TOMICA Hyper Blue Police - 03
BRAW | 1920x1080 | English | H264 @ 1707 kbps | AAC @ 127.999 kbps | 3 min 0 s | 39.6 MiB
BRAW | 1920x1080 | English | H264 @ 1707 kbps | AAC @ 127.999 kbps | 3 min 0 s | 39.6 MiB
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This recording is the second part of an eventual triptych that will contain the six string quartets dedicated to Haydn: no.14 in G major, K387, the first of them, was composed in 1782, when Mozart had just arrived on the Viennese musical scene; no.15 in D minor K421, the second, is the only one in the minor mode and was completed in 1783 while his wife Constanze was in labour – she related that the rising intervals of the second movement recalled her cries from the room next door as he composed.
The fairy tale story of Cinderella has always inspired the great theater composers. Rossini's delightful 'La Cenerentola' is an operatic staple while Prokofiev's 'Cinderella' is a fixture on the ballet stage. After the 1940 premiere of 'Romeo and Juliet,' Prokofiev was immediately commissioned to write another ballet for the Kirov. Work on 'Cinderella' was set aside during some of the darkest days of the Second World War but Prokofiev returned to the work and completed it in 1944.
Si pour le grand public le nom de Rubinstein est indissociablement attaché à celui de Chopin, le pianiste polonais avouait lui-même une affinité toute particulière pour la musique de Brahms. RCA a la bonne idée d'enrichir sa collection Masters (bien nommée) avec un coffret dédicacé à cette alchimie remarquable, regroupant les grands enregistrements Living Stéréo de la musique concertante et surtout de la musique de chambre non limitée au piano seul.
After discovering François Francoeur's splendid orchestral pieces, the suites de Symphonies pour le festin royal de Monseigneur le Comte d'Artois, I was prompted by curiosity to play some of his magnificent violin sonatas in concert. This confirmed me in the conviction this violinist was undoubtedly one of the most appealing and gifted composers of 18th century France. Then it occurred to me to search his operatic output for the work or works most representative of his talents as an instrumentalist and orchestrator. The collections of the Bibliotheque Nationale soon convinced me that the 'more or less perfect pearl' was right in front of us: Piramé & Thisbé, a tragedie lyrique written in collaboration with his friend and associate François Rebel, three years his junior.