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Kim Kashkashian & Robert Levin - Paul Hindemith: Sonatas for Viola/Piano & Viola Alone (1988) 2CDs

Posted By: Designol
Kim Kashkashian & Robert Levin - Paul Hindemith: Sonatas for Viola/Piano & Viola Alone (1988) 2CDs

Kim Kashkashian & Robert Levin - Paul Hindemith: Sonatas for Viola/Piano & Viola Alone (1988)
EAC | FLAC | Tracks (Cue&Log) ~ 537 Mb | Mp3 (CBR320) ~ 292 Mb | Scans ~ 20 Mb
Classical, Chamber Music | Label: ECM | # ECM 1330-32, 833 311-2 | Time: 02:07:46

The viola was Hindemith's instrument (though he could play almost any), and he wrote some of his most expressive chamber music for it. This two-disc set includes all four of Hindemith's sonatas for solo violin and the three for viola and piano. I prefer the wildness of Hindemith's earlier music to the sometimes arid calm of his later music, so listeners like myself who like Hindemith can have a feast here as most of these are early works. They are played with energy and passion by an outstanding violist and a fine pianist.

Review by Leslie Gerber

The seven works recorded here leave one in no doubt that Hindemith was the composer for the viola, the instrument which he himself played supremely well (indeed, he was recorded in the Op. 25 No. 1 Solo Sonata and the 1939 Sonata with piano). Throughout these works, even in Op. 31 No. 4 and the 1937 Sonata, which are unpublished, there is an almost overwhelming competence. The sheer mastery with which he was able to go about making one instrument express the creativity of his extraordinarily fertile mind is quite breathtaking. But this is not easy music, and much is demanded of the listener. There is a strong feeling that it emanates from an era of unrest: the constant moving-on from one idea to another and the rapid harmonic shifts are symptomatic of this. The role of the viola is somewhat solitary.
Alfred Einstein encapsulated Hindemith's relationship to his audience thus: ''He is unwilling to exploit his feelings publicly and he keeps his two feet on the ground. He merely writes music, the best that he can produce.'' And yet it is in the four sonatas for solo viola that one is closest to his essence, an essence that is rather bleak and certainly highly cerebral. He was 24 when he wrote the 1919 Sonata, Op. 11 No. 5 and it was in this year that he had given up the violin in favour of the viola. Although the style is fragmented, the four movements are linked by a recurring motif. The Op. 25 No. 1 unpublished work of three years later contains further indications that Hindemith was aiming to convey some philosophical import in his music, and this personal aspect is heightened by the very intensely expressive tone that Kashkashian uses in the final section, with her bow close to the bridge.

Hindemith's allegiance to Bach is clearer in the next two solo sonatas, both regarding instrumental technique and use of polyphony. Despite this, there is a hint of the flamenco style in the first movement of Op. 31 No. 4, and the eerie loneliness of the Lied would make an ideal soundtrack for a ghost story. The 1937 Sonata was written on a train journey between New York and Chicago and was apparently performed a few days later. Here the music is rather more direct. The first two movements are neo-classical in orientation and the whole sonata makes its effect through the contrasts in light and shade.

The presence of the piano in the remaining three sonatas allows the listener to hear the viola in a less aurally taxing context. One feels that Hindemith is showing a public face and certainly the Op. 11 No. 4 work is more romantic in inspiration than was the solo sonata of the same year. The florid writing of the Phantasie first movement of the former, with the rapid runs, trills and arabesques, is infinitely more approachable. The rest of the work is taken up with variations, though Hindemith's complex treatment does not mean that there is a lightening of mood.
The writing for the piano is very much complementary to that of the viola, and at times it is the piano with its greater power that is given the most angular and thrusting writing. The almost Bartok-like insistent rhythms of the finale from the Op. 25 No. 4 Sonata demonstrate this. In the last work for viola, the Sonata of 1939, Hindemith shows some softening with age, though he was still only 44 when it was written. The open-air freshness of the second movement and the more melodic style in the Phantasia third make this an easier piece and throughout the piano is given its fair share of colouristic effects.

