2009 compilation from the Liverpool-based Mersey Beat group who were originally the only real competition for the Beatles during their early days. The first popularity poll for Liverpool groups appeared in Mersey Beat in 1961. The Beatles were top, but as that magazine's contributor, Liverpool's top club DJ, Bob Wooler, pointed out, I excluded The Swinging Blue Jeans (then known as The Bluegenes) as they were beyond comparison and in a class of their own. The Swinging Blue Jeans were the epitome of the Mersey Beat sound and all that great group's best recordings can be found here. This album includes all of their greatest hits and much more besides. Hits include 'The Hippy Hippy Shake', 'Good Golly Miss Molly', 'You're No Good' and 'Don't Make Me Over' as well as 'Shakin' All Over', 'Tutti Fruiti', 'Lawdy Miss Clawdy' and 'Save the Last Dance For Me'.

Analyze dependencies between modules, classes, functions, and custom architectures. Make informed decisions regarding refactoring, optimization, and overall code organization by using Understand's dependency graph and other features.

Aged rock critic Richard Meltzer once said that writing about music is much harder today than it was in the 60s. He said that back then, there probably weren't 20 great bands in the world, so it was much easier to cover the scene comprehensively. I'd say he was reducing the issue a tad (especially in light of sets like Nuggets), but there is a kernel of wisdom in his observation. In 1967, Jimi Hendrix almost single-handedly rallied troupes from rock, pop, blues, jazz and soul on both sides of the Atlantic with his psychedelic call to arms, Are You Experienced?. In one fell swoop, he united the sounds of acts ranging from James Brown to The Beatles, and proved that young black men had as much a claim to rock's budding authenticity as any English mop tops. This could never happen again, as ironically, people like Hendrix contributed to a splintering of scenes and sounds that made common threads almost impossible to find (or wind) thereafter.

Gustav Holst was among those few classical composers to exert a major influence on rock music and popular music in the mid- to late- 20th century – which is all rather ironic, since he passed away in 1934. Holst was part of the early- 20th century school of English composers usually referred to as post-Romantics – along with his friend Ralph Vaughan Williams, with whom he shared a common interest in English folksong, he helped advance the cause of distinctly English orchestral music far beyond the boundaries of England; but much of Holst's music, as distinct from that of his contemporaries, was also steeped in Eastern influences that made it unique. Born in Cheltenham in 1874, Holst survived a childhood blighted by poor health (including painful neuritis in his right hand), the death of his mother when he was eight years old, and an overly demanding father.

This is the most comprehensive anthology of classic synth and keyboards ever made. This is decades of passionate research, modelling, and development. This is your chance to take your place in music history.

A Golden Classics Edition Review by William Ruhlmann
In essence, Collectables Records' Gary Puckett & the Union Gap compilation A Golden Classics Edition is a two-fer CD combining the group's first two albums, named after its first two singles, Woman, Woman and Young Girl. But the addition at the end of the disc of the next five singles – "Lady Willpower," "Over You," "Don't Give in to Him," "This Girl Is a Woman Now," and "Let's Give Adam and Eve Another Chance" – makes this a more thorough best-of for the group, at a generous 76-minute running time. Gary Puckett & the Union Gap was very much a singles act; the first six of those seven singles, all of which reached the Top 15 and four of which went gold, are all most people know the band for. The full contents of the first two albums suggest that that is all the group should be known for, too. The albums are clearly afterthoughts thrown together to generate some LP sales tied into the hit singles.

Angel Baby by Rosie & The Originals is one of those oldies around which an entire legend, if not a career, has been built, such is its lasting impact among a generation of a certain age. Rosie Hamlin's primordial squeak, with its pangs of earnest yearning, was a sound with which every adolescent female in America could identify because they knew instinctively that she was one of their own. As Phil Spector used to ask his flunky, Sonny Bono, when the latest Spector masterpiece was blasting back at them over the studio monitors - "Is it dumb enough?" "What he meant was, did it grab the kids at their level enough to make them go out and buy it," Bono later remarked.