Adapted from various stories by Jules Renard, Poil de Carotte (The Red Head) is the poetically related tale of a delicate domestic situation. Robert Lynen plays the young son of Catherine Fourtenay. Fourtenay's husband Harry Baur knows that Lynen is not his son, but remains married for appearances' sake. Baur remains aloof and distant until he discovers the cruelties heaped upon Lynen by his resentful mother. Foster father and son develop a respect and friendship for one another that finally deepens into love.

Grim story of one of the major battles of the Korean War. While negotiators are at work in Panmunjom trying to bring the conflict to a negotiated end, Lt. Joe Clemons is ordered to launch an attack and retake Pork Cop Hill. It's tough on the soldiers who know that the negotiations are under way and no one wants to die when they think it will all soon be over. The hill is of no particular strategic military value but all part of showing resolve during the negotiations.

Four struggling actors retreat to a cabin in Big Bear, California in order to write a screenplay that will make them all stars. Problem is: What happens when their story idea – a horror flick about a group of friends tormented by a villain with a bag over his head – starts to come true?

American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.

Leda, the flirt of Monsieur Marcoux is murdered. His wife and the police think, that the murderer was the milk-man, the friend of the maid, but Marcoux' daughter's fiance Lazo, who is aware of the corrupt situation in that family doesn't agree with them.

Duke Duquesne is a very eccentric magician, and owing to his lifestyle his two-year-old daughter, Cassie, is sent away to live with an aunt. After twenty years, news of her father's death brings her back to Los Angeles to attend his funeral. The day after her arrival, she is told he left a rather odd will. It specifies that she will inherit her father's estate on the condition that she stay in his creepy palatial mansion for seven nights in a row - alone.

A traveller arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.

Juan Cesare, a descendant of the Borgia's of Vienna, thinks he may have a murder streak in him acquired from his long-dead relatives, is is love with Florence Ballau, but her father lodges a strong protest. Papa Ballau is later found dead with a Florentine dagger of the Borgia type stuck firmly in him. Juan is all wrought up and tortured by thoughts he may have been the killer. But there is also a disfigured housekeeper on the premises who may or may not have had a motive.

Shoplifter Linda Wilson doesn't care much for life inside or outside jail until she starts a relationship with prison psychiatrist Philip Duncan. When the Warden asks her to break off the affair rather than jeopodise Duncan's career as husband of a felon she reacts by joining a jail-break that turns into a riot.

Ma Delano (La Verne) runs a boardwalk penny arcade, living upstairs with her sons (Cagney and Gallagher) and daughter (Knapp). Story involves rum running, accidental murder and a frame-up.

A crooked producer tries to link his backers by producing a flop and disapearing with the money. Patricia, one of the chorus girls has given her money, too and after the disapearing of the producer one of the backers is in charge of production, trying the same trick. But Patricia tries to convince him to give the show a chance.

At 40, Zosia (Ilona Ostrowska) has a happy second marriage, a well-adjusted daughter, a good career, and a comfortable home in Warsaw. But as she and her family usher in the year 2000, she wishes some things in her youth had happened differently, and she's magically transported back to 1987, when she was still married to her womanizing first husband, Darek (Robert Więckiewicz) and lived in the People's Republic of Poland.