This is a superbly played set. Kim Kashkashian has a really mellow-sounding viola, completely free from that nasal quality that is so often associated with it. She manages the terribly taxing demands with confidence and her interpretations have wonderful authority. The recorded sound captures the viola tone excellently, and there is no harshness. Of the six LP sides of the music it should be noted that three are less than 20 minutes long, but I cannot see how the music could have been otherwise distributed with success. The release fits more comfortably on the two CDs. This is a remarkably fine set, though the music demands a certain toughness from the listener.'

Review by James Methuen-Campbell, Gramophone

Kim Kashkashian & Robert Levin - Paul Hindemith: Sonatas for Viola/Piano & Viola Alone (1988) 2CDs



Kim Kashkashian & Robert Levin - Paul Hindemith: Sonatas for Viola/Piano & Viola Alone (1988) 2CDs



Tracklist:

CD1:

Sonate Für Viola Solo Op. 31 Nr. 4 (1924):

01. I. Äußerst Lebhaft (03:19)
02. II. Lied - Ruhig, mit wenig Ausdruck (04:11)
03. III. Thema Mit Variationen: Schnelle Viertel - Langsam - Ziemlich Lebhaft (10:44)

Sonate Für Viola Solo Op. 25 Nr. 1 (1922):

04. I. Breit - Sehr frisch und straff (03:46)
05. II. Sehr langsam (05:54)
06. III. Rasendes Zeitmaß. Wild. Tonschönheit Ist Nebensache (01:31)
07. IV. Langsam, mit viel Ausdruck (05:18)

Sonate Für Viola Solo (1937):

08. I. Lebhafte Halbe (04:01)
09. II. Langsame Viertel - Lebhaft (pizzicato) (07:20)
10. III. Mäßig Schnelle Viertel (04:40)

Sonate Für Viola Solo Op. 11 Nr. 5 (1919)

11. I. Lebhaft, aber nicht geeilt (03:02)
12. II. Mäßig Schnell, Mit Viel Wärme Vorgetragen (04:17)
13. III. Scherzo (03:32)
14. IV. In Form Und Zeitmaß Einer Passacaglia (10:59)

CD2:

Sonate Für Viola Und Piano Op. 11 Nr. 4 (1919)

01. I. Phantasie (03:06)
02. II. Thema mit Variationen (04:01)
03. III. Finale mit Variationen (10:17)

Sonate Für Viola Und Piano Op. 25 Nr. 4 (1922)

04. I. Sehr lebhaft, markiert und kraftvoll (04:57)
05. II. Sehr langsame Viertel (04:00)
06. III. Finale, lebhafte Viertel (05:27)

Sonate Für Viola Und Piano (1939)

07. I. Breit, mit Kraft (07:10)
08. II. Sehr lebhaft (04:40)
09. III. Phantasie (03:57)
10. IV. Finale (07:25)

- Solo sonatas recorded 1985-86, Kirche Seon, Switzerland and Karlshöhe, Ludwigsburg, Germany
- Sonatas for viola and piano recorded 1986, Feste Burg Kirche, Frankfurt, Germany


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 24. January 2012, 21:05

Paul Hindemith (Kim Kashkashian, Robert Levin) / Sonatas For Viola-Piano And Viola Alone (CD 1)

Used drive : SlimtypeDVD A DS8A5SH Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
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Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


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1 | 0:00.33 | 3:19.25 | 33 | 14982
2 | 3:19.58 | 4:11.57 | 14983 | 33864
3 | 7:31.40 | 10:44.65 | 33865 | 82229
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9 | 38:49.13 | 7:20.45 | 174688 | 207732
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11 | 50:50.00 | 3:02.13 | 228750 | 242412
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13 | 58:09.18 | 3:32.40 | 261693 | 277632
14 | 61:41.58 | 10:59.50 | 277633 | 327107


Track 1

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Track 3

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Accurately ripped (confidence 2) [249958A7] (AR v1)
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Track 4

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 1)\04. Sonate fur Viola solo, op.25 Nr.1 (1922)- I. Breit - Sehr frisch und straff.wav

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Track 5

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 1)\05. Sonate fur Viola solo, op.25 Nr.1 (1922)- II. Sehr langsam.wav

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Track 6

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Track 7

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Accurately ripped (confidence 3) [39593526] (AR v1)
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Track 8

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 1)\08. Sonate fur Viola solo (1937)- I. Lebhafte Halbe.wav

