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Tingshuo Yang - Bach: Clavierübung Part I: Partitas (2024) [Official Digital Download]
![Tingshuo Yang - Bach: Clavierübung Part I: Partitas (2024) [Official Digital Download]](https://pixhost.icu/avaxhome/8e/8e81/8e81f44d3a75446381c8252430a30d7f-15082262206014178504.webp)
Tingshuo Yang - Bach: Clavierübung Part I: Partitas (2024)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 141:46 minutes | 1,09 GB
Classical | Label: Luxembourg Classics, Official Digital Download
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 141:46 minutes | 1,09 GB
Classical | Label: Luxembourg Classics, Official Digital Download
The Partitas were a display of Bach’s mastery at its finest. Firstly, there is a remarkable line of continuity to unite the six suites, helped largely by an overarching tonal structure, which forms a sequence of tonalities that go up and then down by increasing amounts. The work starts in B flat major, going up a second to C, then descending a third to A, and so on and so forth. Bach also thinks beyond the Partitas, allowing the sequence to continue from the first part of the Clavierübung to the second part, the Italian Concerto starting in F and the French Overture in B natural (H in German), neatly using up all eight notes in the German musical letter scale. Yet, despite Bach’s clever tricks, these works were not purely academical, for the Suite, along with the Fugue, was considered one of the highest art forms in the Baroque era. In fact, German musicologist Alfred Dürr argues that while the fugue was considered ‘academic’ and ‘scholarly’, the suite was more gallant, mannered, and emotional. The Six Partitas are certainly not lacking in contrasting emotional characters. From a calm, flowing Allemande in the First Partita, to the gallant French Overture of the Fourth, to the weighty, highly complex Toccata in the Sixth, the Partitas take listeners on a whirlwind journey from light-hearted humour to solemn seriousness. It is no wonder, therefore, that these pieces were an instant success. Bach’s first biographer, JN Forkel, agrees, commenting that these pieces made ‘great noise in the musical world’ and that ‘Such excellent compositions… had never been seen or heard before’.
Tracklist:
01. Partita I in B-Flat Major, BWV 825: I. Praeludium
02. Partita I in B-Flat Major, BWV 825: II. Allemande
03. Partita I in B-Flat Major, BWV 825: III. Corrente
04. Partita I in B-Flat Major, BWV 825: IV. Sarabande
05. Partita I in B-Flat Major, BWV 825: V. Menuet I-II
06. Partita I in B-Flat Major, BWV 825: VI. Gigue
07. Partita II in C Minor, BWV 826: I. Sinfonia
08. Partita II in C Minor, BWV 826: II. Allemande
09. Partita II in C Minor, BWV 826: III. Courante
10. Partita II in C Minor, BWV 826: IV. Sarabande
11. Partita II in C Minor, BWV 826: V. Rondeau
12. Partita II in C Minor, BWV 826: VI. Capriccio
13. Partita III in A Minor, BWV 827: I. Fantasia
14. Partita III in A Minor, BWV 827: II. Allemande
15. Partita III in A Minor, BWV 827: III. Corrente
16. Partita III in A Minor, BWV 827: IV. Sarabande
17. Partita III in A Minor, BWV 827: V. Burlesca
18. Partita III in A Minor, BWV 827: VI. Scherzo
19. Partita III in A Minor, BWV 827: VII. Gigue
20. Partita IV in D Major, BWV 828: I. Ouverture
21. Partita IV in D Major, BWV 828: II. Allemande
22. Partita IV in D Major, BWV 828: III. Courante
23. Partita IV in D Major, BWV 828: IV. Aria
24. Partita IV in D Major, BWV 828: V. Sarabande
25. Partita IV in D Major, BWV 828: VI. Menuet
26. Partita IV in D Major, BWV 828: VII. Gigue
27. Partita V in G Major, BWV 829: I. Praeambulum
28. Partita V in G Major, BWV 829: II. Allemande
29. Partita V in G Major, BWV 829: III. Corrente
30. Partita V in G Major, BWV 829: IV. Sarabande
