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Despite all the warnings from the prophets of doom, Bruckner’s music has thankfully prevailed. Bruckner was always in search of the ideal structure for his symphonies. Dissatisfaction and perfectionism both caused him anguish and served as motivation in his determination to advance on an artistic level. His goal was to compose absolute music in the spirit of Beethoven. It is his Third Symphony, above all, “in which the trumpet introduces the theme,” that encapsulates this striving for absolute music – music that is timeless and continues to touch people’s hearts.

In his latest project Aallot, the accordionist Harri Kuusijärvi fuses his new electronically extended accordion with the acoustic warmth of the jazz rhythm section of bassist Jori Huhtala and drummer Mika Kallio. The trio collides Nordic serenity with vibrant jazz energy to create a soundscape that is earthy, minimalistic and irresistibly groovy - and probably something you've never heard before.

Cantus first conceived of this conceptual concert in 2016, intending to reflect the tension in our modern society between technological connectedness and human longing for genuine in-person interaction. We’ve never been able to communicate as quickly or efficiently across distance through the internet and social media.