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Accurately ripped (confidence 3) [2EBC04B7] (AR v1)
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Track 9

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Accurately ripped (confidence 3) [EF31BF81] (AR v1)
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Track 10

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Accurately ripped (confidence 3) [DF96122B] (AR v1)
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Track 13

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Track 14

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Cannot be verified as accurate (confidence 3) [18755119], AccurateRip returned [AEB517F8] (AR v2)
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13 трек(и) скопированы точно
1 трек(и) не удалось проверить на точность

Some tracks could not be verified as accurate

No errors occurred

End of status report

==== Log checksum BBBE75F78D284CDF755CC409C6B5DBF3FC290DCEBB7141D8ED0B3F9397EF2FC1 ====

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04 [c08f8b09] (00/30) No match (V2 was not tested)
05 [fadc3e92] (00/30) No match (V2 was not tested)
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08 [50184e99] (00/31) No match (V2 was not tested)
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Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 81,2 [CF6FC38A] [8B238E00]
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03 81,2 [6DA111DE] [A078BE92] CRC32
04 81,2 [89349223] [B4172692] CRC32
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06 81,2 [D0233A23] [E198078F] CRC32
07 64,9 [EB915B0A] [8A48C0BF] CRC32
08 79,4 [ABA80AD8] [9859964B] CRC32
09 79,4 [EF742AE5] [E543E963] CRC32
10 79,4 [6CFA9BBE] [D1D5E5F6] CRC32
11 78,7 [D051EDCC] [16A7E5C4] CRC32
12 79,4 [DD6498BC] [EB4FE528] CRC32
13 79,4 [B42F411C] [C47C59B4] CRC32
14 68,7 [D76BF139] [F9DAE858] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-10-11 15:05:26

––––––––––––––––––––––––––––––––––––––––
Analyzed: Paul Hindemith (Kim Kashkashian, Robert Levin) / Sonatas For Viola-Piano And Viola Alone (CD 1)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.80 dB -19.47 dB 3:19 01-Sonate for Viola solo, op.31 Nr.4 (1924): I. Ausserst lebhaft
DR14 -8.07 dB -28.34 dB 4:12 02-Sonate fur Viola solo, op.31 Nr.4 (1924): II. Lied - Ruhig, mit wenig Ausdruck
DR15 -1.80 dB -21.55 dB 10:45 03-Sonate fur Viola solo, op.31 Nr.4 (1924): III. Thema mit Variationen
DR14 -1.80 dB -20.34 dB 3:47 04-Sonate fur Viola solo, op.25 Nr.1 (1922): I. Breit - Sehr frisch und straff
DR14 -2.01 dB -22.82 dB 5:54 05-Sonate fur Viola solo, op.25 Nr.1 (1922): II. Sehr langsam
DR12 -1.80 dB -16.86 dB 1:32 06-Sonate fur Viola solo, op.25 Nr.1 (1922): III. Rasendes Zeitmass. Wild. Tonschonheit ist Nebensache
DR13 -3.74 dB -23.92 dB 5:18 07-Sonate fur Viola solo, op.25 Nr.1 (1922): IV. Langsam, mit viel Ausdruck
DR12 -2.00 dB -18.03 dB 4:02 08-Sonate fur Viola solo (1937): I. Lebhafte Halbe
DR17 -2.00 dB -24.14 dB 7:21 09-Sonate fur Viola solo (1937): II. Langsame Viertel - Lebhaft (pizzicato)
DR14 -2.00 dB -19.86 dB 4:40 10-Sonate fur Viola solo (1937): III. Massig schnelle Viertel
DR15 -2.08 dB -21.78 dB 3:02 11-Sonate fur Viola solo, op.11 Nr.5 (1919): I. Lebhaft, aber nicht geeilt
DR15 -2.00 dB -23.47 dB 4:17 12-Sonate fur Viola solo, op.11 Nr.5 (1919): II. Massig schnell, mit viel Warme vorgetragen
DR16 -2.00 dB -23.30 dB 3:33 13-Sonate fur Viola solo, op.11 Nr.5 (1919): III. Scherzo
DR14 -3.25 dB -22.08 dB 11:00 14-Sonate fur Viola solo, op.11 Nr.5 (1919): IV. In Form und Zeitmass einer Passacaglia
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 604 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 24. January 2012, 6:58

