Hello Lovely, Introduce Dago font, Hand Lettered Calligraphy Font with beautiful dingbat ornaments. This fonts have unique letter, with natural handdrawn style, a lot beautiful dingbat ornaments and swashes elements, to design title, blog header, invitation design, art quote, typography art, modern envelope lettering or book design, happening style like handdrawn design or watercolor design theme, craft design, any DIY project, book title, wedding font, pop vintage design, or any purpose to make our art/design project look pretty and trendy.

Dream Script may be that dream named above made true. I have been practicing chancery in the way I learnt from those calligraphers for many years now.

Brush Up is the cool handpainted typeface you are looking for. Swiftly painted on paper and carefully translated into a font, it brings 3 glyphs for each letter and 2 for each number, plus variations for some punctuation marks. The font is nicely programmed to cycle these alternate glyphs when Contextual Alternates engines of applications are turned on. Or, you can always pick up your choices manually through a glyphs palette.

Chancellor is a robust hand-drawn sans serif display typeface. Its sturdy letterforms takes inspiration from Plakatstil era posters, while bringing up also cool adornments to flourish your lettering designs. This all caps typeface has two versions for each letter, amplifying your composition choices. It’s positively a great tool for a wide range of creative display uses.

Dense and strong, this family is inspired by the lettering on the poster of a short expressionist play by the astonishing and highly skilled Austrian painter, printmaker and writer Oskar Kokoschka in 1909. If the typeface itself is already deeply vigorous, the font programming makes it shine, making great use of OpenType features. Contextual Alternates will cycle alternate glyphs, providing a more realistic handlettered feel. Ligatures will not only trigger special glyphs, but also build new combinations through a smart kerning adjustment. And yet there are also some stylistic alternates to add that extra-twist. The family counts with a nice textured version, also an oblique and a very handy assortment of extras, making this family an impressive toolbox for expressive designs.

Friendly and generous, this is an organically grown display typeface. Its original handcrafted shapes have been significantly polished, but without losing its old-fashioned charm. The versatile regular cut comes equipped with a wealth of decorative OpenType features such as swashes, majuscule discretionary ligatures and stylistic alternates. The family also comes with a stylish set of useful ornaments and a very eye-catching spiky version. All hand made, with care.

To start with one personal fact: I really like to listen Rahsaan Roland Kirk. He was a multi-instrumentalist, real grandmaster and unique jazz virtuoso. The way he improvised and walked through variety of different music influences are admiring. One of things he liked is to modify instruments, so he modified soprano saxophone and got an instrument called manzello. When I was looking for good name for this typeface, it came on my mind that Manzello could be the perfect one. It has the symbolic background from the instrument and theoretically in my head, it’s imagined as typeface that rely on stable classic examples, but graphically designed and modified to match modern standards.

YWFT Pakt is a condensed, sans-serif typeface consisting of ten different weights. While the design of YWFT Pakt is conservative, serious and authoritative, it still manages to maintain that fresh feeling that more venerable names just don’t have. Great attention to detail means it works well not only for headlines, but also for body content in magazines, presentations and books. When you’re looking for a font with style, impact and power, look no further than this beautiful type family, which works very well for projects within the corporate, fashion and advertising sectors. YWFT Pakt was converted to Opentype format in 2010.

Asia by Superfried is an ornate, display typeface inspired by trips throughout the continent. Its distinct, bold style has been designed to evoke the curves and beautiful intricacy of Asian typographic characters and patterns. Asia has been featured on Creative Boom and named font of the day by Creative Bloq.

We started with laying slabs serifs onto Trim, thinking we would call it Trim Slab. The foundation always seemed like the perfect base to build on, and we felt a slab version would bring something unique to its genre. But in adding slabs the project grew into something else. The interplay of verticals, horizontals and diagonals reminds us of traditional korsvirke (timber framing). Say hello to our first serif: Brace.