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    José Miguel Moreno - Canto del cavallero (1993)

    Posted By: ArlegZ
    José Miguel Moreno - Canto del cavallero (1993)

    José Miguel Moreno - Canto del cavallero (1993)
    EAC | FLAC | Image (Cue & Log) ~ 247 Mb | Total time: 72:48 | Scans included
    Classical | Label: Glossa ‎| GCD 920101 | Recorded: 1992

    The repertory of the Spanish vihuela from the 16th century remains little investigated, partly because few original instruments exist; when vihuela works appear on recordings they are often played on the lute or guitar. This is a shame, for the instrument has its own sound and a repertory (albeit one that often claimed playability on various instruments) that exploited that sound. The vihuela is large, with six pairs of strings running up a large body and long neck, and the music on this album exploits the instrument's rich sonority and capability for ornamentation rather than the rapid runs, called redobles in Spanish, that are characteristic of music for other plucked stringed instruments. This album was issued in 1992 on the Glossa label; beautifully recorded, it still had little competition when reissued in 2010. Six composers are represented, most of them quite obscure: Luys Venegas de Henestrosa, Miguel de Fuenllana, Diego Pisador, Antonio de Cabezón, Enríquez de Valderrábano, and Luys Milán, and there is one anonymous set of diferencias (variations). The genre situation is fluid in this repertory (for instance, there's some evidence that any work not based on a preexisting vocal model might be considered a "fantasía"), but generally speaking there are three basic types: intabulations of vocal pieces, which might involve elaboration and be called a "glosa" or gloss; diferencias; and dance pieces, often on Italian lute models. The glosas are fancier and more ornamented than you might think; sample Fuenllana's Glosa sobre Tan que vivray (Claudin de Sermisy's Tant que vivray, track 5, for a piece based on a familiar Renaissance song). The diferencias, on the other hand, are reflective and subtle rather than fiery, except for the Cabezón pieces, which were keyboard works, and, though theoretically suited to the vihuela, too, take some doing to play this way. For the casual listener it's a lot of vihuela, but ornamentation and the occasional pungent harmonic detail provide variety. The engineering remains a major strong point; recorded in the Villa Consuelo in the Spanish town of San Lorenzo del Escorial, the vihuela is in an environment close to the ones where the music was originally heard, and it is clear and immdiate without being overbearing. A worthwhile release, especially for those with an interest in this and similar repertories.
    –James Manheim

    Performer:
    José Miguel Moreno, vihuela

    Tracklist:
    Luys Venegas de Henestrosa
    01. Cinco Diferencias sobre Vacas (Antonio de Cabezón?)
    02. Pues no me queréis hablar (Anon.)
    03. Cinco Diferencias sobre Conde Claros (Antonio de Cabezón?)
    04. Pavana con su Glosa (Antonio de Cabezón)
    Miguel de Fuenllana
    05. Glosa sobre Tan que vivray (Sermisy - Fuenllana)
    06. Una fantasía de redobles (Fuenllana)
    07. Con qué la lavaré (Vásquez - Fuenllana)
    08. De Antequera sale el Moro (Morales - Fuenllana)
    09. Morenica dame un beso (Vásquez - Fuenllana)
    Diego Pisador
    10. Dezilde al cavallero que
    11. Madona mala vostra
    12. La cortesía
    13. Pavana muy llana para tañer
    Antonio de Cabezón
    14. Diferencias sobre el canto de La Dama le demanda
    15. Diferencias sobre el Canto del Cavallero
    Enríquez de Valderrábano
    16. Soneto XXII (Lo que queda es lo seguro)
    17. Soneto XXVII
    18. Soneto VIII
    19. Canción VII (A mi sufle)
    Luys Milán
    20. Fantasía VIII
    21. Fantasía XII
    22. Fantasía I
    23. Quie Amores Ten (villancico)
    24. Falai Miña Amor (villancico)
    25. Fantasía XI
    26. Pavana IV
    27. Pavana V
    Manuscrito de Simancas
    28. Diferencias sobre Vacas (Anon.)


    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 27. June 2020, 15:15

    José Miguel Moreno / Canto del cavallero . José Miguel Moreno

    Used drive : HL-DT-STDVD+-RW GT10N Adapter: 1 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 102
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


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    26 | 66:01.38 | 2:05.00 | 297113 | 306487
    27 | 68:06.38 | 2:19.00 | 306488 | 316912
    28 | 70:25.38 | 2:23.00 | 316913 | 327637


    Range status and errors

    Selected range

    Filename C:\_RIPs\Canto del cavallero . José Miguel Moreno\Canto_del_cavallero-José_Miguel_Moreno.wav

    Peak level 94.0 %
    Extraction speed 2.1 X
    Range quality 99.9 %
    Test CRC 1A2B3571
    Copy CRC 1A2B3571
    Copy OK

    No errors occurred


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    –– CUETools DB Plugin V2.1.6

    [CTDB TOCID: F4bbm_8nuZTMZdZVMmZnPr.XmgQ-] found
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    ==== Log checksum 8991BA98BAE02326DC78F9F6871F4F8CC147BE4ED21894F8C52B25F83A632C5B ====

    José Miguel Moreno - Canto del cavallero (1993)

    Thanks to the original releaser