Paul Hindemith (Kim Kashkashian, Robert Levin) / Sonatas For Viola-Piano And Viola Alone (CD 2)

Used drive : SlimtypeDVD A DS8A5SH Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 3:06.53 | 32 | 14034
2 | 3:07.10 | 4:01.32 | 14035 | 32141
3 | 7:08.42 | 10:17.65 | 32142 | 78481
4 | 17:26.32 | 4:57.38 | 78482 | 100794
5 | 22:23.70 | 4:00.32 | 100795 | 118826
6 | 26:24.27 | 5:27.55 | 118827 | 143406
7 | 31:52.07 | 7:10.00 | 143407 | 175656
8 | 39:02.07 | 4:40.43 | 175657 | 196699
9 | 43:42.50 | 3:57.57 | 196700 | 214531
10 | 47:40.32 | 7:25.30 | 214532 | 247936


Track 1

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\01. Sonate fur Viola und Piano, op.11 Nr.4 (1919)- I. Phantasie.wav

Pre-gap length 0:00:02.32

Peak level 93.3 %
Extraction speed 1.0 X
Track quality 100.0 %
Test CRC 59CC169E
Copy CRC 59CC169E
Track not present in AccurateRip database
Copy OK

Track 2

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\02. Sonate fur Viola und Piano, op.11 Nr.4 (1919)- II. Thema mit Variationen.wav

Peak level 43.0 %
Extraction speed 1.2 X
Track quality 100.0 %
Test CRC 8467B215
Copy CRC 8467B215
Track not present in AccurateRip database
Copy OK

Track 3

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\03. Sonate fur Viola und Piano, op.11 Nr.4 (1919)- III. Finale mit Variationen.wav

Peak level 72.3 %
Extraction speed 1.4 X
Track quality 99.9 %
Test CRC 8BB4AD27
Copy CRC 8BB4AD27
Track not present in AccurateRip database
Copy OK

Track 4

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\04. Sonate fur Viola und Piano, op.25 Nr.4 (1922)- I. Sehr lebhaft, markiert und kraftvoll.wav

Pre-gap length 0:00:08.50

Peak level 65.9 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC 4C0DB34C
Copy CRC 4C0DB34C
Track not present in AccurateRip database
Copy OK

Track 5

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\05. Sonate fur Viola und Piano, op.25 Nr.4 (1922)- II. Sehr langsame Viertel.wav

Peak level 39.7 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC 1A86443A
Copy CRC 1A86443A
Track not present in AccurateRip database
Copy OK

Track 6

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\06. Sonate fur Viola und Piano, op.25 Nr.4 (1922)- III. Finale, lebhafte Viertel.wav

Peak level 81.2 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 81B2F44C
Copy CRC 81B2F44C
Track not present in AccurateRip database
Copy OK

Track 7

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\07. Sonate fur Viola und Piano (1939)- I. Breit, mit Kraft.wav

Pre-gap length 0:00:15.00

Peak level 92.7 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC C160B254
Copy CRC C160B254
Track not present in AccurateRip database
Copy OK

Track 8

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\08. Sonate fur Viola und Piano (1939)- II. Sehr lebhaft.wav

Peak level 76.2 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC A83C3CB3
Copy CRC A83C3CB3
Track not present in AccurateRip database
Copy OK

Track 9

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\09. Sonate fur Viola und Piano (1939)- III. Phantasie.wav

Peak level 82.0 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC 8920113D
Copy CRC 8920113D
Track not present in AccurateRip database
Copy OK

Track 10

Filename D:\Musak 2\Classic 2\Hindemith\Sonatas For Viola-Piano And Viola Alone\Sonatas For Viola-Piano And Viola Alone (CD 2)\10. Sonate fur Viola und Piano (1939)- IV. Finale.wav

Peak level 90.0 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC EA021B69
Copy CRC EA021B69
Track not present in AccurateRip database
Copy OK


None of the tracks are present in the AccurateRip database

No errors occurred

End of status report

==== Log checksum 3FA700FC59E43BCC9A361EFD4CF5785907F0BABD89D2CD12D29BB55711B24A8B ====

