Terrorists overtake an operating room where a multimillionaire is undergoing heart surgery. Guns are drawn and blood is shed in the operating room as the terrorists stand firm in their demand for $10 million. Which of the hospital staff can be trusted and which ones are also terrorists?

Marie leads a calm and happy life withe her boyfriend in a nice suburban neighborhood. After a night out in a bar with her colleagues, she wakes up dizzy, in a cab, with no memories of the night. What could Marie say to her boyfriend Richard, when he suspects her of cheating on him? What if Antoine, a simple auto parts delivery man, has the key to this enigma.

Teresa is a stewardess who lives a perfect life in the midst of his impeccable suits world clean and prepared foods. However the world scares land: men, motherhood, love … Meanwhile, Julian, a young doctor, must travel to Ushuaia to throw the ashes of his dead wife in the place where they fell in love.

When a roaming German Shepherd Dog rescues a boy's pet lamb from the slaughterhouse he struggles to reunite them, despite being chased by police and getting little cooperation from the lamb.

A little girl living on an isolated ranch claims to have formed a bond of friendship with a pure white, "wild" stallion. The horse is well known in the area, almost legendary, and supposedly vicious. Is she just making it up, or is she telling the truth? If it's real, isn't it dangerous for her with a "killer" horse? Or is the horse as vicious as he's been portrayed?

Split into two parts, shot in black and white, the opening chapter First Love, Yoshiko follows a Korean director (Lim Hyung-kook) who is scouting for locations for his next film in the Japanese rural town of Gojo, and is joined by his assistant director Mijung (Kim Sae-byuk) who interprets for him. There he meets the locals including an elderly lady and a civil servant (Ryo Iwase) who helps him tour the area. The second part, Well of Sakura, captured in colour, is inspired by a story told in the opening chapter of a romance between a Korean woman and a local man. Mijung is now an actress while the civil servant is a persimmon farmer as they walk around the town and learn about each other.

In Lille, two penniless young women with few prospects become friends. Isa moves in with Marie, who's flat-sitting for a mother and child in hospital in comas following a car crash. Isa is out-going, unskilled, with hopes of moving south to warmer climes. Marie usually is either angry or detached. Then, while Isa begins to visit the child in whose flat they live, going to hospital to read to her, Marie slowly falls for a rich youth. At first Marie keeps him at bay, then she not only pursues him, she begins to dream he is her life's love. When Isa tries to warn Marie, their friendship flounders. How will Marie handle the inevitable? And once they lose the flat, where will they go?

The Bowery becomes a nexus of shattered dreams when a merchant has 72 hours to pay his rent. Facing extinction, his ramshackle tent of antiquities lures a troop of misfits, freaks and renegades who form a tableaux full of carnival pageantry, white lies and victimless crime in a fleeting glimpse of Downtown New York.

As children, Nick and his little brother take care of their baby brother while their mother drinks herself senseless. But the baby dies, and both brothers blame themselves. Many years later, Nick is out of prison after serving time for an assault. He drinks, lives in a shelter and tries to help an old friend. When their mother dies, Nick meets his brother at the funeral. The brother, who remains nameless, is a single father to a young boy, but also supports a drug habit that is spiraling out of control. When an opportunity presents itself, he becomes a drug dealer to secure his son's future. Eventually, the two brothers meet again.

Based on John Steinbeck's 1937 classic tale of two travelling companions, George and Lennie, who wander the country during the Depression, dreaming of a better life for themselves.

Florinda Bolkan plays the daughter of a prominant English politician who keeps having recurring "nightmares" in which she makes love to a bisexual nympho who lives downstairs and conducts all-night LSD orgies. When the nocturnal wet dreams become murderous, the neighbor turns up dead, and Florinda is the main suspect. Did she actually commit the murder she dreamt about? Is she being framed by her philandering husband? Did Florinda actually make nightly visits downstairs aside from borrowing the occasional cup of sugar?

Based on the short story "Where Are You Going, Where Have You Been?" by Joyce Carol Oates, this film chronicles 15-year-old Connie Wyatt's sexual awakening in the Northern California suburbs.

Alex, a 28 year-old photographer, is no longer able to photograph people, for some mysterious reason. Every time he focuses his camera on someone, the same woman appears in his viewfinder - an image he cannot bear. When his brother Aram, whom he has not seen or spoke to for years, unexpectedly phones him and asks him to come to their parental home because their mother is severely ill and may not have long to live, he panics. The thought of a confrontation with the area where he grew up and the renewed encounter with his family makes him feel nervous. Nevertheless, that evening he leaves for AmnesiA: the estate of his parents, the spot where he spent his youth

A middle-aged married man does a good deed for a beautiful young woman and finds himself the pawn in a dangerous game. Inventively constructed, we see the story from the perspective of the guy, then from the young woman’s point of view and finally through the prism of another character. Unlike in Rashomon, we don’t see different realities, but, as secrets are revealed, we finally understand the whole picture. It’s a brilliant screenplay by writer-director-producer Cheyenne Carron. In the young woman, Carron has created a character who is both predatory and damaged but who can act charming, vulnerable and sexy. The story hinges on actress Agnes Delachair’s ability to play that complex role – and she delivers a captivating performance.