Hervé Niquet, Münchner Rundfunkorchester - Charles Gounod: Le Tribut de Zamora (2018)
EAC | FLAC | Image (Cue & Log) ~ 753 Mb | Total time: 73:44+67:29 | Scans included
Classical | Label: Bru Zane | # BZ1033 | Recorded: 2018
EAC | FLAC | Image (Cue & Log) ~ 753 Mb | Total time: 73:44+67:29 | Scans included
Classical | Label: Bru Zane | # BZ1033 | Recorded: 2018
After Polyeucte (1878), Gounod tackled the operatic genre for the last time in 1881 with what is probably his most ambitious work, Le Tribut de Zamora. The action takes place in ninth-century Spain – from Act Two onwards, on ‘a picturesque site on the banks of the Guadalquivir before Córdoba’. Here Gounod – finally noted more for his neoclassical pastiches (Le Médecin malgré lui and Cinq-Mars) and his ardent Romanticism (Faust and Roméo et Juliette) – was given an opportunity to display his talents as an orchestrator and colourist in an exotic setting. He produced an epic in the tradition of French grand opéra, with numerous ensembles and showpiece airs. Despite an unequivocal success on its first run, despite the stirring national anthem ‘Debout! Enfants de l’Ibérie’, Le Tribut de Zamora sank into oblivion within a few short years. We can now appreciate in this opera precisely what certain detractors complained of at the time: the fact that we meet here once again the irresistible lyricism of Faust and Roméo et Juliette.
Performer:
Hermosa - Jennifer Holloway
Xaïma - Judith van Wanroij
Manoël - Edgaras Montvidas
Ben-Saïd - Tassis Christoyannis
Hadjar - Boris Pinkhasovich
Iglésia / Une Esclave - Juliette Mars
L’Alcade / Le Cadi - Artavazd Sargsyan
Le Roi / Un Soldat arabe - Jérôme Boutillier
Chor des Bayerischen Rundfunks
Münchner Rundfunkorchester
Conductor - Hervé Niquet
Tracklist:
Charles Gounod (1818-1893)
Le Tribut de Zamora
CD1:
Acte premier
01. Prélude
02. Scène 1 - Chœur “Au vieux pays de Cantabrie” (Chœur)
03. Acte premier; Scène 1 - Aubade “Ô blanc bouquet de l’épousée” (Manoël); Scène 2 - “J’avais déjà” (Xaïma, Manoël)
04. Acte premier; Scène 3 - Scène “Qu’entends-je ?” (Manoël, Quelques Jeunes Gens); Scène 4 - “Eux dans nos murs, les Sarrasins !” (Les Hommes du Peuple, Ben-Saïd, Manoël); Scène 5 - “La gloire est aux vaincus” (Xaïma, Ben-Saïd)
05. Acte premier; Scène 5 - Vision et Arioso “La torche du vainqueur brûlait la ville prise” (Xaïma, Ben-Saïd)
06. Acte premier; Scène 5 - Scène “Le seigneur sarrasin parle à ma fiancée” (Manoël, Ben-Saïd, Xaïma)
07. Scène 6 - Duo “Pourquoi ce langage odieux ?” (Manoël, Xaïma)
08. Scène 6 - Arioso “Ce Sarrasin disait que mon seigneur et maître” (Xaïma, Manoël)
09. Scène 7 - Chœur “Entendez-vous la cloche ailée” (Le Peuple, Les Jeunes Filles, Les Jeunes Garçons)
10. Scène 8 - Scène “Que la cloche se taise et qu’on ferme l’église” (Le Roi, Le Peuple, L’Alcade, Ben-Saïd)
11. Scène 8 - Arioso et Scène “Vous osez proférer des menaces” (Ben-Saïd, Manoël, Le Peuple, Les Espagnols, Le Roi, L’Alcade)
12. Scène 8 - Finale “Voici le premier nom” (L’Alcade, Le Peuple, Iglésia, Le Roi)
13. Scène 8 - Finale (suite) “Xaïma Ferreras !” (L’Alcade, Manoël, Ben-Saïd, Xaïma, Le Roi, Le Peuple, Les Espagnols, Les Hommes Espagnols)
Acte deuxième
14 Scène 1 - Chœur “Fêtons, fêtons l’anniversaire” (Les Hommes du Peuple); Scène 2 - “Noble Hadjar, notre chef” (Un Soldat arabe, Hadjar)
15. Scène 2 - Kasidah “La flèche siffle” (Hadjar, Chœur)
16. Scène 3 - Scène “Assez ! je ne veux pas qu’on chante” (Hermosa, Le Peuple, Hadjar)
17. Scène 3 - Air “Que me dis-tu ?” (Hermosa)
18. Scène 4 - Scène, Marche et Chœur “Ah ! voici le convoi d’Espagne” (Le Peuple, Hadjar); Scène 5 - Marche martiale, “Sonnez, clairons !” (Le Peuple)
