La Reverdie - Insula Feminarum: Résonances médiévales de la Féminité Celte (1997)
EAC | FLAC | Image (Cue & Log) ~ 357 Mb | Total time: 64:15 | Scans included
Classical | Label: Arcana | A 59 | Recorded: 1997
EAC | FLAC | Image (Cue & Log) ~ 357 Mb | Total time: 64:15 | Scans included
Classical | Label: Arcana | A 59 | Recorded: 1997
Although it's not unusual for artistic and literary communities to revisit and emulate the ideals of an earlier time (the 18th-century reverence for classical antiquity, for example), the present age has shown an interest in medieval music that's certainly unprecedented–and, on evidence of hundreds of recordings and the work of dozens of performing ensembles, its practitioners certainly are among the most accomplished and knowledgeable musicians and scholars ever known. This excellent recording from the medieval ensemble La Reverdie provides more support to such a claim. Rather than just dig up a bunch of old manuscripts, arrange a few obscure tunes, and dump them onto a program with a suitably poetic title, La Reverdie dug up a bunch of old manuscripts, arranged a few obscure tunes, and intelligently and skillfully organized them into an engaging program that brims with lively, lovely music and imaginative interpretations. The five woman/one man ensemble's considerable vocal and instrumental talents reflect an impressive versatility–they perform on lute, flutes, vielle, rebec, harps, cornetto, and various percussion instruments, and five of the six members also sing. The music ranges from Anonymous 4-style multi-part chant ("Nobilis humilis Magne martir") and solo songs with instruments to purely instrumental pieces. And it's all arranged into programmatic categories (explained at length, but somewhat confusingly in the liner notes) with poetic and strange Celtic titles. The subject of the music is women: of legend ("Se Geneive Tristan"), of mythical places ("Nel bosco senca foglie"), and of religion ("Ave maris stella"). Performing and recording values are high and appropriate to the repertoire. If you're in the mood for a little ancient Celtic adventure, here's a promising ticket.–David Vernier
Performer:
La Reverdie:
Claudia Caffagni
Livia Caffagni
Elisabetta de'Mircovich
Ella de'Mircovich
Doron David Sherwin
Claudia Pasetto
Tracklist:
01. Wyth Right Al My Hert (Anonymous)
02. Tir Na mBan (Elisabetta de'Mircovich)
03. Se Geneive, Tristan (Anonymous)
04. Lamento Di Tristano & Rotta (Anonymous)
05. Tre Fontane (Doron David Sherwin_
06. Deus Tuorum Militum / De Flore Martyrum / Ave Rex (Anonymous)
07. Ave Miles Celestis Curie / Ave Rex Patrone Patrie / Ave Rex (Anonymous)
08. Nobilis Humilis Magne Martir (Anonymous)
09. Quene Note (Doron David Sherwin)
10. Di Novo È Giunto Un Chavalier (Jacopo da Bologna)
11. S'on Me Regarde / Prenés I Garde / Hé Mi Enfant (Anonymous)
12. Seguendo 'L Canto D'un Uccel (Donato da Firenze)
13. Nel Boscho Senza Foglie (Donato da Firenze)
14. Ave Maris Stella (Anonymous)
15. Crist & Sainte Marie (San Godric di Finchale)
16. Sainte Marie Viergene (San Godric di Finchale)
17. Prima Cedit Femina / Mulierum Hodie / Mulierum (Anonymous)
18. Ave Mutter Kuniginne / Ave Mater (Oswald von Wolkenstein)
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 4. August 2020, 19:47
Claudia Caffagni, Livia Caffagni, Elisabetta de'Mircovich, Ella de'Mircovich, Doron David Sherwin, Claudia Pasetto / Insula Feminarvm. Resonances medievales de la Feminite Celte
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Range status and errors
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Filename C:\EACRip\LA REVERDIE\6. Insula feminarum (La Reverdie) (1997)\Insula feminarum. Resonances medievales de la Feminite Celte - La Reverdie.wav
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Extraction speed 9.7 X
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Test CRC D0CA56A6
Copy CRC D0CA56A6
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==== Log checksum 5B003131E9F042C641D41127ADFEB1914C6CAB4F26502D549BFA034A69171F08 ====
Thanks to the original releaser