Emmanuel Bonnardot, Obsidienne - Vox Aurea: Ockeghem: Motets; Faugues: Missa La basse danse (1997)
EAC | FLAC | Image (Cue & Log) ~ 309 Mb | Total time: 65:54 | Scans included
Classical | Label: Opus 111 | OPS 30-222 | Recorded: 1996
EAC | FLAC | Image (Cue & Log) ~ 309 Mb | Total time: 65:54 | Scans included
Classical | Label: Opus 111 | OPS 30-222 | Recorded: 1996
Although there are only four securely authentic motets attributed to him, Johannes Ockeghem (c.1420-1497) makes a definite impact on this style. The three settings of standard Marian texts, Alma Redemptoris mater, Ave Maria, and Salve Regina show Ockeghem's amazing array of 4-point counterpoint in what would otherwise be fairly typical settings of the era (aside from the lack of a cantus firmus in Ave Maria, also the one non-antiphon of the group). The massive 5-voice Intemerata Dei Mater uses a composite text, rather than a liturgical one, apparently put together by Ockeghem himself. It has a particularly low scoring, and an even more forceful impact, quoting motives he also used in the 5-voice mass torso Fors seulement and the 4-voice Missa Mi-Mi. Finally, Ut heremita solus is a probable work, surviving without a text, and showing some idiomatic instrumental thinking.
Together with the extant motets of Ockeghem, this program features an interesting work from his contemporary Guillaume Faugues (fl.c.1460). Faugues' surviving output consists only of four or possibly five mass cycles, but he is nonetheless (together with Ockeghem, Dufay, and the anonymous English composers) one of the significant early proponents of the 4-voice cantus firmus mass. The present example is seemingly paradoxical, in that it constructs a mass cycle on a bass dance. In this case, it is not La Spagna but a related, otherwise unknown, melody. Faugues' style is distinguished by an unusual use of literal repetitions to unify cycles.
Performer:
Obsidienne
Consort de flûtes à bec Renaissance
Emmanuel Bonnardot, direction
Tracklist:
Johannes Ockeghem (c.1420-1497)
01. Intemerata Dei Mater
Josquin des Prés (c.1440-1521)
02. La Spagna ()
Guillaume Faugues (fl.1460-1475)
Missa La basse danse
03. Kyrie I
04. Christe
05. Kyrie II
06. Gloria
07. Qui sedes
08. Cum Sancto Spiritu
09. Credo
10. Crucifixus
11. Et in Spiritum Sanctum
12. Confiteor
13. Sanctus
14. Pleni sunt caeli et terra
15. Hosanna
16. Benedictus
17. Hosanna
18. Agnus Dei I
19. Agnus Dei II
20. Agnus Dei III
Johannes Ockeghem
21. Alma Redemptoris mater
22. Ut heremita solus (recorders)
23. Ave Maria
24. Salve Regina
Exact Audio Copy V1.2 from 12. August 2016
EAC extraction logfile from 5. February 2020, 21:48
Emmanuel Bonnardot, Obsidienne / Vox aurea
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Range status and errors
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Filename C:\Users\Roy\Music\OCKEGHEM, FAUGUES - Vox aurea () [Bonnardot; Opus 111]\CD (FLAC + CUE)\Ockeghem, Faugues - Vox aurea.wav
Peak level 69.5 %
Extraction speed 4.3 X
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Test CRC AC5E2182
Copy CRC AC5E2182
Copy OK
No errors occurred
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==== Log checksum CCD6DFD705C065CD62F7EFC0DA420BB8162F5C5EEEE647BF0414DD65EE049CB8 ====
Thanks to the original releaser