"Tango in the Night" is the 14th studio album by British-American band Fleetwood Mac. Released in April 1987, it is the fifth and to date last studio album from the band's most successful line-up of Lindsey Buckingham, Stevie Nicks, Christine McVie, John McVie and Mick Fleetwood. Produced by Buckingham with Richard Dashut, Tango in the Night began as one of Buckingham's solo projects, but by 1985 the production had morphed into Fleetwood Mac's next album. It contains several hit singles, including "Big Love", "Seven Wonders", "Everywhere", and "Little Lies". The album has sold over 15 million copies worldwide. "Tango in the Night" was re-released with remastered version of the album, B-sides, demos, alternate versions and 14 remixes on March 31, 2017.

Since the early 1990s, Antonio Vivaldi and Fabio Biondi have become an inseparable pair for many music lovers around the world. In his latest recording for Glossa, Mr. Biondi offers further proof of Vivaldis astonishing imaginative powers as a composer of violin concertos, matched by Biondis own dynamic and cultured virtuosity as a violinist (and director). With these Farewell Concertos, Biondi leading Europa Galante turns to works written by a Vivaldi very near the end of his life as he traveled to Vienna in a desperate search for creative opportunities. I concerti delladdio sees the composer in a Vienna in mourning for its recently deceased emperor and himself more attuned to the now fashionable galante style, bearing witness to Vivaldis late style as it headed in the direction of Tartini and Locatelli.

This new release and the upcoming series are recorded and mastered by the team at Soundmirror, whose outstanding orchestral, solo, opera, and chamber recordings have received over 70 GRAMMY nominations and awards.

Today when Frank Peter Zimmermann says that Mozart has always been easy for him, he needs only call to mind his debut concert at the age of ten - when he played Mozart's G major Concerto K. 216; or when, some 30 years ago, as a fresh 20-year-old, the same FPZ made his first recording of the five concertos for EMI; and then if one factors in that over the years that each of these Mozart works has passed through his hands nearly 300 times in concert, then one can begin to appreciate the intense physical and spiritual experience that Frank Peter Zimmermann brings to these new recordings.

Violist Antoine Tamestit and mezzo-soprano, Karen Cargill, join forces with the London Symphony Orchestra and Valery Gergiev, in the latest instalment of their Berlioz exploration. Composed in 1834 at the suggestion of Paganini and completed in Montmartre, 'Harold en Italie' received its first performance at the Conservatoire de Paris later that year. Taking inspiration from Lord Byron s 'Childe Harold s Pilgrimage', 'Harold en Italie' is among the most poetic of Berlioz s oeuvre, its ingenious use of solo viola charting the dreamy Harold s wanderings throughout the Italian countryside and the characters encountered along the way.

The Britten Sinfonia s Associate Leader, Thomas Gould directs the ensemble in Dmitry Sitkovetsky s beautifully realised and heartfelt arrangement for strings of Bach s great keyboard work, 'The Goldberg Variations'. Sitkovetsky s arrangement (first conceived for string trio and later expanded for string orchestra), made in 1985 on the 300th anniversary of Bach s birth, is lovingly and painstakingly done. He dedicates the string trio arrangement to Glenn Gould, and it is clear from much of the written-out ornamentation that Gould s recordings of the Goldbergs were Sitkovetsky s passport into the music.