James Gilchrist & Nathan Williamson - One Hundred Years of British Song, Vol. 3 (2022)
FLAC (tracks) 24-bit/88,2 kHz | Front Cover & Digital Booklet | Time - 66:15 minutes | 940 MB
Classical, Vocal | Label: SOMM Recordings, Official Digital Download
FLAC (tracks) 24-bit/88,2 kHz | Front Cover & Digital Booklet | Time - 66:15 minutes | 940 MB
Classical, Vocal | Label: SOMM Recordings, Official Digital Download
SOMM Recordings announces the third and final volume of the enthusiastically received One Hundred Years of British Song, with tenor James Gilchrist and pianist Nathan Williamson. Focusing on songs written since 1950, Volume 3 celebrates what Williamson’s booklet note describes as “astonishment at the depth of expressivity of the poetry and music”.
Receiving first recordings are John Woolrich’s settings of Irish poet Matthew Sweeney, The Unlit Suburbs, a deadpan yet evocative exercise in “alternative realism”, and Geoffrey Poole’s stylistically wide-ranging The Eye of the Blackbird, with texts from Virginia Woolf, traditional Nigerian poems, Wallace Stevens, the Tibetan Book of the Dead and Requiem Mass.
Also on disc for the first time are Williamson’s own song-cycle setting poems by Bryan Heiser composed especially for James Gilchrist, The Little That Was Once a Man, and solo-piano miniature, Intermezzo. Peter Dickinson’s early, accomplished Four W.H. Auden Songs and dramatic and intense yet positive and joyful Let the Florid Music Praise, and Madeleine Dring’s characterful Five Betjeman Songs, the product of a “fascinating and multi-faceted artistic personality”, complete the disc.
Gramophone hailed Volume 1 (SOMMCD 0621) as “a most impressive release” and Limelight, awarding its Recording of the Month accolade, as “a penetrating, frequently revelatory start to a promising new series”. Of Volume 2 (SOMMCD 0636), MusicWeb International said: “It is redundant to declare that this is a superlative CD. Considering the two performers, the technical prowess of SOMM Recordings, the excellent liner notes and the imaginative and wide-ranging programme, it could be nothing else”.
Gilchrist’s SOMM releases include Parry’s English Lyrics (SOMMCD 257 and 270) and Penelope Thwaites’ From Five Continents (SOMMCD 0612), to which, theclassicalreview said, “Gilchrist brings authority throughout”.
Williamson’s SOMM association includes Great American Sonatas (SOMMCD 0163), “a release of distinction” (Gramophone), and Colour and Light (SOMMCD 0196), a 2019 Recording of the Year for International Piano.
Tracklist:
1. James Gilchrist & Nathan Williamson – Let the Florid Music Praise (Version for Tenor & Piano) (04:08)
2. James Gilchrist & Nathan Williamson – 4 W.H. Auden Songs: No. 1, Look, Stranger (03:16)
3. James Gilchrist & Nathan Williamson – 4 W.H. Auden Songs: No. 2, Eyes Look Into the Well (02:20)
4. James Gilchrist & Nathan Williamson – 4 W.H. Auden Songs: No. 3, Carry Her Over the Water (02:38)
5. James Gilchrist & Nathan Williamson – 4 W.H. Auden Songs: No. 4, What's in Your Mind? (01:16)
6. James Gilchrist & Nathan Williamson – 5 Betjeman Songs: No. 1, A Bay in Anglesey (03:37)
7. James Gilchrist & Nathan Williamson – 5 Betjeman Songs: No. 2, Song of a Nightclub Proprietress (02:47)
8. James Gilchrist & Nathan Williamson – 5 Betjeman Songs: No. 3, Business Girls (02:25)
9. James Gilchrist & Nathan Williamson – 5 Betjeman Songs: No. 4, Undenominational (01:26)
10. James Gilchrist & Nathan Williamson – 5 Betjeman Songs: No. 5, Upper Lambourne (02:42)
11. James Gilchrist & Nathan Williamson – The Little That Was Once a Man: No. 1, in Someone Else's Poem (02:03)
12. James Gilchrist & Nathan Williamson – The Little That Was Once a Man: No. 2, 4am (02:17)
13. James Gilchrist & Nathan Williamson – The Little That Was Once a Man: No. 3, Not Being the Ordinary Way (01:33)
14. James Gilchrist & Nathan Williamson – The Little That Was Once a Man: No. 4, Not Being Misunderstanding (02:26)
15. James Gilchrist & Nathan Williamson – The Little That Was Once a Man: No. 5, Moon at Rest (06:03)
16. James Gilchrist & Nathan Williamson – The Unlit Suburbs: No. 1, The Submerged Bar (01:01)
17. James Gilchrist & Nathan Williamson – The Unlit Suburbs: No. 2, Rat Town (00:55)
18. James Gilchrist & Nathan Williamson – The Unlit Suburbs: No. 3, The Ghost Choir (00:43)
19. Nathan Williamson – Intermezzo (04:46)
20. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 1, Twenty Snowy Mountains (02:16)
21. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 2, The Autumn Wind (00:52)
22. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 3, I Was of Three Minds (01:26)
23. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 4, Which to Prefer (02:36)
24. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 5, Icicles (02:14)
25. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 6, I Know Noble Accents (01:57)
26. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 7, Out of Sight (02:12)
27. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 8, He Rode Over Connecticut (01:22)
28. James Gilchrist & Nathan Williamson – The Eye of the Blackbird: No. 9, Evening All Afternoon (02:45)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2022-01-18 17:17:42
––––––––––––––––––––––––––––––––––––––––
Analyzed: James Gilchrist & Nathan Williamson / One Hundred Years of British Song, Vol. 3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.10 dB -22.18 dB 4:08 01-Dickinson: Let the Florid Music Praise (Version for Tenor & Piano)
DR14 -3.49 dB -24.34 dB 3:16 02-Dickinson: 4 W.H. Auden Songs: No. 1, Look, Stranger
DR13 -3.11 dB -22.84 dB 2:20 03-Dickinson: 4 W.H. Auden Songs: No. 2, Eyes Look Into the Well
DR15 -5.34 dB -26.59 dB 2:38 04-Dickinson: 4 W.H. Auden Songs: No. 3, Carry Her Over the Water
DR13 -5.36 dB -23.39 dB 1:17 05-Dickinson: 4 W.H. Auden Songs: No. 4, What's in Your Mind?
DR16 -6.97 dB -28.29 dB 3:37 06-Dring: 5 Betjeman Songs: No. 1, A Bay in Anglesey
DR15 -3.50 dB -24.44 dB 2:48 07-Dring: 5 Betjeman Songs: No. 2, Song of a Nightclub Proprietress
DR13 -6.50 dB -30.37 dB 2:26 08-Dring: 5 Betjeman Songs: No. 3, Business Girls
DR13 -3.00 dB -20.46 dB 1:27 09-Dring: 5 Betjeman Songs: No. 4, Undenominational
DR13 -8.02 dB -26.67 dB 2:43 10-Dring: 5 Betjeman Songs: No. 5, Upper Lambourne
DR14 -6.30 dB -27.01 dB 2:04 11-Williamson: The Little That Was Once a Man: No. 1, In Someone Else's Poem
DR15 -1.33 dB -22.77 dB 2:17 12-Williamson: The Little That Was Once a Man: No. 2, 4am
DR14 -2.34 dB -21.44 dB 1:33 13-Williamson: The Little That Was Once a Man: No. 3, Not Being the Ordinary Way
DR13 -0.10 dB -17.59 dB 2:26 14-Williamson: The Little That Was Once a Man: No. 4, Not Being Misunderstanding
DR15 -3.43 dB -26.05 dB 6:03 15-Williamson: The Little That Was Once a Man: No. 5, Moon at Rest
DR15 -6.68 dB -27.03 dB 1:02 16-Woolrich: The Unlit Suburbs: No. 1, The Submerged Bar
DR13 -5.50 dB -28.77 dB 0:56 17-Woolrich: The Unlit Suburbs: No. 2, Rat Town
DR12 -8.40 dB -29.97 dB 0:43 18-Woolrich: The Unlit Suburbs: No. 3, The Ghost Choir
DR14 -10.29 dB -31.03 dB 4:47 19-Williamson: Intermezzo
DR14 -11.55 dB -33.05 dB 2:16 20-Poole: The Eye of the Blackbird: No. 1, Twenty Snowy Mountains
DR11 -7.13 dB -22.71 dB 0:52 21-Poole: The Eye of the Blackbird: No. 2, The Autumn Wind
DR13 -7.04 dB -26.50 dB 1:27 22-Poole: The Eye of the Blackbird: No. 3, I Was of Three Minds
DR14 -13.49 dB -34.20 dB 2:36 23-Poole: The Eye of the Blackbird: No. 4, Which to Prefer
DR13 -1.81 dB -26.44 dB 2:14 24-Poole: The Eye of the Blackbird: No. 5, Icicles
DR14 -3.60 dB -24.43 dB 1:57 25-Poole: The Eye of the Blackbird: No. 6, I Know Noble Accents
DR14 -13.51 dB -36.47 dB 2:13 26-Poole: The Eye of the Blackbird: No. 7, Out of Sight
DR15 -0.10 dB -20.22 dB 1:23 27-Poole: The Eye of the Blackbird: No. 8, He Rode Over Connecticut
DR16 -8.79 dB -33.67 dB 2:46 28-Poole: The Eye of the Blackbird: No. 9, Evening All Afternoon
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 28
Official DR value: DR14
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1738 kbps
Codec: FLAC
================================================================================
log date: 2022-01-18 17:17:42
––––––––––––––––––––––––––––––––––––––––
Analyzed: James Gilchrist & Nathan Williamson / One Hundred Years of British Song, Vol. 3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.10 dB -22.18 dB 4:08 01-Dickinson: Let the Florid Music Praise (Version for Tenor & Piano)
DR14 -3.49 dB -24.34 dB 3:16 02-Dickinson: 4 W.H. Auden Songs: No. 1, Look, Stranger
DR13 -3.11 dB -22.84 dB 2:20 03-Dickinson: 4 W.H. Auden Songs: No. 2, Eyes Look Into the Well
DR15 -5.34 dB -26.59 dB 2:38 04-Dickinson: 4 W.H. Auden Songs: No. 3, Carry Her Over the Water
DR13 -5.36 dB -23.39 dB 1:17 05-Dickinson: 4 W.H. Auden Songs: No. 4, What's in Your Mind?
