The Violin Concerto in D major, Op. 35 was the only concerto for violin composed by Pyotr Ilyich Tchaikovsky. Composed in 1878, it is one of the best-known violin concertos.

On 7th February 1857, after a delay of one year due to problems of copyright on a possible production of King Lear, Verdi accepted and signed a new agreement with the Teatro di San Carlo of Naples for an opera to be staged in January or February 1858. Not long after he had put behind the experiences of Simon Boccanegra (June 1857) and Aroldo (August), Verdi, then, had to face the issue of a new subject for Naples, which would no longer be King Lear, discarded for various reasons, and not even El tesorero del Rey by António García Gutiérrez or Ruy Blas by Hugo, to which he had given more serious thought, but Gustave III by Eugène Scribe, a play written in 1833 for Daniel Auber in which the king of Sweden is assassinated, in 1792, by a group of noblemen led by Jacob Ankarström.

Holland Baroque explores the monastic musical traditions of 17th-century North Brabant, together with a group of established early music vocalists. Brabant 1653 unveils hidden gems of Dutch music history, as well as of baroque music at large.

Now in its 14th year, the unique and constantly evolving Fire! Orchestra is back with their most ambitious work so far as well as their largest line-up, counting a mostly Scandinavian cast of no less than 43 members. While the popular and widely praised Arrival is a highlight in both our and the band´s catalogue, this monumental triple album ups the ante.

The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. A typical performance takes about 75 to 90 minutes. A survey of conductors voted Mahler's Symphony No. 9 the fourth greatest symphony of all time in a ballot conducted by BBC Music Magazine in 2016. As in the case of his earlier Das Lied von der Erde, Mahler did not live to see his Symphony No. 9 performed.

Recorded live at the Phoenix Central Park, Sydney, August 22nd 2024.

Cellist, composer and MacArthur Fellow Tomeka Reid explores new improvisational math with 3+3, the third release by her all-star quartet and her most adventurous project as a leader yet. Featuring Jason Roebke on bass, Tomas Fujiwara on drums, and fellow MacArthur Fellow Mary Halvorson on guitar.

Carter Brey (born 1954) is an American cello virtuoso.

Marcin Józef (Martino Giuseppe) Żebrowski – Komponist, Geiger, Sänger (Bass) und Lehrer – ist einer der herausragendsten Vertreter der polnischen Musikkultur des 18. Jahrhunderts.

Chilly Gonzales celebrates the 20th anniversary of Solo Piano with a new live recording of the songs that became known for evoking the dying genres of classical and jazz and dragging them kicking and screaming into the 21st century. The 20th anniversary version were recorded “live” in front of a small audience at the mythical Studios Ferber in Paris, on the very same piano where the 15 emblematic tracks, such as Manifesto, Gogol and Dot, were composed and originally recorded.

When this two-LP set was initially released in January 1971, Canned Heat was back to its R&B roots, sporting slightly revised personnel.

After the success of 1974's Natty Dread and 1976's Rastaman Vibration, Bob Marley was not only the most successful reggae musician in the world, he was one of the most powerful men in Jamaica.

The first-ever vinyl edition of Cités Analogue (1988) by French duo Lightwave brings a long-overlooked kosmische and concrète masterpiece to light, expertly revived by Bureau B. Perfect for fans of Brian Eno, Tangerine Dream, Jean-Claude Eloy, or Oneohtrix Point Never, this album offers an expansive, cinematic journey through analog synthscapes. Following their debut Modular Experiments (1987), Christoph Harbonnier and Christian Wittman crafted Cités Analogue using an intricate array of RSF, ARP, Roland, and Oberheim modular systems. Recorded on a Revox B77 tape machine, the album unfolds in vivid, dreamlike vignettes and widescreen compositions, blending finely layered analog synths with poetic concrète influences. Highlights include the ambient textures of "Airport," the Radigue-like tonal subtleties of "Correspondence pour ailleurs," and the rhythmic sophistication of "Le Parvis."

The liner notes for Exude celebrate the exceptional musical dialogue between pianist Francesca Han and trumpeter Ralph Alessi, joining the lineage of iconic piano-trumpet duos such as Earl Hines and Louis Armstrong or Fred Hersch and Ralph Alessi. This collaboration is praised for its profound reciprocity, melodic sensitivity, and poetic intensity. Having previously worked together in New York, Han and Alessi demonstrate an extraordinary understanding, crafting a serene and structured musical universe. Their compositions are marked by beauty, fragility, and emotional depth, captured in an exceptional recording that enhances their artistry. Balancing technical mastery with heartfelt expression, the duo creates music that is demanding yet captivating, deeply moving, and irresistibly seductive. Jean-Paul Ricard, a jazz scholar and founder of AJMI, describes this album as a moment of grace and fulfillment in the art of the duo, urging listeners to savor its beauty and emotional power.

Kimmo Salminen Quartet, or KSQ, plays contemporary jazz with a strong sense of tradition and groove. Kimmo Salminen's compositions are melodic and memorable. All members of the band are master improvisers in the field of jazz.