Multiple Grammy-nominated Estonian bassoonist Martin Kuuskmann showcases the expressive power and versatility of his instrument in this compel]ing album featuring three concertos written for him by close collaborators: Tõnu Kõrvits, Eino Tamberg, and Erkki-Sven Tüür.

David Goode is releasing a new album titled "Mozart Organ Works" on July 3, 2025, featuring his arrangements and interpretations of Mozart's works for organ. The album includes pieces like the Suite in C Major, K. 399, the Fantasia in F Minor, K. 594, and selections from the Londoner Skizzenbuch, K. 15a, among others.

Prolific award-winning LA-based music producer/composer lionel Cohen has been insatiably producing music for over thirty years. He has produced countless indie artists, and has scored films for Sony Pictures, Saban Films, Gravitas Ventures, Vertical Entertainment, and Lionsgate, among others.

Geir Lysne visits Polish composer Krzysztof Penderecki - the result is brand new music for jazz orchestra with the NDR Big Band.

The London Oratory Schola Cantorum-whose singers have an average age in this recording of just fourteen, across all four voice parts-celebrates the quincentenary of Palestrina's birth with a selection of his motets, together with works by some of the other composers active in sixteenth-century Rome.

The A major Piano Sonata D959 of 1828 is one of the final masterpieces of Schubert's all-too short life, while the six 'Moments musicaux' reveal a more intimate side to the composer. Performances are from 'a Schubertian of the utmost seriousness and integrity', offering 'finely gauged and beautifully regulated playing' (Gramophone).

James Oscar Smith (December 8, 1928 – February 8, 2005) was an American jazz musician who helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.

Imagine an abandoned railway station in the American Midwest. It’s late evening, the rails glisten damply in the pale light, and somewhere a guitar case rattles in the wind. It is the time of the hobos – those travelling men who roamed the country with nothing but a song on their lips and a dream in their luggage. Marc’s great-grandfather was one of them. About 140 years ago, he travelled by train, on foot, taken along by travelling traders, from the south to the north, in search of work – and perhaps also in search of himself.

Cellar Music boss Cory Weeds returns with another fine recording backed by the dependently swinging rhythm section of frequent Cellar Music players (pianist Miles Black, bassist John Lee, and drummer Jesse Cahill) and alongside the famously big horn of Jerry Weldon! Weeds is an accomplished and highly stylized tenor man cut from the swinging cloth of Gene Ammons, Sonny Rollins, Dexter Gordon, and George Coleman. On 'Meets Jerry Weldon', this winning formula continues.

The baritone Andrè Schuen releases a further pre-release track of his upcoming album Mozart, a beautifully curated project of Mozart arias, duets and songs. The album celebrates Schuen’s deep and longstanding relationship to the composer and his birth- and creative place Salzburg.

I've always wanted to make a country album - A lot of people detect the influences of soul in my music but I've also always loved country - Growing up, I was hungry for any kind of music but I would listen to people like Chet Atkins, The Everly Brothers, Hank Williams and I particularly loved Ray Charles, who is predominantly known for his soul and jazz stuff, but could also sing really great country.

On Dropkick Murphys' 13th studio album, the stories run deep, the memories push hard, and the joy remains infectious. Across the album's 12 songs, the Boston band imbue the same kind of joy one might celebrate with family and friends. And even when the moods are sad and pensive, it's hard not to feel personally invested in the band's emotional spectrum.

Cut From The Original Analog Master Tapes By Kevin Gray. All Analog Process (AAA). High Quality Vinyl Release. Original Gatefold Design. All runouts are etched. In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro.

The rumors are true. On January 30, 1985, Hüsker Dü recorded a peak high performance to 24 track tape at Minneapolis’s Firat Avenue club in front of their hometown massive. This performance was supposed to come out as a live album later that year, but the band’s rapid upward trajectory caused priorities to shift. The tapes were shelved – thought to be possibly lost in the same 2011 house fire that consumed a precious portion of the Hüsker Dü archive. Nearly 40 years later, these tapes have been rescued from the abyss, and we’ve tasked the team at Steve Albini’s Electrical Audio on the transferring and Beau Sorensen at Tiny Telephone for the mixdowns.

Joni Mitchell Counterbalances Love and Trust with Freedom and Confusion on Court and Spark: Ranked the 110th Greatest Album of All Time by Rolling Stone. Mobile Fidelity's Numbered-Edition Hybrid SACD Plays with Revealing Detail, Clarity, Presence, and Openness. Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The pause led to more breakthroughs for the singer-songwriter. Marking Mitchell's increasing drift toward jazz (and affinity for Miles Davis and John Coltrane), Court and Spark garnered four Grammy nominations, earned the Best Album of the Year vote in the prestigious Pazz & Jop poll, and ranks #110 on Rolling Stone’s list of the 500 Greatest Albums of All Time.