Cavellini 1914-2014 by Bruno Chiarlone
Italian | 2012 | ISBN: n/a | 23 pages | PDF | 4.6 MB
Italian | 2012 | ISBN: n/a | 23 pages | PDF | 4.6 MB
Su | Mo | Tu | We | Th | Fr | Sa |
---|---|---|---|---|---|---|
28 | 29 | 30 | 31 | 1 | 2 | 3 |
4 | 5 | 6 | 7 | 8 | 9 | 10 |
11 | 12 | 13 | 14 | 15 | 16 | 17 |
18 | 19 | 20 | 21 | 22 | 23 | 24 |
25 | 26 | 27 | 28 | 1 | 2 | 3 |
As he delved deeper into commercial soul-jazz and jazz-funk, Lou Donaldson became better at it. While lacking the bite of his hard bop improvisations or the hard-swinging funk of Alligator Bogaloo, Midnight Creeper succeeds where its predecessor, Mr. Shing-A-Ling failed: it offers a thoroughly enjoyable set of grooving, funky soul-jazz. The five songs – including two originals by Donaldson and one each by Lonnie Smith (who also plays organ on the record), Teddy Vann, and Harold Ousley – aren't particularly distinguished, but the vibe is important, not the material. And the band – Donaldson, Smith, trumpeter Blue Mitchell, guitarist George Benson, and drummer Leo Morris – strikes the right note, turning in a fluid, friendly collection of bluesy funk vamps. Donaldson could frequently sound stilted on his commercial soul-jazz dates, but that's not the case with Midnight Creeper.