31. Partita V in G Major, BWV 829: V. Tempo di Menuetto
32. Partita V in G Major, BWV 829: VI. Passepied
33. Partita V in G Major, BWV 829: VII. Gigue
34. Partita VI in E Minor, BWV 830: I. Toccata
35. Partita VI in E Minor, BWV 830: II. Allemande
36. Partita VI in E Minor, BWV 830: III. Corrente
37. Partita VI in E Minor, BWV 830: IV. Air
38. Partita VI in E Minor, BWV 830: V. Sarabande
39. Partita VI in E Minor, BWV 830: VI. Tempo di Gavotta
40. Partita VI in E Minor, BWV 830: VII. Gigue
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2024-06-22 15:00:05
––––––––––––––––––––––––––––––––––––––––
Analyzed: Tingshuo Yang / Bach: Clavierübung Part I: Partitas
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.52 dB -15.85 dB 1:44 01-Partita I in B-Flat Major, BWV 825: I. Praeludium
DR11 -1.62 dB -15.24 dB 3:14 02-Partita I in B-Flat Major, BWV 825: II. Allemande
DR11 -0.60 dB -14.48 dB 2:50 03-Partita I in B-Flat Major, BWV 825: III. Corrente
DR12 -3.09 dB -19.16 dB 5:09 04-Partita I in B-Flat Major, BWV 825: IV. Sarabande
DR11 -1.94 dB -16.23 dB 2:41 05-Partita I in B-Flat Major, BWV 825: V. Menuet I-II
DR10 -1.87 dB -15.61 dB 2:13 06-Partita I in B-Flat Major, BWV 825: VI. Gigue
DR13 -0.52 dB -16.77 dB 4:28 07-Partita II in C Minor, BWV 826: I. Sinfonia
DR11 -4.35 dB -18.28 dB 4:44 08-Partita II in C Minor, BWV 826: II. Allemande
DR10 -3.23 dB -16.04 dB 2:10 09-Partita II in C Minor, BWV 826: III. Courante
DR11 -6.58 dB -20.83 dB 2:54 10-Partita II in C Minor, BWV 826: IV. Sarabande
DR11 -1.32 dB -16.17 dB 1:29 11-Partita II in C Minor, BWV 826: V. Rondeau
DR12 -0.52 dB -15.38 dB 3:37 12-Partita II in C Minor, BWV 826: VI. Capriccio
DR11 -1.81 dB -15.31 dB 1:49 13-Partita III in A Minor, BWV 827: I. Fantasia
DR11 -2.80 dB -17.39 dB 3:09 14-Partita III in A Minor, BWV 827: II. Allemande
DR11 -0.76 dB -15.12 dB 3:02 15-Partita III in A Minor, BWV 827: III. Corrente
DR13 -3.16 dB -19.33 dB 3:57 16-Partita III in A Minor, BWV 827: IV. Sarabande
DR11 -0.52 dB -14.87 dB 2:11 17-Partita III in A Minor, BWV 827: V. Burlesca
DR12 -0.52 dB -14.36 dB 1:01 18-Partita III in A Minor, BWV 827: VI. Scherzo
DR11 -1.68 dB -14.98 dB 3:03 19-Partita III in A Minor, BWV 827: VII. Gigue
DR12 -0.52 dB -15.70 dB 6:18 20-Partita IV in D Major, BWV 828: I. Ouverture
DR12 -3.45 dB -19.75 dB 9:34 21-Partita IV in D Major, BWV 828: II. Allemande
DR11 -2.87 dB -17.43 dB 3:35 22-Partita IV in D Major, BWV 828: III. Courante
DR11 -2.92 dB -17.24 dB 1:57 23-Partita IV in D Major, BWV 828: IV. Aria
DR11 -4.86 dB -20.68 dB 5:38 24-Partita IV in D Major, BWV 828: V. Sarabande
DR11 -3.77 dB -18.02 dB 1:20 25-Partita IV in D Major, BWV 828: VI. Menuet
DR11 -2.95 dB -16.30 dB 3:19 26-Partita IV in D Major, BWV 828: VII. Gigue
DR12 -0.82 dB -15.92 dB 2:21 27-Partita V in G Major, BWV 829: I. Praeambulum
DR11 -5.23 dB -20.37 dB 5:25 28-Partita V in G Major, BWV 829: II. Allemande
DR11 -2.56 dB -16.84 dB 1:36 29-Partita V in G Major, BWV 829: III. Corrente
DR14 -3.75 dB -22.47 dB 5:34 30-Partita V in G Major, BWV 829: IV. Sarabande
DR11 -6.14 dB -20.28 dB 2:19 31-Partita V in G Major, BWV 829: V. Tempo di Menuetto
DR11 -1.87 dB -16.15 dB 1:34 32-Partita V in G Major, BWV 829: VI. Passepied
DR11 -2.91 dB -16.56 dB 4:06 33-Partita V in G Major, BWV 829: VII. Gigue
DR12 -0.52 dB -16.85 dB 7:33 34-Partita VI in E Minor, BWV 830: I. Toccata
DR12 -3.47 dB -19.17 dB 3:36 35-Partita VI in E Minor, BWV 830: II. Allemande
DR12 -0.85 dB -16.73 dB 4:35 36-Partita VI in E Minor, BWV 830: III. Corrente
DR11 -4.68 dB -18.14 dB 1:45 37-Partita VI in E Minor, BWV 830: IV. Air
DR14 -1.01 dB -18.94 dB 6:50 38-Partita VI in E Minor, BWV 830: V. Sarabande
DR10 -3.84 dB -16.96 dB 2:06 39-Partita VI in E Minor, BWV 830: VI. Tempo di Gavotta
