Chelsea Lane - Suspensions (2022)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 48:39 minutes | 387 MB
Classical | Label: Better Company Records, Official Digital Download
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 48:39 minutes | 387 MB
Classical | Label: Better Company Records, Official Digital Download
Chelsea Lane’s debut album Suspensions, released through Better Company Records, draws on contemporary, minimalist-inspired works to explore the theme of “suspensions,” both literal and figurative. Pairing newly commissioned works (by Ellis Ludwig-Leone and Molly Joyce) with Lane’s new transcriptions of existing works by contemporary composers (Thomas Adès, Nico Muhly, and Chris Cerrone), and a few staples of the solo harp repertory (by John Cage and Kate Moore), Suspensions is a delicately balanced, thoughtful debut. The album is a result of Lane’s interest in broadening the harp’s contemporary image: “I sought out new works for this album in order to cast the harp in a new light as a modern, versatile instrument capable of myriad colors, which I hope will ultimately increase its representation in both mainstream and more experimental performance spaces,” says Lane. She emphasizes that this requires a change in emphasis and interpretation as a performer: “I aim through releasing this album to contribute to the redefinition of ‘virtuosic’ pieces by shifting listeners’ attention to the smaller subtleties of musical phrasing and timbre.” While primarily a solo harp album, Lane is joined on piano by Ludwig-Leone (of San Fermin) for his work “Processional,” as well as Nathan Schram (of the Grammy-winning Attacca Quartet) on viola for Ludwig-Leone’s eponymous “Suspensions.”
Tracklist:
01. Falling Berceuse
02. Falling Pairs
03. Spin Bird
04. Souvenir
05. In a Landscape
06. Processional
07. Suspension I
08. Suspension II
09. Embodiment
10. Hoyt-Schermerhorn
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2022-12-02 20:58:09
––––––––––––––––––––––––––––––––––––––––
Analyzed: Chelsea Lane / Suspensions
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.30 dB -19.76 dB 2:24 01-Falling Berceuse
DR12 -0.90 dB -20.08 dB 3:53 02-Falling Pairs
DR9 -6.51 dB -20.83 dB 3:27 03-Spin Bird
DR13 -3.88 dB -22.91 dB 5:36 04-Souvenir
DR14 -1.68 dB -20.87 dB 9:47 05-In a Landscape
DR12 -0.30 dB -17.05 dB 2:20 06-Processional
DR12 -2.32 dB -19.01 dB 4:02 07-Suspension I
DR13 -1.08 dB -19.04 dB 3:45 08-Suspension II
DR15 -0.30 dB -17.67 dB 6:18 09-Embodiment
DR14 -1.83 dB -21.41 dB 7:08 10-Hoyt-Schermerhorn
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1069 kbps
Codec: FLAC
================================================================================
log date: 2022-12-02 20:58:09
––––––––––––––––––––––––––––––––––––––––
Analyzed: Chelsea Lane / Suspensions
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.30 dB -19.76 dB 2:24 01-Falling Berceuse
DR12 -0.90 dB -20.08 dB 3:53 02-Falling Pairs
DR9 -6.51 dB -20.83 dB 3:27 03-Spin Bird
DR13 -3.88 dB -22.91 dB 5:36 04-Souvenir
DR14 -1.68 dB -20.87 dB 9:47 05-In a Landscape
DR12 -0.30 dB -17.05 dB 2:20 06-Processional
DR12 -2.32 dB -19.01 dB 4:02 07-Suspension I
DR13 -1.08 dB -19.04 dB 3:45 08-Suspension II
DR15 -0.30 dB -17.67 dB 6:18 09-Embodiment
DR14 -1.83 dB -21.41 dB 7:08 10-Hoyt-Schermerhorn
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1069 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!