As Spud Milton continues his awkward stagger through adolescence, he learns one of life's most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. "I'm practically a man in most areas," writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud's world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

After the vice-president's resignation over a scandal, senator 'Kay Bee' Hartmann is first in line to succeed him.

Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the mill. Mary catches the attention of handsome scion Paul Scott, but their romance is complicated by Paul's engagement to someone else and a bitter strike among the mill workers.

The Passionate Friends were in love when young, but separated, and she married an older man. Then Mary Justin meets Steven Stratton again and they have one last fling together in the Alps.

During World War II, tug boats conduct what are called salvage missions - picking up disabled ships. Not well equipped with weaponry, the tugs are sitting ducks for enemy fire. As such, the crew working the tugs have precarious lives, many with deep seated emotional problems. Before the Americans join the war, ex-American military man David Ross is assigned to captain a tug for the British military. He is shown the ropes by an old friend, Captain Chris Ford.

Deep in the Amazon jungle a research team lead by a respected Professor strive to protect vulnerable and endangered species, but when their guides abandon them they soon realize they are in the hunting ground of prehistoric apex predators.

When John North, a budding author, pulls the communication cord of a late night train that is taking him away on a weekend with his publishers wife, he sets in motion a series of events that lead to a train crash, a murder and a police man hunt, but all is not what it seems.

Terrence Malick, the universally acclaimed American filmmaker responsible for the key 1970s features Badlands and Days of Heaven, returns for a rare directorial outing with the sweeping period piece The New World – an epic dramatization of Pocahontas' relationships with John Smith and John Rolfe. In April 1607, three maritime vessels approach the unfamiliar North American continent, with 103 sailors on board. John Smith (Colin Farrell) sits chained below one of the decks. He is a 27-year-old loose cannon, who, for his persistently rebellious acts, has been sentenced to death by hanging as soon as the ships dock. Upon landing, Smith seeks assistance from local Native American tribes with colonization, but runs into the unexpected – he falls desperately in love with Pocahontas, or "Playful One" (Q'orianka Kilcher), the daughter of the omnipotent Chief Powhatan (August Schellenberg). Later, Smith temporarily returns to England; believing that Smith is dead, Pocahontas accepts the hand of plantation owner John Rolfe in marriage (with her father's blessing) and follows Rolfe back to the old country. When Smith returns to America, his intended is nowhere to be seen, and the entire community teeters on the brink of a British-Indian war.

A married couple move back to his childhood village to start a family but a surprise visit from the husband's brother ignites sibling rivalry and exposes the lies embedded in the couple's relationship.

Johnny Hawks, a former Indian fighter, returns to the West after the Civil War. He reacquaints himself with the Indian band led by Red Cloud. Red Cloud's beautiful daughter has now grown into womanhood… Unscrupulous whisky traders are after the gold on Indian land. Hawks averts serious bloodshed by convincing Red Cloud to make a treaty… Hawks leads an Oregon-bound wagon train through Indian territory. When he slips away to see the chief's daughter, trouble between braves and whisky traders flares up anew, putting the wagon train and the nearby fort in peril…

As Spud Milton continues his awkward stagger through adolescence, he learns one of life's most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. "I'm practically a man in most areas," writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud's world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

After they accidentally get involved in a messy drugs conflict, four inept roommates need to sell 22 kilos of cocaine within a week to square things with the Russian mobsters they now owe money.

Bat Masterson doesn't look for trouble, but he doesn't walk away from it. When an army sergeant in Hays City tries to kill Bat and dies for his trouble, Bat heads for Dodge City where Ed, his brother, is city marshal and a candidate for county sheriff running against the corrupt Regan. Bat buys a share in a local saloon, partnering with the widow Lily. Then, after an ambush, Bat finds himself a candidate for sheriff and the heir to Ed's intentions toward Pauline, a minister's daughter. Can the upright but not always law-abiding gunslinger and saloon owner become a lawman and settle down? Or will trouble keep finding him?

Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

Construction workers in World War II in the Pacific are needed to build military sites, but the work is dangerous and they doubt the ability of the Navy to protect them. After a series of attacks by the Japanese, something new is tried, Construction Battalions (CBs=Seabees). The new CBs have to both build and be ready to fight.