Tetzlaff Quartett - Ludwig van Beethoven: String Quartets, Opp. 132 & 130/133 (2020)
Tetzlaff Quartett - Ludwig van Beethoven: String Quartets, Opp. 132 & 130/133 (2020)
EAC | FLAC | Image (Cue & Log) ~ 403 Mb | Total time: 100:31 | Scans included
Classical | Label: Ondine | ODE 1347-2D | Recorded: 2019
EAC | FLAC | Image (Cue & Log) ~ 403 Mb | Total time: 100:31 | Scans included
Classical | Label: Ondine | ODE 1347-2D | Recorded: 2019
This new album of Beethovens late String Quartets by the prestigious Tetzlaff Quartett offers a fitting tribute to Beethovens 250th anniversary year. These monumental works which are given fresh interpretations by the quartet are among the greatest achievements in the history of Western art music written by a composer who had already largely lost contact with the world. When writing his final String Quartets (Op. 127135) Beethoven was quickly becoming increasingly ill and understood that he would never be able to recover fully. Beethoven had just completed his 9th Symphony when he received a commission to write String Quartets. What resulted was a string of totally unique masterpieces highly individual in their language and unusual in their form. String Quartet in A minor, Op. 132 is a work in 5 movements with movements Nos. 1, 3, and 5 being the central bearers of meaning. The quartets hub and pivot is the middle part of the work, Heiliger Dankgesang eines Genesenen an die Gottheit, in der lidischen Tonart (Holy Song of Thanksgiving of a Convalescent to the Divinity, in the Lydian Mode). The biographical context of this title is obvious and specifically refers to the severe bout of illness experienced by Beethoven from the middle of April to the beginning of May 1825. The Grosse Fuge, Op. 133 is a work that has fascinated listeners for two centuries. Originally, String Quartet in B flat major, Op. 130 and Grosse Fuge Op. 133 were part of one and same work. Beethoven had written the Fuge as the final movement for the String Quartet, but his publisher urged him to write a new ending. For this album, Tetzlaff Quartett performs the String Quartet Op. 130 together with the Grosse Fuge, thus bringing the work back to its original form.
Performer:
Tetzlaff Quartett
Christian Tetzlaff, violin
Elisabeth Kufferath, violin
Hanna Weinmeister, viola
Tanja Tetzlaff, cello
Tracklist:
Ludwig van Beethoven (1770-1827)
CD1:
String Quartet No. 15 in A Minor, Op. 132
01. I. Assai sostenuto - Allegro
02. II. Allegro ma non tanto
03. III. Molto adagio
04. IV. Alla marcia, assai vivace
05. V. Allegro appassionato
CD2:
String Quartet No. 13 in B-Flat Major, Op. 130
01. I. Adagio ma non troppo (12:45)
02. II. Presto
03. III. Andante con moto ma non troppo
04. IV. Alla danza tedesca. Allegro assai
05. V. Cavatina. Adagio molto espressivo
06. Große Fuge, Op. 133 (Original finale of Op. 130)
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 25. July 2020, 0:01
Tetzlaff Quartett / Beethoven - String Quartet Op.132
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Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 25. July 2020, 0:27
Tetzlaff Quartett / Beethoven - String Quartet Op.130/133
Used drive : ASUS SDRW-08U7M-U Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Range status and errors
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All tracks accurately ripped
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Tetzlaff Quartett - Ludwig van Beethoven: String Quartets, Opp. 132 & 130/133 (2020)
Thanks to the original releaser