"The tale of Sonny Moore’s career is a long and unpredictable one: Emo kid from LA makes a name as leader of a screamo band, then pivots in the late 2000s to effectively redefine dubstep for millions of raging revelers at the exact moment the EDM economy exploded. Early 2010s EPs like Scary Monsters and Nice Sprites are now considered canon; along the way, he had a hand in some of the best pure pop tunes of the decade, scored a Harmony Korine film (2012’s Spring Breakers), and circled back to reunite with his old band, From First to Last. But for his outsized impact on the past two decades of pop culture, his studio albums have been few and, well, not always far between. Nine years passed between his full-length debut, 2014’s Recess, and his second album, 2023’s Quest for Fire; one day later, he released his third album, Don’t Get Too Close.

A visionary synthesis of the art of a composer who, here more than anywhere else, gives meaning to the world in which he lives, and reveals to us something of what lies beyond, the Mass in B minor is one of the supreme peaks of Bach’s music.

Gaetano Brunetti was born on 9 August 1744 in Fano, a town then belonging to the Papal States. Little is known about his childhood and training. He may have studied in Livorno or Florence with the violinist Pietro Nardini, a member of the school of Giuseppe Tartini.

A Profound Tribute to Reflection and ResilienceIn the Mirror is an exquisite collection of works by contemporary women composers, masterfully interpreted by cellist Heather Tuach and pianist Yoko Misumi, both members of the celebrated Greenwich Trio.

This release continues our exploration of rarely performed or recorded symphonic works by Miklós Rózsa, composer of the renowned film score for Ben-Hur.

"Since his first performances as a tenor saxophonist in the 1970s, Ab Schaap not only came to be an early contributor to Dutch jazz history, in the following decades he also showed his versatility as a composer and an educator.

Marleen de Bakker releases a very personal portrait with her solo album Mena, featuring a widely chosen selection of music specifically for the harp. Marleen is called Mena by only her family and closest friends.

Our Principal Guest Conductor first recorded for LSO Live in 2011, stepping in at the last minute for Sir Colin Davis to conduct an award-winning account of the Britten War Requiem. Since then he has produced acclaimed recordings of works by Verdi, Tchaikovsky, Mussorgsky and Shostakovich.

With her new album SiGNALE (Signals), released on the GENUIN label, organist Kerstin Petersen performs rarely played and newly composed repertoire by Japanese and European women composers.

David Longstreth’s Song of the Earth, a song cycle for orchestra and voices, is released on 4 April 2025 via Nonesuch/New Amsterdam Records in the US and Transgressive Records for the rest of the world.

On April 4, 2025, French oboist Céline Moinet will release her fourth album on the Berlin Classics label. On this album, Moinet presents an exquisite collection of chamber music works by the Salzburg masters Wolfgang Amadeus Mozart and Luigi Gatti. She is accompanied by her long-time musical collaborators Mahamed Hiber (violin), Sindy Mohamed (viola), and Tim Park (cello). Together, they open up a fascinating sound world for the listeners, featuring both well-known and lesser-known works by these two composers.

Elsa Grether and Ferenc Vizi come together here for a programme centred on Spain.

Gerd Schaller continues his Bruckner Project 200 series with his own transcription for organ of Bruckner's Symphony No. 8.

Songwriter, guitarist and producer Oscar Jerome releases his third solo LP, The Fork, weaving sophisticated and nuanced narratives into the recognisably lyrical guitar style with which he made his name in London’s vibrant musical community. A former member of celebrated outfit Kokoroko, Jerome has since honed an articulate, sensitive approach to song-writing, releasing two EPs and LPs and touring the world off the back of his acclaimed 2022 album The Spoon.

Born in 1875, Ravel was fêted during the 1920s and ’30s as France’s greatest living composer – a remarkable achievement considering the obstacles placed in his path by the ultra-conservative Parisian musical elite of his time. (Ravel was expelled from the Paris Conservatoire twice!). His unique musical style, combining classical form and impressionistic harmony, makes his work immediately recognisable.