Le Havre Sketch is a hand-sketched geometric sans serif. The family contains three weights. All members of the family include Sixty-four OpenType ligatures that add a realistic, natural effect and ensure that no two letters in a word repeat, oldstyle figures and small caps. Please see the sample brochure to see these features in action. Le Havre Sketch is an excellent choice when you need a fun and interesting sans-serif.

Rotundus is an elegant sans serif typeface. The main characteristics of the typeface are a tall x-height and condensed width. The typeface is based on geometric forms and consists of unique characters. The distinctive appearance makes Rotundus suitable for any type of graphic design. The Rotundus type family includes extended Latin characters, ligatures and OpenType features. It is available in light, regular, bold and black weight.

Links was built adhering to a strict grid of ‘linked’ squares; and comes with special “Grid Glyphs” that line up perfectly with all characters. These Grid Glyphs can be used to create an invisible grid for your layout or as a background to enhance your design. Perfect for posters, logos and headlines, this font is available in four styles; Round and Square with accompanying obliques. This font was inspired by much of the lettering from the Dutch movement, or Functionalism which in turn was a descendant of the International Style pioneered by the Swiss. In keeping with these traditions, Links was build adhering to a strict grid of linked squares, taking a clear scientific approach to construct each character. One of the main features of International Style is the implementation of a Grid. This font has built in special characters that I call ‘Grid Glyphs’; these Grid Glyphs line up perfectly with every character, enabling you to construct your own grid that echoes the form of the characters.

The popular Geogrotesque family becomes an extended system with the inclusion of three new members to the pack; Geogrotesque Condensed, Geogrotesque Compressed an Geogrotesque Extra Compressed. The condensed series keep the spirit of the original one, and give way to a superfamily up to 56 styles. This new system fluidly varies between widths, ranging from the original width to a 55% of it in the narrower one. As their original partner, the new fonts are great headline families for publications, but will also work in text of intermediate length and point size. The Geogrotesque superfamily offers now one font for each design need. It is available in Open Type format and includes Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. All of them with support for Central and Eastern European languages. Each type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics.

Toying with antiquity in two realms, Brea uses primitive dot matrix, the first electronic print, as a medium for expressing a once intensely manual Old English hand. These incongruous historical allusions update the Middle Ages, but places them squarely in the early 1980s.

Compass TRF Stencil is an addition to the Compass TRF family and consists of three styles - Regular, Bold and Alternative. It is recommended for use as display typeface in a large sizes.

Lippy is designed to give a 100% lipstick feel. The reason the lipstick feel is so authentic is because the original sketches were actually drawn in lipstick, taken into illustrator, retraced and then edited carefully in Fontlab. If you're after a lipstick typeface with an authentic feel, then lippy is the one for you.