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Cindy Castillo - Johann Sebastian Bach: Musikalisches Opfer (2025) [Official Digital Download 24/192]
![Cindy Castillo - Johann Sebastian Bach: Musikalisches Opfer (2025) [Official Digital Download 24/192]](https://pixhost.icu/avaxhome/38/38f8/38f8e3c5883b43458e75eb3999d08767-668974639758790567.webp)
Cindy Castillo - Johann Sebastian Bach: Musikalisches Opfer (2025)
FLAC (tracks) 24-bit/192 kHz | Front Cover | Time - 62:46 minutes | 1,91 GB
Classical | Label: Ricercar, Official Digital Download
FLAC (tracks) 24-bit/192 kHz | Front Cover | Time - 62:46 minutes | 1,91 GB
Classical | Label: Ricercar, Official Digital Download
Although it has been clearly established for which instruments the Musical Offering and the Art of Fugue were intended, the Musical Offering has continued to be the object of realisations for other instruments, such as Anton Webern's orchestrated version of the Ricercar à 6. Here Cindy Castillo marks the completion of a new organ in the German baroque style by Dominique Thomas in the church of Saint-Loup in Namur with her own realisation of this work, a monument to the late Baroque style.
Tracklist:
1. Musikalisches Opfer, BWV 1079: Ricercar a 3 (7:14)
2. Musikalisches Opfer, BWV 1079: Fuga canonica in Epidiapente (2:55)
3. Musikalisches Opfer, BWV 1079: Canon perpetuus super Thema Regium (1:14)
4. Musikalisches Opfer, BWV 1079: Sonata sopr’il Soggetto Reale: I. Largo (7:51)
5. Musikalisches Opfer, BWV 1079: Canon 1 a 2 cancrizans (2:01)
6. Musikalisches Opfer, BWV 1079: Canon 2 a 2 violini in unisono (0:58)
7. Musikalisches Opfer, BWV 1079: Canon 3 a 2 per Motum contrarium (1:14)
8. Musikalisches Opfer, BWV 1079: Sonata sopr’il Soggetto Reale: II. Allegro (7:00)
9. Musikalisches Opfer, BWV 1079: Canon 4 a 2 per Augmentationem, contrario motu (2:59)
10. Musikalisches Opfer, BWV 1079: Canon 5 a 2. Per tonos (4:21)
11. Musikalisches Opfer, BWV 1079: Sonata sopr’il Soggetto Reale: III. Andante (3:22)
12. Musikalisches Opfer, BWV 1079: Canon a 2 "Quaerendo invenietis” a (1:21)
13. Musikalisches Opfer, BWV 1079: Canon a 2 "Quaerendo invenietis” b (1:27)
14. Musikalisches Opfer, BWV 1079: Sonata sopr’il Soggetto Reale: IV. Allegro (3:44)
15. Musikalisches Opfer, BWV 1079: Canon perpetuus (1:38)
16. Musikalisches Opfer, BWV 1079: Canon a 4 (4:25)
17. Musikalisches Opfer, BWV 1079: Ricercar a 6 (9:02)
foobar2000 v2.24.1 / DR Meter v0.7
log date: 2025-01-16 16:17:44
––––––––––––––––––––––––––––––––––––––––
Analyzed: Cindy Castillo / Johann Sebastian Bach: Musikalisches Opfer
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -13.38 dBFS -26.98 dBFS 7:14 01-Ricercar a 3
DR10 -12.44 dBFS -24.79 dBFS 2:55 02-Fuga canonica in Epidiapente
DR10 -13.42 dBFS -26.68 dBFS 1:14 03-Canon perpetuus super Thema Regium
DR10 -11.54 dBFS -24.09 dBFS 7:51 04-Sonata sopr’il Soggetto Reale: I. Largo
DR9 -22.35 dBFS -33.91 dBFS 2:01 05-Canon 1 a 2 cancrizans
DR9 -16.99 dBFS -29.51 dBFS 0:58 06-Canon 2 a 2 violini in unisono
DR9 -18.90 dBFS -30.17 dBFS 1:14 07-Canon 3 a 2 per Motum contrarium
DR11 -12.93 dBFS -26.00 dBFS 7:00 08-Sonata sopr’il Soggetto Reale: II. Allegro
DR10 -13.47 dBFS -25.77 dBFS 2:59 09-Canon 4 a 2 per Augmentationem, contrario motu
DR10 -17.70 dBFS -30.64 dBFS 4:21 10-Canon 5 a 2. Per tonos
DR9 -15.76 dBFS -29.00 dBFS 3:22 11-Sonata sopr’il Soggetto Reale: III. Andante
DR9 -13.57 dBFS -26.00 dBFS 1:21 12-Canon a 2 "Quaerendo invenietis” a
DR10 -11.67 dBFS -24.76 dBFS 1:27 13-Canon a 2 "Quaerendo invenietis” b
DR11 -11.38 dBFS -24.59 dBFS 3:44 14-Sonata sopr’il Soggetto Reale: IV. Allegro
DR10 -9.23 dBFS -23.56 dBFS 1:38 15-Canon perpetuus
DR10 -14.44 dBFS -28.70 dBFS 4:25 16-Canon a 4
DR11 -4.14 dBFS -19.15 dBFS 9:02 17-Ricercar a 6
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 17
Official DR value: DR10
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4341 kbps
Codec: FLAC
================================================================================
log date: 2025-01-16 16:17:44
––––––––––––––––––––––––––––––––––––––––
Analyzed: Cindy Castillo / Johann Sebastian Bach: Musikalisches Opfer
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -13.38 dBFS -26.98 dBFS 7:14 01-Ricercar a 3
DR10 -12.44 dBFS -24.79 dBFS 2:55 02-Fuga canonica in Epidiapente
DR10 -13.42 dBFS -26.68 dBFS 1:14 03-Canon perpetuus super Thema Regium
DR10 -11.54 dBFS -24.09 dBFS 7:51 04-Sonata sopr’il Soggetto Reale: I. Largo
DR9 -22.35 dBFS -33.91 dBFS 2:01 05-Canon 1 a 2 cancrizans
DR9 -16.99 dBFS -29.51 dBFS 0:58 06-Canon 2 a 2 violini in unisono
DR9 -18.90 dBFS -30.17 dBFS 1:14 07-Canon 3 a 2 per Motum contrarium
DR11 -12.93 dBFS -26.00 dBFS 7:00 08-Sonata sopr’il Soggetto Reale: II. Allegro
DR10 -13.47 dBFS -25.77 dBFS 2:59 09-Canon 4 a 2 per Augmentationem, contrario motu
DR10 -17.70 dBFS -30.64 dBFS 4:21 10-Canon 5 a 2. Per tonos
DR9 -15.76 dBFS -29.00 dBFS 3:22 11-Sonata sopr’il Soggetto Reale: III. Andante
DR9 -13.57 dBFS -26.00 dBFS 1:21 12-Canon a 2 "Quaerendo invenietis” a
DR10 -11.67 dBFS -24.76 dBFS 1:27 13-Canon a 2 "Quaerendo invenietis” b
DR11 -11.38 dBFS -24.59 dBFS 3:44 14-Sonata sopr’il Soggetto Reale: IV. Allegro
DR10 -9.23 dBFS -23.56 dBFS 1:38 15-Canon perpetuus
DR10 -14.44 dBFS -28.70 dBFS 4:25 16-Canon a 4
DR11 -4.14 dBFS -19.15 dBFS 9:02 17-Ricercar a 6
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 17
Official DR value: DR10
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4341 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!