Joan as Police Woman - Real Life (Vinyl Reissue) (2006/2019)
Vinyl Rip | FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 38:11 minutes | 741 MB
Indie Rock, Pop Rock, Jazz, Singer-Songwriter, Female Vocal | Label: PIAS Recordings
Vinyl Rip | FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 38:11 minutes | 741 MB
Indie Rock, Pop Rock, Jazz, Singer-Songwriter, Female Vocal | Label: PIAS Recordings
Joan Wasser spent most of the '90s and 2000s playing with everyone from the Dambuilders to Antony and the Johnsons to Jeff Buckley (with whom she was involved when he died), but of all the projects she's been involved in, Joan As Police Woman is the the finest. Real Life seems like an immediately brilliant debut, but, as is usually the case, years of experience went into it. You can hear it in Wasser's voice, womanly and raspy; in the way she and the rest of the band fuse soul, post-punk, and '70s-style singer/songwriter pop into something familiar, unique, and seemingly effortless; and in the remarkable vulnerability and strength on display throughout.
Wasser took "beauty is the new punk rock" as the manifesto for Joan as Police Woman, and while it's certainly catchy and describes the group's music, there's more to it than that: in Joan as Police Woman's world, it's more challenging, more unexpected, to honor hope and beauty instead of just tearing things down. Real Life's music and words are filled with plenty of spine-tingling beauty, as well as honesty, from how the simmering strings slowly overtake the lilting piano melody on the title track, to the way Wasser offers up her heart on "Anyone": "Try me please/I'm a better dancer than it seems." Even in the supposedly confessional realm of singer/songwriters, it's rare to hear this kind of genuine, nuanced emotion; it's even rarer to have it surrounded by music that's beautifully structured and elegantly played.
Tracklist:
A1 – Real Life
A2 – Eternal Flame
A3 – Feed The Light
A4 – The Ride
A5 – I Defy
B1 – Flushed Chest
B2 – Christobel
B3 – Save Me
B4 – Anyone
B5 – We Don't Own It
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2020-06-18 17:38:31
––––––––––––––––––––––––––––––––––––––––
Analyzed: Joan As Police Woman / Real Life (2019 Vinyl Reissue)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -3.54 dB -18.01 dB 4:39 01-Real Life
DR11 -1.01 dB -13.79 dB 3:39 02-Eternal Flame
DR12 -1.58 dB -16.31 dB 3:41 03-Feed the Light
DR11 -2.42 dB -15.40 dB 3:09 04-The Ride
DR11 -1.26 dB -14.65 dB 3:35 05-I Defy
DR11 -1.99 dB -14.73 dB 3:45 06-Flushed Chest
DR11 -2.33 dB -14.58 dB 3:16 07-Christobel
DR11 -3.59 dB -16.08 dB 3:44 08-Save Me
DR10 -2.46 dB -13.86 dB 4:50 09-Anyone
DR11 -2.13 dB -16.56 dB 3:54 10-We Don't Own It (For Elliot Smith)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2598 kbps
Codec: FLAC
================================================================================
log date: 2020-06-18 17:38:31
––––––––––––––––––––––––––––––––––––––––
Analyzed: Joan As Police Woman / Real Life (2019 Vinyl Reissue)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -3.54 dB -18.01 dB 4:39 01-Real Life
DR11 -1.01 dB -13.79 dB 3:39 02-Eternal Flame
DR12 -1.58 dB -16.31 dB 3:41 03-Feed the Light
DR11 -2.42 dB -15.40 dB 3:09 04-The Ride
DR11 -1.26 dB -14.65 dB 3:35 05-I Defy
DR11 -1.99 dB -14.73 dB 3:45 06-Flushed Chest
DR11 -2.33 dB -14.58 dB 3:16 07-Christobel
DR11 -3.59 dB -16.08 dB 3:44 08-Save Me
DR10 -2.46 dB -13.86 dB 4:50 09-Anyone
DR11 -2.13 dB -16.56 dB 3:54 10-We Don't Own It (For Elliot Smith)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2598 kbps
Codec: FLAC
================================================================================
First play from sealed package
Audio-Technica LP60 with ART DJ-pre II preamp
Focusrite Scarlett 2i4 interface
Adobe Audition 2019 for recording & editing
Izotope RX7 de-click (quiet passages only, vinyl record preset)
Audition FFT high-pass filter (steep curve at 40Hz, Blackman window, size 16384)
Export to 24bit, 96kHz stereo FLAC (no dither)
foobar2k for tagging, resampling to Redbook 44.1kHz/16bit FLAC with SSRC, dither
Audio-Technica LP60 with ART DJ-pre II preamp
Focusrite Scarlett 2i4 interface
Adobe Audition 2019 for recording & editing
Izotope RX7 de-click (quiet passages only, vinyl record preset)
Audition FFT high-pass filter (steep curve at 40Hz, Blackman window, size 16384)
Export to 24bit, 96kHz stereo FLAC (no dither)
foobar2k for tagging, resampling to Redbook 44.1kHz/16bit FLAC with SSRC, dither
Thanks to the Original customer!