for decoration about the future, interiors or kids products. Scope: flower shop, movie titles, corporate identity, interiors and events, posters and postcards, web design, printing products, emotional design, handmade design.

Take the Matter into your own hands. YWFT Matter, that is–a wide, bold and grotesque typeface design based on several concepts from Victorian-era science texts and manufacturing/marketing materials. YWFT Matter features alternate characters, like a “two-story” lowercase “a,” that are easy to toggle using Opentype. YWFT Matter works great for editorial headlines and identity designs requiring a unique-yet-classic typographic solution. Also works well for things that really Matter.

FREIBEUTER NR is a typical Western font but this is based on a FAMOUS Motorcycle Club from the television that everyone knows. The word FREIBEUTER is the German version of pirate. FREIBEUTER did in earlier times what pirates do, but they do it with the government togetherness. NR stands for NIEDERRHEIN, this is the area where I live and work. The PATCH Version is the best way to make fast a nice Banner or Patch with this font. You can use the WrapTEXT tool in Illustrator or Photoshop to wrap the banner in al forms!

A multi-lined typeface digitally remastered from the 1970s Letraset font Optex. The font has gone through an exacting design program with over 100 hours in the production. Details include: three unique styles, a full character set, manually edited kerning and Euro symbol.

Recontextualizing the 10-point type of a scientific report published in 1873, Nick Shinn has produced sleekly refined, micro-detailed vector drawings by eye, without the assistance of scans, thus presenting an ironic critique of the way in which mechanical imagery beguiles us with the trite veracity of simulacra. This beautiful genre of type, so popular in books, magazines and advertisements during the Victorian era and much of the 20th century, was derided by advocates of both the Arts & Crafts movement and 20th century modernists, and has never been properly adapted to hot metal, phototype, or digital media – until now. Now the full range of typographic expression is possible in this style. The OpenType fonts support Western and CE encodings, Cyrillic (with Bulgarian alternates) and Polytonic Greek. There are many special features, including small caps, unicase, italic swash capitals, ten sets of figures per font, and both slashed and nut (vertical) fractions. Together with Figgins Sans, comprises The ModernSuite of matched fonts.