This book is the sixth volume of the proceedings of the 4th GeoShanghai International Conference that was held on May 27 - 30, 2018.

One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend's Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands-Crosby from the Byrds, Stills from Buffalo Springfield, and Nash from the Hollies-and together, they formed that rarest of musical entities, a "supergroup" that lived up to its billing. CSN's 1969 self-titled debut album is one of the true masterpieces of the rock 'n' roll canon, and 1982's Daylight Again is a brilliant portrait of their musical evolution. Still touring and recording together, CSN is an American treasure.

Woman in the Wings is a 1978 debut solo album by Maddy Prior. It was produced by Ian Anderson, David Palmer and Robin Black. All the songs were written by Maddy Prior.

Passaggio, Lavinia Meijer's first release on Sony, is an album of the crossover music of Ludovico Einaudi, an Italian composer and pianist who encouraged the Dutch harpist to record some of his most popular pieces. The playing on this 2013 album is highly polished and appealing, and Meijer demonstrates considerable powers of concentration and precision in performances of her harp transcriptions of Einaudi's keyboard music. Some will find Meijer's renditions emotionally communicative and mood enhancing, and most of the credit for their effectiveness belongs to her, because Einaudi's modal harmonies and conventional patterns tend toward a bland prettiness, or pretty blandness, that's all of a piece. Simple melodies and repeated arpeggiated chords have the instant attraction of minimalist music, and simplicity is often a virtue in the proper context. Sony's recording is clear and close-up, and Meijer has presence in a fairly resonant studio space.

This unique volume discusses various aspects of the Grand Ethiopian Renaissance Dam (GERD) and the Aswan High Dam (AHD) including their positive and negative impacts. It presents up-to-date research findings by Egyptian scientists and researchers covering several interesting hot topics under the following main themes:
· Major impacts of GERD compared with the AHD

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 9 additional tracks, including “Blackbird”, “Glass Onion” and the new song, “Now And Then”. The last Beatles song, “Now And Then” completes John Lennon’s 1970s vocal and piano demo recording with parts played by Paul McCartney, George Harrison and Ringo Starr, as well as a new arrangement for strings. The 2CD collection now features 37 tracks, 6 of which have new mixes for 2023. The booklet contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1966 – 1970 collection is a joyous celebration of The Beatles’ timeless musical legacy.

This book is the seventh volume of the proceedings of the 4th GeoShanghai International Conference that was held on May 27 - 30, 2018. This volume, entitled “Geoenvironment and Geohazards”, presents the recent advances and technology in geoenvironmental engineering and geohazards.

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 12 additional tracks added chronologically, including for the first time some of George Harrison’s earliest songs and some classic Beatles versions of R&B and rock ‘n’ roll hits that were so influential on the band.

Dr Thomas Arne was a real tunesmith, and this charming collection shows him at his best. Although Arne was heavily influenced by Handel (what Englishman of his generation could avoid this?) he was his own man, and no slavish plagiarist; something that needs to be said of an era, before binding copyrights, when even the great Handel could stoop to this level! It is known that Arne also admired the music of the Venetian Galuppi who visited London in the 1740s. The enchanting 'the Lover's Recantation', sung here beautifully by Emma Kirkby, will remind anyone familiar with Galuppi's comic operas of that composer's style.