Allan Taylor together with the Göttinger Symphonie Orchester with their agile conductor Christoph-Mathias Mueller joined the recordings in Göttingen, and a very successful session was performed.

Krausberry is the Czech blues-rock and hard rock band founded by singer Martin Kraus in 1984 after leaving the band Bluesberry. In 1991, Krausberry members broke up due to dissatisfied business activity, but after five years, the band regrouped and still touring. Nálada is the band's sixth studio album released in 2007 through local Czech label Levné Knihy KMa.

Super Session is an album conceived by Al Kooper and featuring the work of guitarists Mike Bloomfield and Stephen Stills, released on Columbia Records in 1968. Bloomfield and Stills do not play together on the album, with tracks including Bloomfield on side one, and those including Stills on side two. It peaked at number 12 on the Billboard 200, and has been certified a gold record by the RIAA.

New York and Paris-based composer-saxophonist Patrick Zimmerli has pursued overlapping careers in jazz and classical music for over two decades. His career as a composer of classical as well as classical/jazz hybrid music has gained him worldwide recognition. Since 2011 he has undertaken several recording projects with Nonesuch, composing or arranging music for Brad Mehldau, Joshua Redman, Luciana Souza, and others, including a concerto for Redman and strings to be released this year. "Clockworks" combines the considered precision and overarching formal construction typical of classical music with the flair, sound, energy and performative ethos of jazz.

Floyd Cramer was an American Hall of Fame pianist who was one of the architects of the Nashville sound. He was known for his "slip note" piano style, in which an out-of-key note slides into the correct note. In 2003 Cramer was inducted into the Country Music Hall of Fame and the Rock and Roll Hall of Fame. Only The Big Ones is a album of 1966 hit songs covered by Floyd and Nashville A List session men. What's New Pussycat, Hang On Sloopy, Yesterday, You've Got To Hide Your Love Away, A Walk In The Black Forest and more get superb recordings made.

Maybe not exactly the first Dizzy that comes to mind when discussing jazz, this Jamaican-born, British-raised trumpeter overcame whatever burdens that nickname may have wrought to become a highly respected player in the New York scene. He enhanced that rep by recording some truly excellent albums for the Savoy, Blue Note and Prestige labels among others. His robust and passionate playing styles always seemed to inspire other musicians in his company. The contributions of the esteemed trio invited; pianist Walter Bishop, Jr., bassist Doug Watkins and drummer Art Taylor unilaterally match the front man's fire and bold approach to each tune.

Three musicians of the very latest generation, all from Siena Jazz, the Academy where they were musically formed and where they developed their mutual artistic affinities.

Herman Dune was established as a trio with brothers David Ivan and André singing and writing, and drummer Org, David Ivar's childhood friend. In 2000, they released their debut album, Turn Off the Light.

Whistle Rymes is the second solo studio album by the English rock musician John Entwistle, released on 3 November 1972 by Track Records in the UK and on 4 November 1972 by Decca Records in the US.

Too Late the Hero is the fifth and final solo studio album by the English rock musician John Entwistle, released on 23 November 1981 by ATCO Records in the US, and by WEA in the UK.

The Rock is the only studio album by English rock band The Rock, credited to founding bassist John Entwistle of the Who, issued by Griffin Music.

As The Who navigated their incendiary path through the sixties, John Entwistle (nick-named The Ox) showed that he was a talented songwriter as well as being a formidable musician.

As The Who navigated their incendiary path through the sixties, John Entwistle (nick-named The Ox) showed that he was a talented songwriter as well as being a formidable musician.

John Entwistle's greatest failings as a solo artist are generally a matter of not being the best judge of his own work.

This album is the result of several years of trying to combine modern dynamic jazz with a rock-inspired language.