American Baroque - Georg Philipp Telemann: 6 Sonatas for Two Flutes without Bass (1998)
American Baroque - Georg Philipp Telemann: 6 Sonatas for Two Flutes without Bass (1998)
EAC | FLAC | Image (Cue & Log) ~ 225 Mb | Total time: 67:50 | Scans included
Classical | Label: Naxos | 8.554132 | Recorded: 1997
EAC | FLAC | Image (Cue & Log) ~ 225 Mb | Total time: 67:50 | Scans included
Classical | Label: Naxos | 8.554132 | Recorded: 1997
Telemann published his Sonates sans Basse à deux Flutes traverses, ou à deux Violons, ou à deux Flutes à bec (Sonatas without Bass for Two Transverse Flutes, or Two Violins, or Two Recorders) in Hamburg in 1727 and they were published again in Amsterdam around the year l730 by Le Cène, in Paris in 1736-37 by Le Clerc and in London in 1746 as opera seconda by Walsh. Telemann, in his own autobiographical notice published by Handel's Hamburg rival Mattheson in 1740 in his Grundlage einer Ehren-Pforte, writes of his ability to play the keyboard, violin, recorder, oboe, flute, chalumeau and viola da gamba, as well as the double bass and trombone, skills that at that time were not unique to him. The six sonatas for two melody instruments without a bass follow common custom, a practical one, of leaving some latitude in the choice of instrument, providing the possibility of wider sales, particularly for the flourishing amateur market for Hausmusik in Hamburg and elsewhere. It was in Hamburg that Handel wrote his early sonatas, a genre to which Mattheson also notably contributed, and there is no doubt that the city was at the centre of the development of the instrumental sonata in North Germany at this period.
The first sonata included, Sonata No. 5 in B minor, of the present performance by two baroque flutes, opens characteristically with a Largo in which one instrument enters in imitation of the other, a contrapuntal procedure followed in the Vivace. There is a gentle Gratioso and a final Allegro in the expected rhythm of a gigue. This largely sets the style for the other works in the collection. All of these are in four movements, slow and fast in alternation, with passages of contrapuntal imitation and passages in which the two instruments engage together, generally in thirds. Although relying on the dance rhythms of the Baroque instrumental chamber sonata, only one movement is so acknowledged. The Sonata in A major, No. 3 in the present numbering, starts with a Siciliana and continues with contrapuntal imitation in a 6/4 movement, followed by mellifluous collaboration in the opening thirds of the F sharp minor Andante, capped by a lively 2/4 Allegro. In general Telemann provides very playable music throughout, ensuring variety, in spite of the obvious limitations of the medium.
Performer:
American Baroque
Tracklist:
Georg Philipp Telemann (1681-1767)
Sonata No. 5 in B Minor, Op. 2, TWV 40:105
01. Largo
02. Vivace
03. Gratioso
04. Allegro
Sonata No. 1 in G Major, Op. 2, TWV 40:101
05. Soave
06. Allegro
07. Andante
08. Allegro
Sonata No. 4 in E Minor, Op. 2, TWV 40:104
09. Largo
10. Allegro
11. Affetuoso
12. Vivace
Sonata No. 3 in A Major, Op. 2, TWV 40:103
13. Siciliana
14. Vivace
15. Andante
16. Allegro
Sonata No. 2 in D Major, Op. 2, TWV 40:102
17. Dolce
18. Allegro
19. Largo
20. Vivace
Sonata No. 6 in E Minor, Op. 2, TWV 40:106
21. Affetuoso
22. Presto
23. Soave
24. Spirituoso
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 14. April 2020, 18:43
American Baroque / Teleman_Six Sonatas for two flutes, Op. 2
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==== Log checksum 75392FF7948CB0221B75DEDA74838C2A8860C9DFE82FC231B0802646A1007FD1 ====
American Baroque - Georg Philipp Telemann: 6 Sonatas for Two Flutes without Bass (1998)
Thanks to the original releaser