Immediately upon their debut at the 1969 Marlboro Festival, four brilliant young American musicians calling themselves the Cleveland Quartet were hailed as a chamber ensemble of exceptional quality.

Music Lab Collective is a series of solo piano arrangements and performances created by Decca Classics record label.

British pianist Simon Mulligan is, according to The Times of London ‘the most abundantly gifted of pianists’, to Steinway & Sons he is ‘the world’s most versatile pianist’; Pulitzer prizewinning composer Paul Moravec calls him ‘a pianist with complete mastery of the instrument’, while Herbie Hancock says ‘You have a phenomenal touch, man!

Philip Goth was founded by Josh Rawson.

Jorma Kaukonen is joined by Jack Casady for this live acoustic show, recorded at Fiddler's Green Amphitheatre, in Greenwood Village, Colorado, on July 29th, 2022.

G.I. Blues is the third soundtrack album and seventh (overall) album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 2256, in October 1960.

Diana Ross Presents The Jackson 5 is the debut studio album from Gary, Indiana-based soul family band the Jackson 5, released on the Motown label on December 12, 1969.

Alicia Witt, star of this summer’s smash hit movie Longlegs, opposite Nicolas Cage; 9 Hallmark Christmas movies and 4 decades worth of film, TV, and stage credits, makes her 54 Below debut to celebrate the release of her first full length Christmas album…

One of the best smooth jazz/funk/rock fusion disks out there. No hesitation in recommending for purchase.

Discover the mesmerizing album "My Vreemde Kind" by Clara Montocchio, released by Unit Records. This captivating collection of music showcases Clara's unique blend of jazz, folk, and world music influences, creating a truly eclectic and enchanting listening experience.

After releasing her sophomore album Inner Song in the midst of the pandemic, Kelly Lee Owens was faced with the sudden realisation that her world tour could no longer go ahead. Keen to make use of this untapped creative energy, she made the spontaneous decision to go to Oslo instead. There was no overarching plan, it was simply a change of scenery and a chance for some undisturbed studio time. It just so happened that her flight from London was the last before borders were closed once again. The blank page project was underway.

Nothing is as it appears in the old English manor house of Bly. A new governess takes up her post and discovers that the children who are her new charges are under the influence of the ghosts of the previous governess and her depraved lover. As one disturbing event unfolds after another, the questions become more pressing: What horrors happened here before her arrival? Are the children innocent? Do we really see what we are seeing?

Daniel Lopatin reclaims the uncanny sorcery of 'Garden of Delete' on 'Again', evanescing divergent styles into an unashamedly pompous roil of vapor-damaged harpsichord twangs, bombastic synth-prog workouts, damaged emo-pop, computer-controlled avant minimalism and fractal ambience. He's back.

This discographic work dedicated to the works for flute and orchestra by Ottorino Respighi - a leading exponent of the «Generation of the Eighties» and a very refined composer, gifted with an excellent skill in the use of instrumental timbres - includes the world premiere recording of two works for flute and strings that came back to light after a long oblivion (and now published by Roberto Fabbriciani for the editors Suvini Zerboni).

The Orchestre symphonique de Montréal and its Music Director Rafael Payare make their Pentatone debut with Mahler’s 5th Symphony. The album is also the first recording under Payare’s tenure, and the beginning of a longer recording relationship with the label. For Payare, the Fifth is the last symphony that shows Mahler still looking forward to what the future might bring, unlike his subsequent, much darker and existential works. Despite that optimism, there is enough tragedy and struggle along the way, resonating with Mahler’s life at the time of creation. Payare’s proficiency in late-Romantic repertoire coupled with the matured, distinctive sound of the Montréal players make this a collaboration to look out for.