Manuel Vilas - Compendio Numeroso (2021)
FLAC (tracks) 24-bit/48 kHz | Front Cover & Digital Booklet | Time - 65:09 minutes | 619 MB
Classical | Label: Paraty, Official Digital Download
FLAC (tracks) 24-bit/48 kHz | Front Cover & Digital Booklet | Time - 65:09 minutes | 619 MB
Classical | Label: Paraty, Official Digital Download
As a harpist specializing in the cross-strung harp, an Iberian harp so called for having two rows of crossing strings, the recording of the album culminates a lifelong project. My teacher Nuria Llopis mentioned Diego Fernández de Huete during my first cross-strung-harp lesson in the early 90s of the last century. The first piece I prepared as a student was none other than the gaita (track 17) and, from that moment, Huete’s music accompanied me, as much in my student years as in my professional recitals, which always include works by this composer.
Huete’s harp treatise represents the quintessence of the historic harp and a true reflection of seventeenth-century European instrumental music. Here we find every theoretical and technical aspect of this instrument, including ways to approach the fingering, the tempos, the instrument’s issues regarding sonic neatness, phrasing, dynamics, rules for accompaniment, etc. I consider it the baroque harpist’s bible, whose careful study offers the musician many solutions and whose rereading always yields novel answers and ideas. Huete’s work takes the instrument’s possibilities to their limit, just as much as those of its player by testing the harpist’s ability.
Diego Fernández de Huete is tied to the city of Toledo and its cathedral, where, from 1681 to 1710, he served as a harpist in the music chapel. He dedicated his life to this instrument and was also an organist. The harp and the organ, two closely related instruments, share a common history since many harpists were also organists and vice versa. When Huete decided to publish his masterpiece, the Plentiful Compendium, he had plenty of experience as a harpist; over 30 years of study and professional playing granted him a great deal of authority to transmit all his knowledge and mastery.
Tracklist:
1. Gallardas (04:37)
2. Canción flamenca (01:40)
3. Canción italiana (05:21)
4. Paradetas (03:28)
5. Dios te salve María (02:05)
6. Pasacalles de segundo tono (05:36)
7. Bacas (04:24)
8. Canción mallorquina (04:28)
9. Españoletas (09:43)
10. Gaita zamorana (01:46)
11. Pasacalles de tercer tono (05:09)
12. Matachines (01:50)
13. Canción francesa (03:31)
14. Canción portuguesa (02:26)
15. Balenciana (03:15)
16. Tarantelas (03:30)
17. Gaita-Mariona agaitada (02:14)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2021-10-09 15:35:56
––––––––––––––––––––––––––––––––––––––––
Analyzed: Manuel Vilas / Compendio Numeroso
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.11 dB -16.95 dB 4:37 01-Gallardas
DR10 -0.11 dB -12.63 dB 1:41 02-Canción flamenca
DR13 -0.11 dB -16.47 dB 5:21 03-Canción italiana
DR13 -0.11 dB -15.61 dB 3:28 04-Paradetas
DR13 -0.11 dB -18.16 dB 2:05 05-Dios te salve María
DR14 -0.11 dB -18.22 dB 5:37 06-Pasacalles de segundo tono
DR14 -0.11 dB -17.01 dB 4:24 07-Bacas
DR14 -2.71 dB -20.47 dB 4:28 08-Canción mallorquina
DR13 -0.12 dB -17.02 dB 9:44 09-Españoletas
DR10 -0.11 dB -13.07 dB 1:46 10-Gaita zamorana
DR12 -0.11 dB -16.25 dB 5:09 11-Pasacalles de tercer tono
DR11 -0.11 dB -13.94 dB 1:50 12-Matachines
DR14 -0.13 dB -18.09 dB 3:31 13-Canción francesa
DR13 -0.11 dB -16.04 dB 2:27 14-Canción portuguesa
DR14 -0.11 dB -18.01 dB 3:15 15-Balenciana
DR12 -0.11 dB -16.20 dB 3:30 16-Tarantelas
DR14 -0.11 dB -17.09 dB 2:14 17-Gaita-Mariona agaitada
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 17
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1368 kbps
Codec: FLAC
================================================================================
log date: 2021-10-09 15:35:56
––––––––––––––––––––––––––––––––––––––––
Analyzed: Manuel Vilas / Compendio Numeroso
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.11 dB -16.95 dB 4:37 01-Gallardas
DR10 -0.11 dB -12.63 dB 1:41 02-Canción flamenca
DR13 -0.11 dB -16.47 dB 5:21 03-Canción italiana
DR13 -0.11 dB -15.61 dB 3:28 04-Paradetas
DR13 -0.11 dB -18.16 dB 2:05 05-Dios te salve María
DR14 -0.11 dB -18.22 dB 5:37 06-Pasacalles de segundo tono
DR14 -0.11 dB -17.01 dB 4:24 07-Bacas
DR14 -2.71 dB -20.47 dB 4:28 08-Canción mallorquina
DR13 -0.12 dB -17.02 dB 9:44 09-Españoletas
DR10 -0.11 dB -13.07 dB 1:46 10-Gaita zamorana
DR12 -0.11 dB -16.25 dB 5:09 11-Pasacalles de tercer tono
DR11 -0.11 dB -13.94 dB 1:50 12-Matachines
DR14 -0.13 dB -18.09 dB 3:31 13-Canción francesa
DR13 -0.11 dB -16.04 dB 2:27 14-Canción portuguesa
DR14 -0.11 dB -18.01 dB 3:15 15-Balenciana
DR12 -0.11 dB -16.20 dB 3:30 16-Tarantelas
DR14 -0.11 dB -17.09 dB 2:14 17-Gaita-Mariona agaitada
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 17
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1368 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!