Jazzin' On The Blues is guitarist Kim Simmonds' fifth solo album release. Known as the founder and continuing leader of the legendary blues/ rock band Savoy Brown and with a star on the Rock Walk of Fame, Kim Simmonds is recognized globally as one of the world's finest guitar players. He is also known as one of the very first musicians from the UK to re-invent the blues in the mid-sixties (post-The Rolling Stones) with music that continues to be an influence today. Many of his original songs are still played on radio, on TV and in movies. CSI, HBO's Vinyl, and a recent Jimi Hendix movie biopic, giving life once again to his many songs.

Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand.

Ten years after the Black Death devastated the country, a poor family sets out on a journey to search for better living conditions. In a deserted mountain pass, they are attacked by a gang of ruthless killer thieves. The only one spared is 19 year old Signe. She is taken prisoner, and the gang brings her back to their camp. Here, she soon learns that they have a fate worse than death in store for her, and realises that her only hope is to escape.

Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”

Evan Hansen, a high schooler with social anxiety, unintentionally gets caught up in a lie after the family of a classmate who committed suicide mistakes one of Hansen’s letters for their son’s suicide note.

It stands to reason that a Lloyd Cole album called Love Story would not have a happy beginning or middle, much less ending. Actually, though, it does start out happy, "Trigger Happy," that is, and later on, Cole is "Happy for You," in which he sings, "If you love him, you should leave me." In between, things get no sunnier, as Cole and his characters drink and despair, but carry on. That determination is very much part of Cole's negative world-view: "Everybody knows this is nowhere," he says, to coin a phrase, "but you've gotta be there." (Except, one supposes, for Lucy, who jumps from the 39th floor in the rollicking "Let's Get Lost.") Typically, Cole couches these sentiments in melodic folk-rock, such that, with the volume low and just following the attractive lilt of his voice, a listener might find this a far more soothing piece of music than it turns out to be on closer examination.

Isabelle, a 17-year-old student, loses her virginity during a quick holiday romance. When she returns home, she begins a secret life as a prostitute for a year.

In the early 70's a band named Catalyst was formed in the heart of Philadelphia. The core of the group was Odean Pope, Sherman Ferguson, Eddie Green and Al Johnson (who was replaced by Tyrone Brown after their first album). The band drew from a wide range of musical styles; jazz, funk, R&B, avant garde and fusion all found their way into the creative sonic tapestry of Catalyst. With the given talents of Catalyst they could have and should have been bigger but sadly they found themselves with little promotion or recognition outside the proximity of Philadelphia. Thankfully Catalyst were able to leave behind four extraordinary recordings that will appeal to both jazz heads and those in the hip hop community.

The Economist is a global weekly magazine written for those who share an uncommon interest in being well and broadly informed. Each issue explores the close links between domestic and international issues, business, politics, finance, current affairs, science, technology and the arts.