The apparent idea behind this five-CD, 101-song bootleg was a sound one: to gather all of Pete Townshend's best solo demos from the Who's prime era (mid-'60s to late-'70s) in one place. As Who/Townshend fans know, his demos were usually very interesting, and while not as good as the full-on band versions done by the Who, they often boasted a personal, primitive, tenderness not present in the final product. But while there's much fine, and some great, music on here (and certainly there are a lot of great songs), this really isn't the major event it might have been. First, and most importantly, a lot of this stuff actually came out on the very-above-board Scoop and Another Scoop compilations, often with better sound.

This 3-disc Collection Encapsulates Every Possible Mood Experienced Through an Emotional Diary, with Tracks Such as the Roxette Classic Weepy "it Must have Been Love" from the Huge Pretty Woman to the Empowering and Uplifting Meredith Brooks Belter "Bitch".

An anthology of darkly comic twisted tales, each one taking place behind a door marked 'number 9'.

Thirty years ago, in the sleepy community of Waterbury, a killer known as “The Executioner” murdered Sarah Bennett's parents. Now Sarah and her husband Dylan have returned to town, only to find herself the centerpiece in a series of horrifying murders centered around the seven deadly sins.