Highlighted by harrowing first-person footage from Paradise, California residents as they frantically attempt to flee the place they call home during a monumentally destructive wildfire in 2018, this intimate documentary weaves a sometimes tragic but always inspirational story of hope, unity, and resiliency.

Lo storico dell'Oriente Cardini racconta il suo percorso di indagine nella figura storico-psicologica dell'agente di Sua Maestà suscitatore dell'orgoglio arabo: eroe o traditore? O tutt'e due?

43 young male students were abducted from a Mexican college on September 26, 2014. They have yet to resurface. This documentary probes the disturbing event, how it shook a community, and the troubling search for the missing students.

With his sixth album, Gregory Porter delivers once more a perfect dose of jazz, soul, rhythm’n’blues, pop and gospel. In addition to being gifted with a voice of pure velvet (it’s clichéd, but it’s true), the Californian who knows Great Black Music like the back of his band is also a veritable writer. And in these present (troubled) times, his pen, often synonymous with hope and light, generates healing sounds akin to rejuvenating baths such as on Revival Song, a soft of neo-gospel hymn the embraces the soul and frees the body. A similar sense of wellbeing is also present when Porter dons his crooner lover suit such as on If Love Is Overrated or when he channels Marvin Gaye and George Benson on Faith In Love. Produced with class by Troy Miller (Laura Mvula, Jamie Cullum, Emili Sande), All Rise propels the American toward an increased world recognition and, on this album, Porter reaches audiences well outside the jazz sphere.

Carmen Yáñez torna in questa raccolta alle tematiche che le sono più care - l'amore, la memoria, l'esilio e la poesia stessa -, un mondo denso di ideali e di battaglie civili e politiche. La sua è una scrittura che colpisce, quasi ferisce il lettore, frutto di un dolore che in qualche modo l'autrice ha saputo addomesticare. E la sua parola è sempre esatta, spoglia di ogni fronzolo retorico per cercare, e cogliere, il nucleo del senso. Un nucleo che gravita intorno ad alcuni cardini: il Cile, il forte senso di appartenenza alla terra; e la casa, origine e allegoria di ciò che vorremmo forte e duraturo, ma che sappiamo essere evanescente e fragile. Per questo, chi è costretto a lasciare il proprio paese impara in modo brutale a non sentirsi mai al centro di niente, a sentirsi, semmai, alla periferia anche di se stesso..

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