This hybrid SACD contains stereo and 4.0 multi-channel audio and I think it's fantastic!
Planet Zero contains reworked versions of several compositions released by Isao Tomita’s in the seventies, mainly from the 1976 album “The Planets”.

"More Hits by The Supremes" is the sixth studio album by Motown singing group The Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches". The album opens up with the b-side "Ask Any Girl" from their "Where Did Our Love Go" album, which ironically ended side 2 of their previous album of new material. It was once planned for single release with this new mix. Barney Ales, then an executive vice-president of Motown Records, reported in the August 14, 1965 issue of Billboard magazine the album had advance orders estimated at 300,000. More Hits by The Supremes peaked at #6 on the U.S. Billboard album chart and remained on that chart for 37 weeks. It reached #2 on Billboard's R&B album chart. To further underscore their popularity, each girl's signature was autographed on the album cover. According to Motown data this album managed to sell over 1,675,000 copies.

Sonically, Kiss retained their revitalized roar throughout Asylum, turning in a tough but supple performance that would have been more impressive if the songs were stronger.

Animalize was more successful than the previous Lick It Up, but that's only because its predecessor had accomplished the job of restoring the band's reputation among adolescents. While it followed the same pattern as Lick It Up, most of the songs were second-rate, with the noticeable exception of the smoldering "Heaven's on Fire."

Despite his youth, Ilya Gringolts can already look back on sixteen extraordinarily successful years in his violinist career. His inquisitiveness regarding new musical challenges has shown him to be an outstanding musical personality.

Platinum-selling, Denver trio, The Lumineers, announce their long-awaited return with news of second album 'Cleopatra' – the follow up to their multi-Grammy-nominated, self-titled debut.

Tenor Sir Peter Pears leads the cast on this famous and highly-lauded presentation of Benjamin Britten's Peter Grimes, conducted by the composer himself and recorded live in London in December 1958. The album has been included on the list of the 100 greatest recordings by Gramophone, which said this version "has never been superseded in its refinement or insight." BBC Music Magazine named this album the greatest Britten recording of all time.

Livin' on the Fault Line is the seventh studio album by the American rock band The Doobie Brothers, released in 1977. It is one of the few Doobie Brothers albums which did not produce a hit (although "You Belong to Me" was a hit as recorded by co-author Carly Simon). Still, the album received modest critical acclaim. Tom Johnston (guitar, vocals) left the band early in the sessions. He is listed as part of the band (appearing in the inside group photo) but appears on little or none of the actual album. Much of this consistently mellow album has a jazz tinge, and the influences of R&B are palpable throughout. The track "Little Darling (I Need You)" is a remake of the Marvin Gaye 1966 hit.

Brian Eno discusses Reflection:: "Reflection is the latest work in a long series. It started (as far as record releases are concerned) with Discreet Music in 1975 ( - or did it start with the first Fripp and Eno album in 1973? Or did it start with the first original piece of music I ever made, at Ipswich Art School in 1965 - recordings of a metal lampshade slowed down to half and quarter speed, all overlaid?)Anyway, it's the music that I later called 'Ambient'.