György Vashegui, Purcell Choir - Michael Haydn: Sacred Music for the Season of Lent (2008)
EAC | FLAC | Tracks (Cue & Log) ~ 220 Mb | Total time: 51:21 | Scans included
Classical | Label: Hungaroton | # HCD 32567 | Recorded: 2007
EAC | FLAC | Tracks (Cue & Log) ~ 220 Mb | Total time: 51:21 | Scans included
Classical | Label: Hungaroton | # HCD 32567 | Recorded: 2007
One of Michael Haydn's symphonies was taken for Mozart for a long time, and a good deal of their music is linked by its Salzburg roots. The sacred music on this disc, however, either postdates or predates Mozart and sounds very little like him. Included are four short masses for the Lenten season (all but one lacking Glorias, like some other masses of the period) and a charming Graduale for Palm Sunday. All but the concluding Missa Sanctae Crucis were written in the 1790s, after an ecclesiastical reform mandated simple, syllabic settings of liturgical texts, and the Missa Sanctae Crucis is a simple, youthful work. The music is accompanied only by a small continuo group. There are better examples than these pieces of the art of Franz Joseph Haydn's younger brother, but the music here will be intriguing for serious lovers of Viennese Classicism. It just doesn't sound much like anything else in the repertory. In the later pieces he faces the twin challenges of writing music that's not anachronistic – that moves in the graceful paces of the late eighteenth century rather than the solid harmonic rhythms of the Baroque – and also of writing music that's simple but not simplistic. Haydn's solutions are unfailingly elegant. Each section of the mass is broken up into several still smaller chunks that take on the quality of individual gestures. Sample the relationship between gradually settling Incarnatus and Crucifixis of the Missa Quadragesimalis, MH 552, and the following triple-meter Resurrexit for a bit of the flavor of the whole. Haydn blazes through large amounts of text, with the entire body of the wordy Creed going by in just over four minutes, and each section seems balanced with the others without obscuring any of the words. The Purcell Choir, Hungarian despite its quintessentially English name, delivers clear, accurate performances that are completely in the sober, straightforward spirit of the music. The masses were worth pulling off the scrap heap of history, for they are ideally suited to student choirs and other organizations with singers of modest abilities.–James Manheim
Performer:
Purcell Choir
members of Orfeo Orchestra:
Levente Gyöngyösi, organ
Csilla Vályi, cello
György Janzsó, double bass
György Vashegui, conductor
Tracklist:
Michael Haydn (1737-1806)
Missa Tempore Quadragesimae MH 553
01. Kyrie
02. Credo
03. Credo. Et incarnatus
04. Credo. Et resurrexit
05. Sanctus
06. Benedictus
07. Agnus Dei
Missa pro Quadragesima, MH 551
08. Kyrie
09. Credo
10. Credo. Et incarnatus
11. Credo. Et resurrexit
12. Sanctus
13. Agnus Dei
Missa Quadragesimalis, MH 552
14. Kyrie
15. Credo
16. Credo. Et incarnatus
17. Credo. Et resurrexit
18. Sanctus
19. Benedictus
20. Agnus Dei
21. Dona nobis pacem
22. Graduale per Dominica Palmarum, MH 695
Missa Sanctae Crucis, MH 56
23. Kyrie
24. Gloria
25. Credo
26. Sanctus
27. Benedictus
28. Agnus Dei
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 4. October 2019, 21:05
Gyorgy Vashegyi / M Haydn - Sacred Music for the Season of Lent
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TOC of the extracted CD
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2 | 1:44.61 | 1:12.51 | 7861 | 13311
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27 | 48:07.62 | 0:39.07 | 216587 | 219518
28 | 48:46.69 | 2:34.64 | 219519 | 231132
Track 1
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Track 2
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Track 3
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==== Log checksum EAEBC3E193C67549306DB13534D60DFD3DAF5CDA0B2439FFB5F0311B88C95C38 ====
Thanks to the original releaser