Ensemble Klangschmelze - Carl Philipp Emanuel Bach: "für mich" (2018)
Ensemble Klangschmelze - Carl Philipp Emanuel Bach: "für mich" (2018)
EAC | FLAC | Tracks (Cue & Log) ~ 285 Mb | Total time: 64:49 | Scans included
Classical | Label: Ambitus | # amb 96 957 | Recorded: 2013
EAC | FLAC | Tracks (Cue & Log) ~ 285 Mb | Total time: 64:49 | Scans included
Classical | Label: Ambitus | # amb 96 957 | Recorded: 2013
It was not always easy in the 18th century for a composer to remain true to himself on compositional, aesthetic and formal grounds, while at the same time fulfilling the requirements of his position as a princely court musician. This can be seen in this comment by Bach: ”Because I have had to compose most of my works for specific individuals and for the public, I have always been more restrained in them than in the few pieces that I have written merely for myself” (The Autobiography, written for the German translation of Charles Burney’s The Present State of Music in Germany … London, 1773—see: Carl Burney, Tagebuch seiner musikalischen Reisen Vol. 3, Hamburg, 1773).
This shows the tension that existed between one’s personal artistic aspirations on the one hand, and the necessity of earning one’s living on the other. The latter often meant that one had to take into account the taste of ”specific individuals”, including Frederick the Great, whom Carl Philipp Emanuel Bach served for thirty years as ”chamber harpsichordist”.
While an impressive number of C.P.E. Bach’s works became widely distributed, at first the Keyboard Quartets from 1788 remained only known to a handful of music enthusiasts and musicians. These included Sarah Levy, Johann Jakob Heinrich von Westphalia and the great Joseph Haydn, who owned the scores to Wq. 93 & 94. Not until 1952 were the works printed in ”modern” typography.
In addition to Bach’s three keyboard quartets, we chose for this album a piece that stands out as an extraordinary example of the free fantasia genre, entitled: ”Carl Philipp Emanuel Bachs Empfindungen”. If it were ever possible to gaze into a composer’s heart, this piece of extreme sensibility would be our point of entry. Many musicians would dream, with the help of a time machine, to have the opportunity to listen to someone of the calibre of Carl Philipp Emanuel Bach playing one of his improvisations, and eavesdrop on his most intimate artistic thoughts. The Fantasia in F sharp minor is the perfect window through which to experience this kind of musical time travel.
>br> Above all, through their distinctiveness, their originality, their uncompromising and visionary features, the three Keyboard Quartets and the Fantasia in F sharp minor are works that show us the ”private” Bach. It is as if he had wanted to tell us: now I shall compose for myself, not for ”specific individuals”.
Performer:
Ensemble Klangschmelze:
Swantje Hoffmann, Viola & Violine
Leonard Schelb, Traversflöte
Ricardo Magnus, Fortepiano
Tracklist:
Carl Philipp Emanuel Bach (1714–1788)
Quartett für Flöte, Viola, Violoncello und Cembalo Nr. 1 a-moll Wq 93
01. 1. Andantino
02. 2. Largo e sostenuto
03. 3. Allegro assai
Duett für Flöte und Violine e-moll Wq 140
04. 1. Andante
05. 2. Allegro
06. 3. Allegretto
Quartett für Flöte, Viola, Violoncello und Cembalo Nr. 2 D-Dur Wq 94
07. 1. Allegretto
08. 2. Sehr langsam und ausgehalten
09. 3. Allegro di molto
10. Fantasie fis-moll Wq 67 (C.P.E. Bachs Empfindungen)
Quartett für Flöte, Viola, Violoncello und Cembalo Nr. 3 G-Dur Wq 95
11. 1. Allegretto
12. 2. Adagio
13. 3. Presto
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 18. September 2023, 23:30
Unknown Artist / Unknown Title
Used drive : Dell DVD+/-RW DW316 Adapter: 1 ID: 0
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2 | 5:16.62 | 3:17.14 | 23762 | 38550
3 | 8:34.01 | 4:34.09 | 38551 | 59109
4 | 13:08.10 | 1:36.52 | 59110 | 66361
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8 | 26:59.60 | 3:48.62 | 121485 | 138646
9 | 30:48.47 | 5:17.65 | 138647 | 162486
10 | 36:06.37 | 12:21.14 | 162487 | 218075
11 | 48:27.51 | 7:12.69 | 218076 | 250544
12 | 55:40.45 | 3:50.70 | 250545 | 267864
13 | 59:31.40 | 5:15.63 | 267865 | 291552
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==== Log checksum E55FC9EA9CA05E53E6B65D67432D529F1F720D6C854C2C0272B3A8D3384C4EAB ====
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Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 18. September 2023, 23:30
Unknown Artist / Unknown Title
Used drive : Dell DVD+/-RW DW316 Adapter: 1 ID: 0
Read mode : Secure
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1 | 0:00.00 | 5:16.62 | 0 | 23761
2 | 5:16.62 | 3:17.14 | 23762 | 38550
3 | 8:34.01 | 4:34.09 | 38551 | 59109
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12 | 55:40.45 | 3:50.70 | 250545 | 267864
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–– CUETools DB Plugin V2.1.6
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==== Log checksum E55FC9EA9CA05E53E6B65D67432D529F1F720D6C854C2C0272B3A8D3384C4EAB ====
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Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 18. September 2023, 23:30
Unknown Artist / Unknown Title
Used drive : Dell DVD+/-RW DW316 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Fill up missing offset samples with silence : Yes
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1 | 0:00.00 | 5:16.62 | 0 | 23761
2 | 5:16.62 | 3:17.14 | 23762 | 38550
3 | 8:34.01 | 4:34.09 | 38551 | 59109
4 | 13:08.10 | 1:36.52 | 59110 | 66361
5 | 14:44.62 | 4:11.65 | 66362 | 85251
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11 | 48:27.51 | 7:12.69 | 218076 | 250544
12 | 55:40.45 | 3:50.70 | 250545 | 267864
13 | 59:31.40 | 5:15.63 | 267865 | 291552
Track 1
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End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: tgp6meTxJp64c1WcEDOkFcxbRwA-] found
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12 | (2/2) Accurately ripped
13 | (2/2) Accurately ripped
==== Log checksum E55FC9EA9CA05E53E6B65D67432D529F1F720D6C854C2C0272B3A8D3384C4EAB ====
Ensemble Klangschmelze - Carl Philipp Emanuel Bach: "für mich" (2018)
Thanks to the original releaser