Andreas Scholl, Markus Märkl, Karl-Ernst Schröder, Alix Verzier - Deutsche Barocklieder (1995)
Andreas Scholl, Markus Märkl, Karl-Ernst Schröder, Alix Verzier - Deutsche Barocklieder (1995)
EAC | FLAC | Image (Cue & Log) ~ 308 Mb | Total time: 70:21 | Scans included
Classical | Label: Harmonia Mundi | HMC 901505 | Recorded: 1994
EAC | FLAC | Image (Cue & Log) ~ 308 Mb | Total time: 70:21 | Scans included
Classical | Label: Harmonia Mundi | HMC 901505 | Recorded: 1994
Recorded in 1995 this album has never been one of the "hits" by German countertenor Andreas Scholl. It covers a repertoire that was (and remains) virtually unknown, and it doesn't really play to the sentimental side of Scholl's personality. Nevertheless, this is one of his very best releases, and even casual Scholl fans who missed it the first time around are advised to pick it up. In 1995 he was in absolutely prime voice, and even though he here has few of the pure melodies in which he excels, he finds plenty of subtle ways to deploy it in text expression and in delineating unusual harmonic moves. The obscurity of the music should actually be cause for recognition of Scholl's ability to pick a program buried mostly in archives and bring it to life; there's hardly a dull moment here, and many of these German Baroque solo songs (some from operas) are delightful. Some are humorous, with topics ranging from the art of kissing (track 16) to Rhine wine; these are balanced by several melancholy pieces that might be compared to Dowland but really resemble nothing else in the repertoire. Sample Johann Philipp Krieger's An die Einsamkeit (track 17), which is one of the all-time most ravishing Scholl numbers on disc, hard drive, or what have you. The pieces by this Krieger are strophic songs from operas, but those by the older Adam Krieger are true lieder, with texts by the composer himself, and they highlight Scholl's way with simple, heartfelt material. Other composers on the album set more complex texts by the likes of poet Martin Opitz, and there's plenty to chew on here for those seriously interested in German music and literature of the 17th century. On the other hand, this is the rare example of a program of unknown music that anyone who loves beautiful singing will enjoy. With glorious engineering to boot, this is simply hard to top.–James Manheim
Performer:
Andreas Scholl, contre-ténor
Markus Märkl, clavecin
Karl-Ernst Schröder, luth
Alix Verzier, violoncelle
Pablo Valetti, violon (3, 6-11)
Stephanie Pfister, violon (6-9, 11)
Friederike Heumann, viole de gambe (6-11)
Juan Manuel Quintana, viole de gambe (6-9)
Tracklist:
Johann Nauwach (c.1595-1630)
01. Jetztund kömpt die Nacht herbey
02. Ach Liebste, laß uns eilen
Heinrich Albert (1604-1651)
03. Arien: Turpe senex miles, turpe senilis amor
04. Arien: Veneris miseras resonare querelas
Johann Caspar Fischer (?-1746)
05. Praeludium & Chaconne VIII für Cembalo
Adam Krieger (1634-1666)
06. Die Liebesgluth verkehrt den Muth
07. Ihr bleibet nicht Bestand verpflicht
08. Der Liebe Macht herrscht Tag und Nacht
09. Der Rheinische Wein
Johann Philipp Krieger (1649-1725)
10. Sonata a doi, Violine a Viola da Gamba, opera seconda
11. Schmilz, hartes Herz
12. Verliebtes Weinen und Lachen
13. Die Heißverliebte
14. An die Einsamkeit
15. Die holde Nacht
Andreas Hammerschmidt (1611-1675)
16. Kunst des Küssens
Bernhard Joachim Hagen (XVIIIe siècle)
17. Menuetto con variazioni di Locatelli für Laute
Johann Valentin Görner (?-1762)
18. Die Nacht
19. An den Schlaf
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 18. March 2025, 17:35
Andreas Scholl, Markus Märkl, Karl-Ernst Schröder, Alix Verzier / Deutsche Barocklieder
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==== Log checksum EAA1EEDF7FA72D44041B1189BAE64ED49251B7DDC0EA731C0EEC9B8297716C2A ====
Andreas Scholl, Markus Märkl, Karl-Ernst Schröder, Alix Verzier - Deutsche Barocklieder (1995)
