Konstantin Shamray - Pyotr Il'yich Tchaikovsky: Eighteen Piano Pieces, Op.72 (2012)
EAC | FLAC | Image (Cue&Log) ~ 198 Mb | Mp3 (CBR320) ~ 155 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.572225 | Time: 01:07:07
EAC | FLAC | Image (Cue&Log) ~ 198 Mb | Mp3 (CBR320) ~ 155 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.572225 | Time: 01:07:07
Tchaikovsky completed his last set of piano pieces about six months before his death. Each bears a dedication to a friend or colleague including distinguished musicians such as Paul Pabst, Vasily Sapelnikov and Vasily Safonov. The 18 pieces are no mere salon effusions; rather they are richly characterised, sometimes virtuosic, and perfectly crafted miniatures. Schumann and Chopin are deliberately evoked, the music embracing a rich variety of dance, melancholy, fantasy and bravura. The set is played by the brilliant young prizewinner of the Sydney International Piano Competition in 2008, Konstantin Shamray.
When you read of the life of Tchaikovsky, his disappointments, his heartbreaks, his feelings of torment caused by his homosexuality and the periods of utter despair he experienced as a result, it is all the more amazing that he could produce music of such beauty. This same music is often happy, sunny and joyful in temperament, and with such everlasting appeal. It’s all the more remarkable that he did so just six months before his unexpected death which some still believe was at his own hand due to an impending homosexual scandal rather than the cholera caused by drinking undistilled water. That these short pieces are beautiful cannot be disputed – from the very first note Tchaikovsky transports you into another world with such consummate skill you are left in no doubt that you are in the hands of a genius. He writes with such breathtaking ease you are simply left to marvel at it. Each of these eighteen pieces was dedicated to a friend or associate, from the sister of a fellow-student to a young pianist of whom Tchaikovsky was particularly fond. Each is a miniature masterpiece and they all punch well above their weight. From lullabies to mazurkas, from waltzes to meditations, these little gems sparkle with light and are simply delightful. Playing them here is a young Russian pianist Konstantin Shamray, born in Novosibirsk in 1985, who has been winning prizes since the late 1990s, most sensationally in Sydney in 2008 where he swept the board with no fewer than six special prizes. The description of him as having “dynamite in his fingers” is aptly deserved. Another disc he recorded at the Ruhr Piano Festival of Schumann, Scriabin, Prokofiev and Liszt on the CA-vi music label will certainly be worth seeking out if this disc is anything to go by. This is a thoroughly enjoyable disc with well written and documented notes by Keith Anderson giving a background to each piece.Review by Steve Arloff, MusicWeb-International.com
Konstantin Shamway, a young Russian winner of competitions in Australia and Germany, makes his recording debut here with Tchaikovsky’s last work for piano, a sizeable but little-known group of piano pieces that are almost never played as a complete set. Shamway’s understanding of the rhythmic flexibility required in Tchaikovsky’s style, his good taste in not taking it too far, and his truly impressive technique result in joyful music-making from the first phrase of the jaunty opening Impromptu to the final “Scène dansante.”
Op. 72, as the booklet notes state, “goes far beyond the range of the usual sets of piano pieces generally designed for the amateur market,” but was not planned as a cycle. Tchaikovsky originally intended to publish op. 72 in three groups of six pieces, which is more or less the perfect amount to experience at one hearing. (As much as I love the music from The Nutcracker , I, and I suspect most people, would rather listen to the suite than the complete ballet at one stretch. Incidentally, the op. 72 pieces would make a sensational ballet.)
Each piece is dedicated to a different colleague, pupil, or friend, and Tchaikovsky gave them an order that offers nice contrasts between tempos and moods. It’s a more extroverted collection, with far more humor and variety than the familiar Seasons (or more properly The Months ), op. 37a. The scintillating Scherzo-Fantasy is op. 72’s high point of bravura, and the Berceuse and “Chant élégiaque” are expansive, lyric effusions. The pieces in the manner of Chopin and Schumann aren’t as uncanny as Schumann’s Chopin and Paganini impersonations in Carnaval , but they are a lot of fun.
