Il diluvio universale (‘The Great Flood’) was premiered in Naples in 1830 but is better known in the much-revised version performed four years later in Genoa and Paris.

Mastered by Bernie Grundman from original analogue tapes. Personally overseen by Donald Fagen.

Famed throughout musical Europe from the 1720s onwards for his extreme prowess on the violin, Pietro Antonio Locatelli (1695-1764) bequeathed to posterity an admirable if relatively small body of work, the publication of which he himself largely oversaw following his move to Amsterdam in 1729. Here Fabio Biondi draws on it to paint a unique portrait. Rather than immersing himself in L’arte del violino, op.3 - the best-known opus of a composer to which they already devoted an initial album in 1995 (Opus 111, OPS30-104) - Biondi and his friends in Europa Galante opt for a more intriguing Locatelli: the six Introduttioni teatrali (Theatrical Introductions) which constitute the first part of the Opus 4.

Volume 11 of Mathieu Gaudet’s complete Schubert piano sonatas cycle brings us the fascinating second book of Impromptus D. 935, including the immortal Theme and Variation in B flat major. The youthful Sonata No. 2 in C major D. 279 and the "Noble": Waltzes D. 969 round up this spectacular album, full of singing melodies, contrasting atmospheres and romantic drama.

The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included. The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family.

Bring Me The Horizon will release "Lo-files," an album featuring 23 lo-fi reimaginings of their biggest hits on July 11, 2025.

Peter Jacobs explores the contribution made by women composers to the genre of British piano music. Jacobs writes, ‘This introduction to my CD of piano music by British women composers is being written in the spring of 2025. It seems a highly appropriate time to be doing this. Women musicians are being celebrated everywhere, with books, recordings and concerts all extolling their achievements. Women conductors are the norm and the Master of the King’s Music is a distinguished woman composer.

It feels unreal to be able to share the news of our new Swell Season album, the first one in 16 years. It has been a while in the making, and so much preparation has gone into both the album and its release, and now, finally, it’s almost time! We are excited to bring it on the road with us this summer!

Schelomo: Rhapsodie Hébraïque is the most celebrated part of Ernest Bloch’s Jewish Cycle, and although originally conceived for voice, Bloch determined that only the cello could adequately embody the character of Solomon. The Suite for Viola and Piano was composed between February and May 1919, and the cello version is the work of the pianist and composer Adolph Baller and cellist Gábor Rejtő, who recorded their version in 1969. This album sees the World Premiere Recording of the cello version for orchestra, with cellist Parry Karp, who studied with Rejtő.

Born as a Foreigner tribute band in the United States, Double Vision honed their craft performing to lively and sold-out crowds up and down the east coast and across the country, soon becoming a real live attraction.

Orbits, the sophomore LP from The Circling Sun, channels the cosmic energy of '70s spiritual jazz, filtered through synths, layered percussion, and ethereal choirs. The Aotearoa collective expand their sonic universe with nods to Rahsaan Roland Kirk, Azymuth, and ambient jazz — offering deep listening for jazz heads and newcomers alike.

Valentin Silvestrov was forced to leave his native Ukraine after the Russian invasion of 2022. His music has a prescient quality that unerringly seems to express the fate of his homeland. The intimate Violin Concerto and the heartfelt, single-span Eighth Symphony are notable for their economy of expression and emphasis on beauty, depth and harmony. This is music that hovers on the edge of silence in an uplifting homage to love and humanity, hope and renewal.

A powerful transatlantic convergence, "Live At The Blue Note New York" captures Theon Cross's electrifying US debut at the legendary club-one of the first jazz albums recorded there in over two decades. Featuring standout performances by Isaiah Collier, James Russell Sims, and Nikos Ziarkas, this live set channels deep musical chemistry into a bold, spiritual statement of modern jazz.

The debut recording by a young but distinguished French-Italian Baroque ensemble, UnderStories, whose focus is on repertoire with dark and unusual instrumentation. This first disc from the group focuses on the rise of the cello as a solo instrument in France.

The Polish-born composer, Marta Ptaszyńska, studied under Nadia Boulanger and Olivier Messiaen, and since 1972 has worked in the United States where she forged cultural links between the two countries. Ptaszyńska has composed in all major genres and has worked with many leading musicians and ensembles. Her harmonic writing is often refined and translucent, with an expressive intensity generated through contrasts. The orchestral works in this album illustrate her gifts for creating evocative atmospheres. Dedicated to and premiered by Yehudi Menuhin, the Concerto Grosso explores Baroque archetypes.