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  3. Andreas Staier - "...pour passer la melancolie" (2013) [24bit-96kHz]

Andreas Staier - "...pour passer la melancolie" (2013) [24bit-96kHz]

Posted By: luckburz
Date: 10 May 2015 08:17:28
Andreas Staier - "...pour passer la melancolie" (2013) [24bit-96kHz]

Andreas Staier - "…pour passer la melancolie"
Harpsichord works by Froberger, D`Anglebert, Fischer, Louis Couperin, Clerambault & Georg Muffat
FLAC (tracks) 24 bit/96 kHz: 1,65 GB | Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMC 902143 | Country/Year: Europe 2013
Genre: Classical | Style: Baroque, Harpsichord | Source: HDtracks

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

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Andreas Staier - "...pour passer la melancolie" (2013) [24bit-96kHz]


foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2015-05-04 18:38:11

––––––––––––––––––––––––––––––––––––––––
Analyzed: Andreas Staier / "…pour passer la mélancolie"
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -8.34 dB -24.57 dB 5:05 01-Suite XXX en la mineur: "Plaincte faite à Londres pour passer la Melancolie la quelle se joüe lentement et à discretion"
DR12 -4.18 dB -17.66 dB 1:11 02-Suite XXX en la mineur: Courante
DR13 -3.43 dB -18.72 dB 2:12 03-Suite XXX en la mineur: Sarabande
DR13 -1.31 dB -16.09 dB 1:20 04-Suite XXX en la mineur: Gigue
DR13 -8.74 dB -23.96 dB 3:14 05-Des Pièces de Claveçin … Livre premier,: Fugue grave pour l'Orgue. Fort lentement Ré Mineur
DR13 -0.10 dB -15.35 dB 1:24 06-Musicalischer Parnassus, de la Suite "Uranie" Ré Mineur: Toccata
DR13 -1.04 dB -16.02 dB 4:38 07-Musicalischer Parnassus, de la Suite "Uranie" Ré Mineur: Passacaglia
DR12 -9.35 dB -24.63 dB 2:05 08-Suite en fa majeur: Prélude
DR12 -4.92 dB -19.94 dB 3:19 09-Suite en fa majeur: Allemande grave
DR11 -3.24 dB -16.66 dB 1:01 10-Suite en fa majeur: Courante
DR12 -9.30 dB -24.11 dB 1:51 11-Suite en fa majeur: Sarabande
DR12 -1.10 dB -15.46 dB 2:18 12-Suite en fa majeur: Chaconne
DR12 -8.07 dB -23.58 dB 5:08 13-Suite en fa majeur: Tombeau de M. de Blancrocher
DR12 -3.00 dB -18.93 dB 4:31 14-Des Pièces de Claveçin … Livre premier: Prélude en Ré Mineur
DR12 -6.97 dB -22.49 dB 5:32 15-Des Pièces de Claveçin … Livre premier: Tombeau de M. de Chambonnières. Fort lentement
DR12 -3.13 dB -16.95 dB 3:40 16-Des Pièces de Claveçin … Livre premier: Chaconne Rondeau en Ré Majeur
DR13 -3.86 dB -19.49 dB 2:18 17-De Ariadne Musica, 1702Ricercar pro Tempore Quadragesimae super Initium Cantilenae: Da Jesus an dem Creutze stund
DR13 -12.34 dB -28.08 dB 2:27 18-Du 1er Livre de Pièces de Claveçin, Suite en Ut Mineur: Prélude. Fort tendrement
DR12 -7.23 dB -20.85 dB 3:54 19-Du 1er Livre de Pièces de Claveçin, Suite en Ut Mineur: Allemande. Lentement
DR12 -2.27 dB -16.78 dB 0:54 20-Du 1er Livre de Pièces de Claveçin, Suite en Ut Mineur: Courante
DR13 -10.06 dB -24.74 dB 2:48 21-Du 1er Livre de Pièces de Claveçin, Suite en Ut Mineur: Sarabande Grave
DR12 -0.10 dB -15.02 dB 1:41 22-Du 1er Livre de Pièces de Claveçin, Suite en Ut Mineur: Gigue Vite (Du 1er Livre de Pièces de Claveçin, Suite en Ut Mineur: Gigue Vite)
DR13 -0.82 dB -17.09 dB 8:31 23-De Apparatus Musico-Organisticus: Passacaglia en Sol Mineur
DR12 -8.49 dB -23.66 dB 3:49 24-Libro qvartode la Suite VI: Lamento sopra la dolorosa perdita della Real Mstà. di Ferdinando IV, Ré de' Romani etc. en Ut Majeur
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 24
Official DR value: DR12

