Trevor Pinnock, The English Concert & Choir - Joseph Haydn: Stabat Mater (1990)
EAC | FLAC | Image (Cue & Log) ~ 319 Mb | Total time: 61:01 | Scans included
Classical | Label: Archiv Produktion | # 429 733-2 | Recorded: 1989
EAC | FLAC | Image (Cue & Log) ~ 319 Mb | Total time: 61:01 | Scans included
Classical | Label: Archiv Produktion | # 429 733-2 | Recorded: 1989
At last there is a Haydn Stabat mater within easy reach. The piece is seldom performed and even more rarely recorded, and this despite the fact that it contains some of the composer's most rich and deeply felt writing. One of the few works not written to order (Prince Nikolaus Esterhazy was less than keen on encouraging the sacred duties of his Kapellmeister) the Stabat mater is also one Haydn himself grew to respect highly, and Trevor Pinnock's performance makes it clear why.
The Feast of the Seven Sorrows inspired in Haydn writing of similiar length, gravity and meditative concentration as the Seven Last Words were to do some 20 years later. But the almost unrelieved sobriety of minor keys and slow turning harmonies were subtly offset by a wonderfully acute instinct for pulse, melodic shape and vocal and instrumental colour. It is these elements which Pinnock and his colleagues enjoy to the full.
There is Anthony Rolfe Johnson, for instance, ideally cast to care for the opening's long, bending lines, slightly distorted by syncopation, and to catch the breath in the ''dum emisit spiritum''. There is Cornelius Hauptmann, not over-characterful of voice, yet splendidly incisive in the dislocated rhythms and jagged line which expresses simultaneously the violence and the indignation at the scourging.
When it comes to the almost Handelian length and strength of Haydn's melodic line, it is Catherine Robbin and Patricia Rozario who come into their own. They, too, are cunningly cast. The energetic leaps from chest to head voice in which Haydn both expressed and manipulated response to the Virgin's grief, catch the flare at the top of Robbin's voice, especially where it tunes in to the cor anglais with which Haydn replaces the oboes in the ''O quam tristis''.
Just as her mezzo flows into the upward spiral of sympathy in ''Fac me vere tecum flere'', so the gummy legato of Rozario's distinctive soprano creates melismas to rival those of any oboe in the ''Sancta mater'' duet. Some listeners may well prefer a voice of more conventional purity and high agility in this part, but the unique tint of Rozario's soprano plays its own role in the cumulative power of the performance, and nowhere more so than in the sudden surfacing ''Amen'' in the final vision of Paradise.
Unequal temperament, the pungency of The English Concert's woodwind soloists, the often glaring brightness of its strings all make their mark on the work's sensibility. There are passing moments where they strive for unnecessary effect, such as in the long decrescendo over the chorus's ''Gladius'' which sounds over-engineered. But the strength of the chorus's inner parts, the near spiccato kindling of the strings in hell, and the sensitivity to Haydn's high fibre string writing in this piece compensates for any passing weakness.–The Gramophone
Performer:
Patricia Rozario, soprano
Catherine Robbin, mezzo-soprano
Anthony Rolfe Johnson, tenor
Cornelius Hauptmann, bass
The English Concert & Choir
Trevor Pinnock, conductor
Tracklist:
Joseph Haydn (1732-1809)
Stabat Mater, Hob. XXbis
01. Stabat Mater Dolorosa
02. O quam tristis et afflicta
03. Quis est homo, qui non fleret
04. Quis non posset contristari
05. Pro peccatis suae gentis
06. Vidit suum dulcem natum
07. Eja mater, fons amoris
08. Sancta mater istud agas
09. Fac me vere tecum flere
10. Virgo virginium praeclara
11. Flammis orci ne succendar
12. Fac me cruce custodiri
13. Quando corpus morietur
14. Paradisi gloria / Amen
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 15. February 2023, 14:11
Trevor Pinnock, The English Concert & Choir / Haydn: Stabat Mater
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Null samples used in CRC calculations : Yes
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Filename D:\ArlegZ\Haydn - Stabat Mater - Trevor Pinnock.wav
Peak level 98.0 %
Extraction speed 8.8 X
Range quality 100.0 %
Test CRC FC4B80B3
Copy CRC FC4B80B3
Copy OK
No errors occurred
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