19. Scène 6 - Scène “Je connais cet homme, il me semble” (Hadjar, Manoël)
20. Scène 7 - Récitatif “Notre très clément souverain” (Le Cadi)
21. Scène 7 - Marche des Captives
22. Scène 8 - Scène et Arioso “Seule en ce lieu” (Hermosa, Xaïma)
23. Scène 9 - Finale “Oh ! la pauvre femme” (Xaïma, Le Cadi); Scène 10 - “Ô généreux Hadjar !…” (Manoël, Le Cadi, Le Soldat arabe, Ben-Saïd, La Foule, Xaïma, Hadjar)
24. Scène 10 - Morceau d’ensemble “L’ange qui chaque nuit” (Hermosa, Xaïma, Manoël, Hadjar, Ben-Saïd, Iglésia, Le Peuple, Le Cadi, Le Soldat arabe, La Foule)
25. Scène 10 - Finale (suite) “À cents dinars d’or” (Le Cadi, Ben-Saïd, Le Peuple, Xaïma, Manoël, Hadjar, La Foule)
CD2:
Acte troisième
01. Scène 1 - Scène “Écoutez ! écoutez les clairons d’or !” (Femmes du Harem de Ben-Saïd); Scène 2 - “Chasse au loin ta tristesse inquiète” (Ben-Saïd)
02. Scène 2 - Introduction et Barcarolle “Ma belle, effleurons de nos rames” (Une Jeune Esclave)
03. Scène 2 - Danse Grecque
04. Scène 2 - Danse Espagnole
05. Scène 3 - Romance “Je m’efforce en vain de te plaire !” (Ben-Saïd)
06. Scène 4 - Trio “Mon frère !” (Hadjar, Xaïma, Ben-Saïd); Scène 5 - “Saïd, je t’ai parlé naguère du soldat espagnol” (Hadjar, Ben-Saïd); Scène 6 - “Qu’ai-je vu ?” (Ben-Saïd, Manoël)
07. Scène 7 - Scène “Frappez, cruels !…” (Xaïma, Ben-Saïd, Manoël)
08. Scène 7 - Morceau d’ensemble “Un pardon de ta bouche altière !” (Manoël, Hadjar, Xaïma, Ben-Saïd, Les Soldats arabes et les Femmes du Harem)
09. Scène 7 - Scène “À la pitié pour moi, qui souffre tant” (Ben-Saïd, Xaïma)
10. Scène 8 - Duo “De sa mort qui donc parle ici ?” (Hermosa, Xaïma)
11. Scène 8 - Duo” (suite) “Que s’est-il donc passé ?” (Hermosa, Xaïma)
Acte quatrième
12. Scène 1 - Introduction et Cavatine “J’ai pu, la nuit venue” (Manoël)
13. Scène 2 - Scène et Duo “Manoël !” (Xaïma, Manoël)
14. Scène 3 - Scène, Romance et Trio “Malheureux !” (Hermosa, Xaïma, Manoël)
15. Scène 4 - Trio” (suite) “Mais sans mourir comment échapper à mon maître ?” (Xaïma, Hermosa, Manoël)
16. Scène 5 - Scène et Cavatine “Lui ! Manoël ! Encore !” (Ben-Saïd, Xaïma)
17. Scène 5 - Duo “Tu mens, traître !” (Xaïma, Ben-Saïd)
18. Scène 6 - Scène “Tu ne passeras pas !” (Hermosa, Xaïma); Scène 7 - “Arrière, la folle !” (Ben-Saïd, Hermosa)
19. Scène 7 - Cantabile et Scène “Te la rendre !” (Ben-Saïd, Hermosa); Scène 8 - Mon frère ?” (Hadjar)
20. Scène 7 - Scène finale “Non ! N’appelle personne” (Ben-Saïd, Hadjar); Scène 9 - “Saïd !” (Les Soldats, Hadjar, Xaïma, Manoël, Le Peuple)
Exact Audio Copy V1.2 from 12. August 2016
EAC extraction logfile from 15. December 2019, 13:58
Hervé Niquet, Münchner Rundfunkorchester / Le tribut de Zamora (Disc 1 of 2)
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Read mode : Secure
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Defeat audio cache : Yes
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Fill up missing offset samples with silence : Yes
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==== Log checksum 16F5ECABD1F34CBC9F0FF624A2139C0B89B34CB6E4615FEDC2AE74C66456CB9C ====
Exact Audio Copy V1.2 from 12. August 2016
EAC extraction logfile from 15. December 2019, 15:00
Hervé Niquet, Münchner Rundfunkorchester / Le tribut de Zamora (Disc 2 of 2)
Used drive : MATSHITADVD-RAM UJ8G6 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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Extraction speed 2.7 X
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==== Log checksum 4CE0AC55B1271FBEB58E93846029C9A93495AAABA02D15E9845021EF75375A3A ====
Thanks to the original releaser