The Beatles '1' was originally released in 2000 and quickly became the fastest selling album of all time. Featuring 27 of the band's most significant singles, all of which reached #1 in the US or UK charts, this brand new re-mixed & remastered 2BluRay/CD set represents the ultimate collector's edition of The Beatles '1', featuring all 27 tracks on CD, all 27 promo videos on Disc 1, and an additional 23 videos on Disc 2, including alternate versions.

"Heaven or Las Vegas" was released in 1990 and is recognized as their most commercially successful release, reaching number seven in the UK album charts. Numerous publications have since declared it one of the best albums of the 90s, Pitchfork calling it “a core of ungodly gorgeous songs that is every bit as moving and relevant today as it ever was.” Label founder Ivo Watts-Russell goes further, candidly revealing in the recent 4AD biography, Facing The Other Way, that this album wasn’t just his favorite Cocteau's album, but also his favorite all-time 4AD album, and “by a long shot”, calling it “the perfect record”.

After 3 Continental Premieres of The Seven Symphonies we are delighted to annouce our next album "Another Seven Symphonies, a symphonic tribute to Beatles music".

Ob bei den Cembalostücken von Jean Philippe Rameau bis zum Kaddish von Maurice Ravel, den drei Romances sans paroles op. 17 von Gabriel Fauré oder den beiden Büchern Images von Claude Debussy: Antoine Preat unterstreicht die Anziehungskraft der französischen Meister für »alles, das sie umgibt.

La lecture visionaire de Liszt et Hersant par la grande pianiste Alice Ader !
Muse du compositeur Philippe Hersant dont elle a créé de nombreuses partitions, Alice Ader est sans doute l’une des figures les plus mystérieuses et secrètes du paysage musical.

Singer-guitarist Kevin Moore, known by his slangy abbreviation Keb' Mo', has already enjoyed commercial success. He's cut radio hits like "I Was Wrong", toured with Bonnie Raitt, and won Grammys for his last two albums. Yet this time, Moore's truly nailed his blues-pop ambitions with a warm mix of sonics and songcraft. The Door wraps spare arrangements around Moore's bone-deep slide guitar and the slow-granite foundation of drummer Jim Keltner and bassist Reggie McBride. They catch the spirit of the music's simple country roots, but spin savvy moves like updating Elmore James's "It Hurts Me Too" with a hip-hop groove that flies. Moore has also penned wise, sweetly emotional lyrics. He weaves themes like class-consciousness (the star-crossed love ode "Anyway") and poverty of the spirit ("Change") into heart-tugging ballads colored by the chocolate-y Mississippi moan of his voice. Add in flourishes of electric jazz guitar and some nasty rock tones, and this tallies up as his most ambitious, balanced album.

Touch is the debut album by Canadian singer-songwriter Sarah McLachlan, released in 1988 and then re-released in 1989. The album was originally released in 1988 by Nettwerk. McLachlan later signed to Arista Records internationally (although remaining on Nettwerk in Canada), and a revamped version of Touch, with several remixed songs and a new track, was released in 1989 on both labels. Audio Fidelity remastered the 1989's version.

In May 2014, the innovative and inventive concert series Jazz at Berlin Philharmonic headed east on a musical journey to the jazz stronghold of Poland. Piano virtuoso Leszek Możdżer, revered like a pop star in his homeland, shines on this live recording as he is accompanied by a trio and the Atom String Quartet. Together, Możdżer and his bandmates conjure up a celebrated concert evening that once again shows that a mix of jazz, classical and folk music provides important impulses for the future of European jazz and Poland.

Olafur Arnalds' third album, "For Now I Am Winter", is an exemplary suite of Icelandic music, blending American minimalist techniques with European sensibilities. Arnalds is poised to be one of the year’s biggest breakthrough artists. The recording blends contemporary classical with multiple instrumental layers and vocals. It includes the hit singles “Old Skin,” “This Place Was A Shelter” and “Only The Winds”.

