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Tchaikovsky Moscow RSO, Vladimir Fedoseyev - Mikhail Glinka: Orchestral Works (1995)

Posted By: Designol
Tchaikovsky Moscow RSO, Vladimir Fedoseyev - Mikhail Glinka: Orchestral Works (1995)

Mikhail Glinka: Orchestral Works (1995)
Tchaikovsky Moscow Radio Symphony Orchestra; Vladimir Fedoseyev, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 150 Mb | Scans included
Genre: Classical | Label: Saison Russe | # RUS 288 114 | Time: 01:03:38

A well-educated child of privilege, Glinka became a fervent Russian nationalist. He is considered the father of Russian music, and exerted a significant influence on such great later composers as Tchaikovsky, Rimsky-Korsakov, and Stravinsky.

Glinka took piano, violin, and voice lessons, but he did not study music or composition seriously as a youth. His first job was as a government official, but, realizing how strongly he was drawn to music, he left to pursue both a general and a musical education. He studied for a time in Italy and spent the year 1833 studying composition in Berlin. He had composed some works during and prior to this time, but these were still derivative of prevailing Western European styles, and the year in Berlin only reinforced the non-Russian influences he felt.

Returning to Russia, he discovered the works of writers such as Pushkin and Gogol, who uncovered for him the wealth and depth of his Russian cultural heritage. Moved, he wrote his seminal, truly Russian work, A Life for the Tsar. It recounts how villainous Poles, in 1613, attempted to capture the Tsar and how a young hero, Ivan Sussanin, led the pursuing Poles on a wild goose chase at the ultimate cost of his life. The work premiered in 1836 and was an immediate success. It intermingled Russian and Polish folk tunes with Italian-style operatic passages and even anticipated Wagner's use of the leitmotif by employing recurring themes identified with specific characters. It also marked a new approach to orchestration in which the orchestra was essentially a member of the cast, not merely background accompaniment for the singers.

The year 1842 saw the premiere of Glinka's second great Russian opera, Ruslan and Lyudmila. It was not as immediately successful as A Life for the Tsar, but ultimately was more influential. It contained Persian influences and made use of a seven-step whole-tone scale for the first time in European music.

His influence upon the Russian composers who followed him was immense; specifically he inspired Mily Balakirev, who gathered four other young Russian composers around him to form the so-called "Mighty Handful," and extended Glinka's effort to foster Russian nationalism in music and the arts in general.

Michael Morrison, Allmusic.com

About Vladimir Fedoseyev:

One of Russia's ranking conductors of the new millennium, Vladimir Fedoseyev has worked extensively in Central Europe during the second phase of his career. As chief conductor of the Vienna Symphony Orchestra since 1997, he has brought a new intensity to the city's often underrated second orchestra. During his years as chief conductor of the Tchaikovsky Symphony Orchestra, Fedoseyev gained a reputation for achieving a balance between passion and musical integrity. A frequent guest at the Zürich Opera, he has won many admirers as an opera conductor, a component of his career further bolstered by successful appearances at the Bregenz Festival.

After receiving his initial training at Leningrad's Mussorgsky School, Fedoseyev continued his studies at the Gnessin Academy where he was at first a part of the bayan class. Upon graduation from the academy in 1957, Fedoseyev pursued graduate studies at the Moscow Conservatory where he worked with Leo Ginzburg. After a decade of directing a folk orchestra, Fedoseyev came under the guidance of Yevgeny Mravinsky, conductor of the Leningrad Philharmonic Orchestra. Following a 1971 meeting, Mravinsky took an interest in his young colleague and began a mentoring process that resulted in guest engagements with the LPO and other Russian orchestras, and in 1974, appointment as chief conductor of the Tchaikovsky Symphony Orchestra of Moscow Radio, an ensemble with which the conductor has continued to work.

During his long tenure in Moscow, Fedoseyev was invited as a guest by such other orchestras as the Orchestre Philharmonique de Radio France, the RSO Stuttgart, the Hamburg Staatsorchester, and the Orchester des Bayerischen Rundfunks. He was, in addition, made first guest conductor by the Tokyo Philharmonic Orchestra. Aside from Zürich, the opera houses of Milan, Rome, Vienna, and Florence sought his services. Fedoseyev's direction of the 50th anniversary Bregenz production of Rimsky-Korsakov's Tale of the Invisible City of Kitezh was critically acclaimed both in live performances and through the recording derived therefrom.