There are few recordings of the complete op. 72, but Shamway’s is in competition with a live performance by Mikhail Pletnev, a dazzling player and Tchaikovsky specialist whose interpretations demand attention, but seem to me, in this case, overly mannered. The unhackneyed repertoire and the charm, color, and brilliance of Shamway’s playing make this one of the most enjoyable piano discs that I’ve heard in a long time.Review by Paul Orgel, Fanfare
Tracklist:
01. Impromptu: Allegro moderato e giocoso (03:41)
02. Berceuse: Andante mosso (05:29)
03. Tendres reproches: Allegro non tanto ed agitato (02:30)
04. Danse caracteristique: Allegro giusto (03:35)
05. Meditation: Andante mosso (04:22)
06. Mazurka pour danser: Tempo di mazurka (03:11)
07. Polacca de concert: Tempo di polacca (05:25)
08. Dialogue: Allegro moderato (03:30)
09. Un poco di Schumann: Moderato mosso (02:33)
10. Scherzo-fantaisie: Vivace assai (06:36)
11. Valse-bluette: Tempo di valse (02:30)
12. L'espiegle: Allegro moderato (01:49)
13. Echo rustique: Allegro non troppo (02:19)
14. Chant elegiaque: Adagio (06:26)
15. Un poco di Chopin: Tempo di mazurka (02:52)
16. Valse a cinq temps: Vivace (01:45)
17. Passe lointain: Moderato assai quasi andante (04:36)
18. Scene dansante: Allegro non tanto (03:50)
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Konstantin Shamray / Tchaikovsky - Eighteen Piano Pieces, Op.72
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-02-26 15:10:40
––––––––––––––––––––––––––––––––––––––––
Analyzed: Konstantin Shamray / Tchaikovsky - Eighteen Piano Pieces, Op.72
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.26 dB -22.62 dB 3:41 01-Impromptu: Allegro moderato e giocoso
DR14 -9.70 dB -28.58 dB 5:30 02-Berceuse: Andante mosso
DR15 -2.75 dB -23.87 dB 2:31 03-Tendres reproches: Allegro non tanto ed agitato
DR14 -0.10 dB -18.27 dB 3:36 04-Danse caracteristique: Allegro giusto
DR14 -2.88 dB -22.53 dB 4:22 05-Meditation: Andante mosso
DR13 -2.37 dB -19.39 dB 3:12 06-Mazurka pour danser: Tempo di mazurka
DR13 0.00 dB -16.69 dB 5:25 07-Polacca de concert: Tempo di polacca
DR12 -3.90 dB -23.88 dB 3:30 08-Dialogue: Allegro moderato
DR13 -7.00 dB -24.24 dB 2:33 09-Un poco di Schumann: Moderato mosso
DR14 -1.68 dB -21.05 dB 6:37 10-Scherzo-fantaisie: Vivace assai
DR12 -8.70 dB -25.53 dB 2:30 11-Valse-bluette: Tempo di valse
DR17 0.00 dB -23.18 dB 1:49 12-L'espiegle: Allegro moderato
DR12 -3.41 dB -21.00 dB 2:19 13-Echo rustique: Allegro non troppo
DR14 -3.58 dB -24.30 dB 6:27 14-Chant elegiaque: Adagio
DR13 -4.53 dB -22.81 dB 2:52 15-Un poco di Chopin: Tempo di mazurka
DR14 -4.13 dB -24.18 dB 1:45 16-Valse a cinq temps: Vivace
DR14 -6.73 dB -26.82 dB 4:36 17-Passe lointain: Moderato assai quasi andante
DR13 -0.08 dB -18.66 dB 3:51 18-Scene dansante: Allegro non tanto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 411 kbps
Codec: FLAC
================================================================================
log date: 2016-02-26 15:10:40
––––––––––––––––––––––––––––––––––––––––
Analyzed: Konstantin Shamray / Tchaikovsky - Eighteen Piano Pieces, Op.72
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.26 dB -22.62 dB 3:41 01-Impromptu: Allegro moderato e giocoso
DR14 -9.70 dB -28.58 dB 5:30 02-Berceuse: Andante mosso
DR15 -2.75 dB -23.87 dB 2:31 03-Tendres reproches: Allegro non tanto ed agitato
DR14 -0.10 dB -18.27 dB 3:36 04-Danse caracteristique: Allegro giusto
DR14 -2.88 dB -22.53 dB 4:22 05-Meditation: Andante mosso
DR13 -2.37 dB -19.39 dB 3:12 06-Mazurka pour danser: Tempo di mazurka
DR13 0.00 dB -16.69 dB 5:25 07-Polacca de concert: Tempo di polacca
DR12 -3.90 dB -23.88 dB 3:30 08-Dialogue: Allegro moderato
DR13 -7.00 dB -24.24 dB 2:33 09-Un poco di Schumann: Moderato mosso
DR14 -1.68 dB -21.05 dB 6:37 10-Scherzo-fantaisie: Vivace assai
DR12 -8.70 dB -25.53 dB 2:30 11-Valse-bluette: Tempo di valse
DR17 0.00 dB -23.18 dB 1:49 12-L'espiegle: Allegro moderato
DR12 -3.41 dB -21.00 dB 2:19 13-Echo rustique: Allegro non troppo
DR14 -3.58 dB -24.30 dB 6:27 14-Chant elegiaque: Adagio
DR13 -4.53 dB -22.81 dB 2:52 15-Un poco di Chopin: Tempo di mazurka
DR14 -4.13 dB -24.18 dB 1:45 16-Valse a cinq temps: Vivace
DR14 -6.73 dB -26.82 dB 4:36 17-Passe lointain: Moderato assai quasi andante
DR13 -0.08 dB -18.66 dB 3:51 18-Scene dansante: Allegro non tanto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 411 kbps
Codec: FLAC
================================================================================