DR16 -6.97 dB -28.29 dB 3:37 06-Dring: 5 Betjeman Songs: No. 1, A Bay in Anglesey
DR15 -3.50 dB -24.44 dB 2:48 07-Dring: 5 Betjeman Songs: No. 2, Song of a Nightclub Proprietress
DR13 -6.50 dB -30.37 dB 2:26 08-Dring: 5 Betjeman Songs: No. 3, Business Girls
DR13 -3.00 dB -20.46 dB 1:27 09-Dring: 5 Betjeman Songs: No. 4, Undenominational
DR13 -8.02 dB -26.67 dB 2:43 10-Dring: 5 Betjeman Songs: No. 5, Upper Lambourne
DR14 -6.30 dB -27.01 dB 2:04 11-Williamson: The Little That Was Once a Man: No. 1, In Someone Else's Poem
DR15 -1.33 dB -22.77 dB 2:17 12-Williamson: The Little That Was Once a Man: No. 2, 4am
DR14 -2.34 dB -21.44 dB 1:33 13-Williamson: The Little That Was Once a Man: No. 3, Not Being the Ordinary Way
DR13 -0.10 dB -17.59 dB 2:26 14-Williamson: The Little That Was Once a Man: No. 4, Not Being Misunderstanding
DR15 -3.43 dB -26.05 dB 6:03 15-Williamson: The Little That Was Once a Man: No. 5, Moon at Rest
DR15 -6.68 dB -27.03 dB 1:02 16-Woolrich: The Unlit Suburbs: No. 1, The Submerged Bar
DR13 -5.50 dB -28.77 dB 0:56 17-Woolrich: The Unlit Suburbs: No. 2, Rat Town
DR12 -8.40 dB -29.97 dB 0:43 18-Woolrich: The Unlit Suburbs: No. 3, The Ghost Choir
DR14 -10.29 dB -31.03 dB 4:47 19-Williamson: Intermezzo
DR14 -11.55 dB -33.05 dB 2:16 20-Poole: The Eye of the Blackbird: No. 1, Twenty Snowy Mountains
DR11 -7.13 dB -22.71 dB 0:52 21-Poole: The Eye of the Blackbird: No. 2, The Autumn Wind
DR13 -7.04 dB -26.50 dB 1:27 22-Poole: The Eye of the Blackbird: No. 3, I Was of Three Minds
DR14 -13.49 dB -34.20 dB 2:36 23-Poole: The Eye of the Blackbird: No. 4, Which to Prefer
DR13 -1.81 dB -26.44 dB 2:14 24-Poole: The Eye of the Blackbird: No. 5, Icicles
DR14 -3.60 dB -24.43 dB 1:57 25-Poole: The Eye of the Blackbird: No. 6, I Know Noble Accents
DR14 -13.51 dB -36.47 dB 2:13 26-Poole: The Eye of the Blackbird: No. 7, Out of Sight
DR15 -0.10 dB -20.22 dB 1:23 27-Poole: The Eye of the Blackbird: No. 8, He Rode Over Connecticut
DR16 -8.79 dB -33.67 dB 2:46 28-Poole: The Eye of the Blackbird: No. 9, Evening All Afternoon
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 28
Official DR value: DR14
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1738 kbps
Codec: FLAC
================================================================================
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