DR12 -0.52 dB -15.31 dB 5:18 40-Partita VI in E Minor, BWV 830: VII. Gigue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 40
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1167 kbps
Codec: FLAC
================================================================================
log date: 2024-06-22 15:00:05
––––––––––––––––––––––––––––––––––––––––
Analyzed: Tingshuo Yang / Bach: Clavierübung Part I: Partitas
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.52 dB -15.85 dB 1:44 01-Partita I in B-Flat Major, BWV 825: I. Praeludium
DR11 -1.62 dB -15.24 dB 3:14 02-Partita I in B-Flat Major, BWV 825: II. Allemande
DR11 -0.60 dB -14.48 dB 2:50 03-Partita I in B-Flat Major, BWV 825: III. Corrente
DR12 -3.09 dB -19.16 dB 5:09 04-Partita I in B-Flat Major, BWV 825: IV. Sarabande
DR11 -1.94 dB -16.23 dB 2:41 05-Partita I in B-Flat Major, BWV 825: V. Menuet I-II
DR10 -1.87 dB -15.61 dB 2:13 06-Partita I in B-Flat Major, BWV 825: VI. Gigue
DR13 -0.52 dB -16.77 dB 4:28 07-Partita II in C Minor, BWV 826: I. Sinfonia
DR11 -4.35 dB -18.28 dB 4:44 08-Partita II in C Minor, BWV 826: II. Allemande
DR10 -3.23 dB -16.04 dB 2:10 09-Partita II in C Minor, BWV 826: III. Courante
DR11 -6.58 dB -20.83 dB 2:54 10-Partita II in C Minor, BWV 826: IV. Sarabande
DR11 -1.32 dB -16.17 dB 1:29 11-Partita II in C Minor, BWV 826: V. Rondeau
DR12 -0.52 dB -15.38 dB 3:37 12-Partita II in C Minor, BWV 826: VI. Capriccio
DR11 -1.81 dB -15.31 dB 1:49 13-Partita III in A Minor, BWV 827: I. Fantasia
DR11 -2.80 dB -17.39 dB 3:09 14-Partita III in A Minor, BWV 827: II. Allemande
DR11 -0.76 dB -15.12 dB 3:02 15-Partita III in A Minor, BWV 827: III. Corrente
DR13 -3.16 dB -19.33 dB 3:57 16-Partita III in A Minor, BWV 827: IV. Sarabande
DR11 -0.52 dB -14.87 dB 2:11 17-Partita III in A Minor, BWV 827: V. Burlesca
DR12 -0.52 dB -14.36 dB 1:01 18-Partita III in A Minor, BWV 827: VI. Scherzo
DR11 -1.68 dB -14.98 dB 3:03 19-Partita III in A Minor, BWV 827: VII. Gigue
DR12 -0.52 dB -15.70 dB 6:18 20-Partita IV in D Major, BWV 828: I. Ouverture
DR12 -3.45 dB -19.75 dB 9:34 21-Partita IV in D Major, BWV 828: II. Allemande
DR11 -2.87 dB -17.43 dB 3:35 22-Partita IV in D Major, BWV 828: III. Courante
DR11 -2.92 dB -17.24 dB 1:57 23-Partita IV in D Major, BWV 828: IV. Aria
DR11 -4.86 dB -20.68 dB 5:38 24-Partita IV in D Major, BWV 828: V. Sarabande
DR11 -3.77 dB -18.02 dB 1:20 25-Partita IV in D Major, BWV 828: VI. Menuet
DR11 -2.95 dB -16.30 dB 3:19 26-Partita IV in D Major, BWV 828: VII. Gigue
DR12 -0.82 dB -15.92 dB 2:21 27-Partita V in G Major, BWV 829: I. Praeambulum
DR11 -5.23 dB -20.37 dB 5:25 28-Partita V in G Major, BWV 829: II. Allemande
DR11 -2.56 dB -16.84 dB 1:36 29-Partita V in G Major, BWV 829: III. Corrente
DR14 -3.75 dB -22.47 dB 5:34 30-Partita V in G Major, BWV 829: IV. Sarabande
DR11 -6.14 dB -20.28 dB 2:19 31-Partita V in G Major, BWV 829: V. Tempo di Menuetto
DR11 -1.87 dB -16.15 dB 1:34 32-Partita V in G Major, BWV 829: VI. Passepied
DR11 -2.91 dB -16.56 dB 4:06 33-Partita V in G Major, BWV 829: VII. Gigue
DR12 -0.52 dB -16.85 dB 7:33 34-Partita VI in E Minor, BWV 830: I. Toccata
DR12 -3.47 dB -19.17 dB 3:36 35-Partita VI in E Minor, BWV 830: II. Allemande
DR12 -0.85 dB -16.73 dB 4:35 36-Partita VI in E Minor, BWV 830: III. Corrente
DR11 -4.68 dB -18.14 dB 1:45 37-Partita VI in E Minor, BWV 830: IV. Air
DR14 -1.01 dB -18.94 dB 6:50 38-Partita VI in E Minor, BWV 830: V. Sarabande
DR10 -3.84 dB -16.96 dB 2:06 39-Partita VI in E Minor, BWV 830: VI. Tempo di Gavotta
DR12 -0.52 dB -15.31 dB 5:18 40-Partita VI in E Minor, BWV 830: VII. Gigue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 40
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1167 kbps
Codec: FLAC
================================================================================
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