Jazz bassist & vocalist Nicki Parrott releases an album devoted to the theme of Spring, a season filled with hope and celebration of new life. She performs standards such as "April In Paris," "April Showers," "I Love Paris," and more, as well as "Sakura Sakura" which is a Japanese traditional song about cherry blossoms, which she sings in Japanese. A stellar team of New York-based musicians supports the leader.

Phoebe Snow died at the age of 60, but her art will live forever. Her debut album witnesses a masterful nine-track lineup. Most of the songs were written by a 23-year old Phoebe Snow, including her best-known smash hit "Poetry Man". Snow was renowned for her elastic contralto and jazz scat vocals; this album became as legendary as her career, which spanned decades.

In the early 1970's, Marriner was among the first conductors to record Mozart's early symphonies in stereo, a fairly startling and groundbreaking enterprise for the time. Back then, most people had pretty much disregarded most of the composer's youthful writing in favor of the big later pieces. Marriner showed the world the worth of some of the earlier works. PentaTone Classics unearthed the original master tapes for a number of these Marriner recordings that Philips Records had originally done in the Quadraphonic format but never released that way. PentaTone remastered them in a series of four volumes. This first volume containing the Symphony in G, and the Symphonies Nos. 7a, 12, and 18. Needless to say, Marriner and the Academy of Saint Martin in the Fields perform the works with their customary sprightly vigor and refined taste, and the PentaTone engineers remastered the Philips recordings in audio highly reminiscent of how many of us recall Philips discs sounding in the early 70s.

In the early 1970's, Marriner was among the first conductors to record Mozart's early symphonies in stereo, a fairly startling and groundbreaking enterprise for the time. Back then, most people had pretty much disregarded most of the composer's youthful writing in favor of the big later pieces. Marriner showed the world the worth of some of the earlier works. PentaTone Classics unearthed the original master tapes for a number of these Marriner recordings that Philips Records had originally done in the Quadraphonic format but never released that way. PentaTone remastered them in a series of four volumes. This second volume containing the Symphonies 20, 45, 47, 51 in D, and the Symphony 46 in C. Needless to say, Marriner and the Academy of Saint Martin in the Fields perform the works with their customary sprightly vigor and refined taste, and the PentaTone engineers remastered the Philips recordings in audio highly reminiscent of how many of us recall Philips discs sounding in the early 70s.

In the early 1970's, Marriner was among the first conductors to record Mozart's early symphonies in stereo, a fairly startling and groundbreaking enterprise for the time. Back then, most people had pretty much disregarded most of the composer's youthful writing in favor of the big later pieces. Marriner showed the world the worth of some of the earlier works. PentaTone Classics unearthed the original master tapes for a number of these Marriner recordings that Philips Records had originally done in the Quadraphonic format but never released that way. PentaTone remastered them in a series of four volumes. This third volume containing the Symphonies 7 & 8 in D, 9 in C and the Symphonies No. 19 in E flat. Needless to say, Marriner and the Academy of Saint Martin in the Fields perform the works with their customary sprightly vigor and refined taste, and the PentaTone engineers remastered the Philips recordings in audio highly reminiscent of how many of us recall Philips discs sounding in the early 70s.

In the early 1970's, Marriner was among the first conductors to record Mozart's early symphonies in stereo, a fairly startling and groundbreaking enterprise for the time. Back then, most people had pretty much disregarded most of the composer's youthful writing in favor of the big later pieces. Marriner showed the world the worth of some of the earlier works. PentaTone Classics unearthed the original master tapes for a number of these Marriner recordings that Philips Records had originally done in the Quadraphonic format but never released that way. PentaTone remastered them in a series of four volumes. This last volume containing the Symphonies 6, 48, 50, 51, 52 & 55. Needless to say, Marriner and the Academy of Saint Martin in the Fields perform the works with their customary sprightly vigor and refined taste, and the PentaTone engineers remastered the Philips recordings in audio highly reminiscent of how many of us recall Philips discs sounding in the early 70s.