“this DVD brings compelling accounts of the master at work, visually as well as aurally. There is a powerful intensity to the Beethoven overtures and the opening of William Tell is beautifully done, with glorious playing from the Berliners…There is plenty of fascinating archival material to see; and within the maestro's obviously glamorous, jet-set lifestyle, he emerges as a musical communicator of warmth - and humour too. A most revealing issue.” (The Penguin Guide)

Nos sociétés abusent d'une novlangue qui détourne le sens premier des mots. Geoffroy de Vries nous propose de redéfinir, de façon simple, vulgarisée et synthétique, les principaux termes du langage culturel et politique courant, trop souvent dévoyés pour des raisons idéologiques.

They may have looked like a thrown-together cartoon band with their Revolutionary War outfits and various slapstick gimmicks, but Paul Revere & the Raiders were actually a veteran R&B cover band out of the Northwest, and when fame found them working as a house cover band on the teen television show Where the Action Is in the mid-'60s, they were ready to run with the spotlight, and charted several solid singles like "Steppin' Out," "Just Like Me," "Kicks," "Hungry," "I'm Not Your Stepping Stone," and "Good Thing" that were sharp, well sung and played, and full of a kind of sassy, garage punk attitude that eventually rendered the prop uniforms they wore obsolete.

Qui sont les privilégiés ? Uniquement des " super-riches " contre lesquels la gauche est vent debout ? Non, répond Louis Maurin, directeur de l'Observatoire des inégalités, qui dresse un tableau économique et social à rebours du discours ambiant.

The early days of bluegrass were "men only." Thank goodness, times have changed, and women artists are now accepted on their own terms.The bluegrass bandwagon continues to roll in 2001. This collection attempts to capitalize on the breakthrough success of the O Brother, Where Art Thou? soundtrack. Drawn from Rounder's rich catalog, the 19-cut sampler of female singing, fiddling, and picking extends from an era when women were a novelty in this male-dominated music category through the popular crossover ascendance of such contemporary artists (and O Brother favorites) as Alison Krauss and the Cox Family. Harmonies from the likes of Rhonda Vincent and the Stevens sisters soar toward the heavens, while the earthier strains of Hazel Dickens and Ginny Hawker are more reflective of the music's hardscrabble roots. Though Wilma Lee Cooper's "You Tried to Ruin My Name" has all the subtlety of a hog-calling contest, such rawness is about as real as this music gets. –Don McLeese

A dysfunctional family moves from the city to a small town into a house in which terrible atrocities have taken place. But no one seems to notice except for Patricia “Pat” Phelps, who’s convinced she’s either depressed or possessed – turns out, the symptoms are exactly the same.

With productions and songs from Freddie Perren and Fonce Mizell, Hell Up in Harlem is the scathing and soulful soundtrack of the motion picture starring Fred Williamson. This was Edwin Starr's last album for Motown, which probably accounts for the woeful lack of promotion. Two singles were released, "Hell Up in Harlem," the first, should have remained an album cut, as its appeal was limited, despite a solid vocal by Starr. The follow-up, however, "Big Papa," should have been a monster. Written by Freddie Perren, it has the same power, forcefulness, and drive of numbers that Norman Whitfield had produced for Rare Earth and the Temptations. The flips of both singles, "Don't It Feel Good to Be Free" and "Like We Used to Do," are mellower than the push sides. The bone picker, however, is "Easin' In," a great midtempo number with cool backing vocals, and a great reading from Starr; it has chart buster written all over it, yet Motown never released it as a single. Mind boggling, since Starr's final single for Gordy's empire, "Who's Right or Wrong," backed with "Lonely Rainy Days in San Diego," dropped six months after "Big Papa," but doesn't rate with "Easin'."

Free Your Mind…And Your Ass Will Follow Review by Ned Raggett
It's one of the best titles in modern musical history, for song and for album, and as a call to arms mentally and physically the promise of funk was never so perfectly stated. If it were just a title then there'd be little more to say, but happily, Free Your Mind lives up to it throughout as another example of Funkadelic getting busy and taking everyone with it. The title track itself kicks things off with rumbling industrial noises and space alien sound effects, before a call-and-response chant between deep and chirpy voices brings the concept to full life. As the response voices say, "The kingdom of heaven is within!" The low and dirty groove rumbles along for ten minutes of dark fun, with Bernie Worrell turning in a great keyboard solo toward the end – listening to it, one gets the feeling that if Can were this naturally funky, they'd end up sounding like this. From there the band makes its way through a total of six songs, ranging from the good to astoundingly great. "Funky Dollar Bill" is the other standout track from the proceedings, with a great, throw-it-down chorus and rhythm and a sharp, cutting lyric that's as good to think about as it is to sing out loud. The closing "Eulogy and Light," meanwhile, predates Prince with its backward masking and somewhat altered version of the Lord's Prayer and Psalm 23. At other points, even if the song is a little more straightforward, there's something worthwhile about it, like the random stereo panning and Eddie Hazel's insane guitar soloing on "I Wanna Know If It's Good for You," with more zoned and stoned keyboard work from Worrell to top things off. The amount of drugs going down for these sessions in particular must have been notable, but the end results make it worthy.

Naomi, a fifteen year-old Dutch girl from South-Amsterdam, develops a crush on a beautiful Arabic girl of the same age living in the poor quarters of Amsterdam West. During one magical summer in Amsterdam, the two girls play an emotional chess game of love, seduction and attraction.