[CUETools log; Date: 11.10.2015 19:20:48; Version: 2.1.4]
Pregap length 00:00:32.
[CTDB TOCID: veeib_srJbL4sqcXG_83kgAGoDE-] found.
Track | CTDB Status
1 | (2/2) Accurately ripped
2 | (2/2) Accurately ripped
3 | (2/2) Accurately ripped
4 | (2/2) Accurately ripped
5 | (2/2) Accurately ripped
6 | (2/2) Accurately ripped
7 | (2/2) Accurately ripped
8 | (2/2) Accurately ripped
9 | (2/2) Accurately ripped
10 | (2/2) Accurately ripped
[AccurateRip ID: 00142e32-00a361e1-850ce90a] found.
Track [ CRC | V2 ] Status
01 [d1caa6f4|18a14e97] (0+3/3) Accurately ripped
02 [9f95c0a2|e2180959] (0+3/3) Accurately ripped
03 [e9ae18e0|35621ff3] (0+3/3) Accurately ripped
04 [5465ab98|5a7ff9e0] (0+3/3) Accurately ripped
05 [f8932525|7a96b8a3] (0+3/3) Accurately ripped
06 [c45a2d0c|f7bbca9c] (0+3/3) Accurately ripped
07 [4aa43303|2d6d0758] (0+3/3) Accurately ripped
08 [a3a5714d|5fbfb58d] (0+3/3) Accurately ripped
09 [0c588460|25deba75] (0+3/3) Accurately ripped
10 [33a83f9f|fb91e405] (0+3/3) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 93,3 [5D445961] [FA92D656]
01 93,3 [59CC169E] [5567922A] CRC32
02 43,0 [8467B215] [9D92B742] CRC32
03 72,3 [8BB4AD27] [84F1E625] CRC32
04 65,9 [4C0DB34C] [CE2A9435] CRC32
05 39,7 [1A86443A] [F5265A0B] CRC32
06 81,2 [81B2F44C] [9FB2799B] CRC32
07 92,7 [C160B254] [46E53B54] CRC32
08 76,2 [A83C3CB3] [9F2CE1F9] CRC32
09 82,0 [8920113D] [9070DC57] CRC32
10 90,0 [EA021B69] [CE046AB2] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-10-11 15:05:41

––––––––––––––––––––––––––––––––––––––––
Analyzed: Paul Hindemith (Kim Kashkashian, Robert Levin) / Sonatas For Viola-Piano And Viola Alone (CD 2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.60 dB -25.18 dB 3:07 01-Sonate fur Viola und Piano, op.11 Nr.4 (1919): I. Phantasie
DR13 -7.33 dB -26.13 dB 4:01 02-Sonate fur Viola und Piano, op.11 Nr.4 (1919): II. Thema mit Variationen
DR15 -2.81 dB -23.98 dB 10:18 03-Sonate fur Viola und Piano, op.11 Nr.4 (1919): III. Finale mit Variationen
DR14 -3.61 dB -23.64 dB 4:58 04-Sonate fur Viola und Piano, op.25 Nr.4 (1922): I. Sehr lebhaft, markiert und kraftvoll
DR16 -8.02 dB -31.80 dB 4:00 05-Sonate fur Viola und Piano, op.25 Nr.4 (1922): II. Sehr langsame Viertel
DR14 -1.80 dB -21.20 dB 5:28 06-Sonate fur Viola und Piano, op.25 Nr.4 (1922): III. Finale, lebhafte Viertel
DR14 -0.65 dB -21.03 dB 7:10 07-Sonate fur Viola und Piano (1939): I. Breit, mit Kraft
DR14 -2.36 dB -20.77 dB 4:41 08-Sonate fur Viola und Piano (1939): II. Sehr lebhaft
DR15 -1.72 dB -25.53 dB 3:58 09-Sonate fur Viola und Piano (1939): III. Phantasie
DR15 -0.91 dB -20.96 dB 7:25 10-Sonate fur Viola und Piano (1939): IV. Finale
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 598 kbps
Codec: FLAC
================================================================================

Kim Kashkashian & Robert Levin - Paul Hindemith: Sonatas for Viola/Piano & Viola Alone (1988) 2CDs

Kim Kashkashian & Robert Levin - Paul Hindemith: Sonatas for Viola/Piano & Viola Alone (1988) 2CDs

All thanks to original releaser

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