Twenty Sixty Six And Then - Reflections On The Future
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1900mb
Label: Second Battle/SB LP 068 | Released: 1972 | This Issue: 2008 | Genre: Progressive-Rock
A1 At My Home
A2 Autumn
A3 Butterking
-
B1 Reflections On The Future
B2 How Would You Feel
-
C1 Butterking (Live 2002)
C2 At My Home (Live 2002)
-
D1 How Would You Feel (Live 2002)
D2 Winter (Outtake 1971)
D3 I Saw The World (Outtake 1971)
Bass – Dieter Bauer
Drums – Konstantin Bommarius
Engineer – Dieter Dierks
Guitar – Gerhard Mrozeck
Organ, Piano – Steve Robinson, Veit Marvos
Producer – Madaus Sound
Vocals – Geff Harrison
Notes
Released on 180gr. Vinyl with Booklet in a limited edition of 900 on black vinyl.
For the first time available Bonus-Tracks:
C1-D1: Recorded Live in Ladenburg, Germany, 07-06-2002
D2-D3: Studio Outtakes recorded 05-11-1971
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1900mb
Label: Second Battle/SB LP 068 | Released: 1972 | This Issue: 2008 | Genre: Progressive-Rock
A1 At My Home
A2 Autumn
A3 Butterking
-
B1 Reflections On The Future
B2 How Would You Feel
-
C1 Butterking (Live 2002)
C2 At My Home (Live 2002)
-
D1 How Would You Feel (Live 2002)
D2 Winter (Outtake 1971)
D3 I Saw The World (Outtake 1971)
Bass – Dieter Bauer
Drums – Konstantin Bommarius
Engineer – Dieter Dierks
Guitar – Gerhard Mrozeck
Organ, Piano – Steve Robinson, Veit Marvos
Producer – Madaus Sound
Vocals – Geff Harrison
Notes
Released on 180gr. Vinyl with Booklet in a limited edition of 900 on black vinyl.
For the first time available Bonus-Tracks:
C1-D1: Recorded Live in Ladenburg, Germany, 07-06-2002
D2-D3: Studio Outtakes recorded 05-11-1971
This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX4: Only Manual (Click per click)
Vinyl Condition: M
This LP: With the gentle sponsorship from Quicksilver59, paulgh, Tuborg and JBH69Flyer
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Disclaimer: First of all- If you haven't already, then you NEED TO HEAR THIS ALBUM ON VINYL. It is the best way to hear this type of music. CD's (and YouTube, especially) do not do it proper justice. Music-Lovers: There is no excuse, not even the moderately higher price, to justify not listening to this music the way it sounds best. An inexpensive turntable and reissue will blow you away. Trust me.
Moving forward…Why doesn't this album have more reviews? More importantly; why is this album so "underground", when radio BS gets incessantly crammed down every hole in our body? Are most people really that shallow and fickle? Anyway, on to the album review….
Out of the hundreds of albums that I own, and regularly listen to, this is the first album I chose to review here. Maybe that says something, in itself..I own an original, mint-UA pressing (autographed by Konstatin Bommarius), and several vinyl reissues of this great album.
This album is a technical masterpiece of music. All of the songs are fast-paced and pretty heavy. Normally that's not what I'm all into, but I cannot deny the excellence of the music on this album. There really is no point to describing each song, individually, as they all sound very similar. That is, perfect. Without any harsh, or dull moments. Please know that when it comes to music, I am a very patient, and fastidious individual, who will not "hype" or overate the music I love. From one music critic, to another, do not pass this one up.
Geff Harrison has a wonderful (slightly raspy) voice, that fits this album, in every way. His voice, along with the rhythm, ebbs and flows in an almost haunting way. Next, it pains me to say this name in the same review with this album, but-Eddie Van Halen, would be put to shame by the guitar work of Gagey Mrozeck. And…did someone say Neil Peart can play drums? Hah! Mere child's play compared to Konstatin Bommarius' flawless drumming. The bass of Dieter Bauer is also exemplary. If all that's not enough for you, Steve Robinson and Veit Marvos are equally as proficient on the ivory. The whole damn album is practically a keyboard/guitar dualing solo, and once you think the heaviness of the vocals, drums, organ, bass, and guitar is about to be overwhelming, and about to make you explode with adrenaline-you get a soft, psych, break, before the finale.
Cutting to the chase: This is a dark, deep, heavy, progressive, and psychedelic album, all in one. Don't let that scare you. I haven't any doubts, that anyone who cares about music, in general; will have one of the following reactions; Really like/Probably love, and/or certainly appreciate this album. Without a shred of hesitation-this is one of the best albums ever made. This cannot be overstated. 2066 & Then-Reflections on the Future is flawless, and timeless music. 5 Stars!!Review by VitaNova, progarchives.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip
Silent spaces haven't been deleted in this rip
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