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2920 kbps
Codec: FLAC
================================================================================



Release Info:

Andreas Staier - "…pour passer la melancolie"

Harpsichord works by Froberger, D`Anglebert, Fischer, Louis Couperin, Clerambault & Georg Muffat

Label: Harmonia Mundi
Catalog#: HMC 902143
Format: Official Digital Download, Album, 24-96
Country: Europe
Released: 2013
Genre: Classical
Style: Baroque, Harpsichord
Source: HDTracks

Tracklist:

JOHANN JACOB FROBERGER (1616-1667)

Suite XXX en la mineur

1. Plaincte faite a Londres pour passer la Melancolie la quelle se joue lentement et a discretion
2. Courante
3. Sarabande
4. Gigue

JEAN-HENRY D’ANGLEBERT (1629-1691)

5. Des Pieces de Clavecin, Livre premier, 1689 - Fugue grave pour l’Orgue. Fort lentement en re mineur

JOHANN CASPAR FERDINAND FISCHER (1656-1746)

Musicalischer Parnassus, de la Suite „Uranie“ en re mineur

6. Toccata
7. Passacaglia

LOUIS COUPERIN (c.1626-1661)

Suite en Fa majeur

8. Prelude
9. Allemande grave
10. Courante
11. Sarabande
12. Chaconne
13. Tombeau de M. de Blancrocher

JEAN-HENRY D’ANGLEBERT

Des Pieces de Clavecin, Livre premier, 1689

14. Prelude en re mineur
15. Tombeau de M. de Chambonnieres. Fort lentement
16. Chaconne Rondeau en Re majeur

JOHANN CASPAR FERDINAND FISCHER

17. De Ariadne Musica, 1702 - Ricercar pro Tempore Quadragesimae super Initium Cantilenae: “Da Jesus an dem Creutze stund”

LOUIS-NICOLAS CLERAMBAULT (1676-1749)

Du Premier Livre de Pieces de Clavecin, 1704

Suite en ut mineur

18. Prelude. Fort tendrement
19. Allemande. Lentement
20. Courante
21. Sarabande Grave
22. Gigue. Vite

GEORG MUFFAT (1653-1704)

23. De Apparatus Musico-Organisticus, 1690 - Passacaglia en sol mineur

JOHANN JACOB FROBERGER

24. Libro qvarto, 1656, de la Suite VI: Lamento sopra la dolorosa perdita della Real Msta. di Ferdinando IV, Re de’ Romani etc. en Ut majeur

Review by James Manheim

The quality of melancholy was associated with English music of the 16th and 17th centuries, and it certainly had resonances abroad. In this selection of French and German works of the early Baroque, played by the always daring harpsichordist Andreas Staier, the connections are never made quite clear, in the music or in Staier's booklet notes. But it hardly matters, for the music and the performances here are compelling as individual units. The only explicit reference to melancholy comes in two movements of Froberger's suites, which programmatically depict the disagreeable circumstances of the composer's trip to London: he was robbed by pirates on the boat from Calais, showed up in England with only a seaman's shirt to his name, and was subsequently maltreated as a result. This is intriguing, but it is hardly the classic melancholy of Elizabethan circles. Elsewhere you get various kinds of serious pieces, none exactly melancholy: there's a fine example of the Tombeau or memorial piece, this one in honor of Jacques Champion de Chambonnières (track 15); a remarkable French fugue by Jean-Henry d'Anglebert (track 5); a harmonically dense suite by Louis Couperin; and several weighty German pieces that were among the ancestors of J.S. Bach's serious mode. They aren't really melancholy, but they're splendid, little-known works, and Staier's bold, stirring playing, always a pleasure to hear, is especially impressive in these ambitious works. He plays a recently restored French harpsichord of the late 17th century that can stand up to his high-intensity style. The result: a fine program that achieves something different from what it set out to do. ~allmusicguide
Andreas Staier - "...pour passer la melancolie" (2013) [24bit-96kHz]

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