In Vienna, Fedoseyev mastered the Middle European repertory to the satisfaction of discriminating listeners, while in Moscow he has introduced modestly priced concerts to serve the needs of those cast adrift by an uncertain Russian economy. An American tour with the Vienna Symphony Orchestra in November 2000 resulted in many laudatory reviews for Fedoseyev and his players.

He conducted Janácek's Cunning Little Vixen in Bregenz in 2003 and continued on with other efforts with the Dresden and Oslo philharmonics and debuts with the Cleveland, Detroit, and Pittsburgh symphonies. His recordings include the works of Tchaikovsky, Mussorgsky, and Mendelssohn.

Erik Eriksson, Allmusic.com

Tchaikovsky Moscow RSO, Vladimir Fedoseyev - Mikhail Glinka: Orchestral Works (1995)



Tchaikovsky Moscow RSO, Vladimir Fedoseyev - Mikhail Glinka: Orchestral Works (1995)



Tchaikovsky Moscow Radio Symphony Orchestra
Vladimir Fedoseyev, conductor

Recorded: January 1995, Mosfilm Studios, Moscow

Tracklist:

Mikhail Glinka (1804-1857)

1. Valse-Fantaisie (10:04)

Three Dances from 'A Life for the Tsar'
2. 1. Cracoviak (6:37)
3. 2. Pas de quatre (6:15)
4. 3. Polonaise (4:32)

Two fragments from 'Ruslan and Ludmilla'
5. 1. Overture (5:21)
6. 2. Marche of Tchernomor (5:26)

7. Jota aragonaise (9:32)

8. Souvenir d'une nuit d'ete a Madrid (7:56)

9. Kamarinskaia (7:55)


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XLD extraction logfile from 2013-01-19 13:40:49 +0100

Mikhail Glinka, Vladimir Fedosseiev / Glinka - Orchestral Works

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Track 06 : OK (v1, confidence 9/9)
Track 07 : OK (v1, confidence 8/8)
Track 08 : OK (v1, confidence 9/9)
Track 09 : OK (v1, confidence 9/9)
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No errors occurred

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Pregap length 00:00:32.
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2 | (9/9) Accurately ripped
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4 | (9/9) Accurately ripped
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-05-29 18:15:22

––––––––––––––––––––––––––––––––––––––––
Analyzed: Tchaikovsky Moscow Radio Symphony Orchestra, Vladimir Fedosseiev / Glinka - Orchestral Works
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -5.05 dB -26.38 dB 10:04 01-M. Glinka - Valse-Fantaisie
DR15 -2.54 dB -24.91 dB 6:37 02-M. Glinka - Three Dances from 'A Life for the Tsar' - 1. Cracoviak
DR13 -10.15 dB -30.62 dB 6:15 03-M. Glinka - Three Dances from 'A Life for the Tsar' - 2. Pas de quatre
DR14 -3.11 dB -22.53 dB 4:32 04-M. Glinka - Three Dances from 'A Life for the Tsar' - 3. Polonaise
DR15 -2.08 dB -23.32 dB 5:21 05-M. Glinka - Two fragments from 'Ruslan and Ludmilla' - 1. Overture
DR14 -3.82 dB -24.47 dB 5:26 06-M. Glinka - Two fragments from 'Ruslan and Ludmilla' - 2. Marche of Tchernomor
DR16 -2.33 dB -23.10 dB 9:32 07-M. Glinka - Jota aragonaise
DR17 -1.56 dB -25.29 dB 7:56 08-M. Glinka - Souvenir d'une nuit d'ete a Madrid
DR14 -7.56 dB -27.90 dB 7:55 09-M. Glinka - Kamarinskaia
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 457 kbps
Codec: FLAC
================================================================================

Tchaikovsky Moscow RSO, Vladimir Fedoseyev - Mikhail Glinka: Orchestral Works (1995)

Tchaikovsky Moscow RSO, Vladimir Fedoseyev - Mikhail Glinka: Orchestral Works (1995)

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