High school student Azusa jumps off from the rooftop of a school building, but she survives. One month later, the school is taken over by group of people wearing bizarre masks. A pregnant teacher is imprisoned, while the head director of the school and male students disappear. Azusa then finds pieces of a puzzle in an envelope given to her by classmate Shigeo (Shuhei Nomura). The puzzle pieces holds the key to solve the case. Azusa chases after Shigeo and she sees something which is unimaginable.

A Community college burnout in the making Crispin, spends the majority of his time stuck on repeat with a longtime group of childhood friends. But his newfound desire to move out of his suburban hometown prompts him to land a job at the local, rundown Northwood Pizza. There he meets a group of employees as attached to their jobs as Crispin's friends are to their city; including Sierra, a girl whose musings lie deeper than most. Through his experiences with his friends, coworkers, and a kindling relationship, Crispin Learns to embrace his higher ambitions.

Lavishly produced and packaged, Cry marks the continued ascent of Faith Hill from the lowlands of down-home authenticity to the heights of pop superstardom. Though plenty of Nashville A-team players back her up, the sound they churn out has almost nothing to do with country music. Riding a tide of massed synthesizer textures, sweeping orchestral strings, thundering drums, rock guitar licks, and melodramatic dynamics, Hill strives for the biggest possible gestures in her performance. The result is the kind of glitzy fireworks normally associated with Star Search or American Idol, in which the lyric takes a distant backseat to raw exhibitionism and only the most cursory nod is made toward country lyrical convention.