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Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz

Trace - Trace
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Sire/SASD-7504 | Released: 1974 | Genre: Symphonic-Rock

A1 Gaillarde
A2 Gare Le Corbeau
A3 Gaillarde
A4 The Death Of Ace
A5 The Escape Of The Piper
A6 Once

B1 Progression
B2 A Memory
B3 The Lost Past
B4 A Memory
B5 Final Trace


CreditsBass, Guitar – Jaap Van Eik
Drums, Percussion – Pierre Van Der Linden
Keyboards, Written-By – Rick Van Der Linden
Producer – Jan Schuurman, Trace (6)Notes
trace was recorded and mixed at Soundpush Studios, Blaricum, Holland.
Track information
A1 & A3 were taken from 3rd part of Italian Concerto bwv 971 in f major by JS Bach, and a traditional Polish dance
A4 was taken from Peer Gynt Suite by E. Grieg
B1 was composed on 17 november 1973


Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz

Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz

Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2018
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

Essential: a masterpiece of Progressive Rock music
Dutch keyboard-wizard Rick got worldwide recognition with the ‘classic-rock formula’ from EKSEPTION but he wanted his own band to work out his own ideas. He founded TRACE with bass player Jaap van Eik (CUBY AND THE BLIZZARDS, The MOTIONS, SOLUTION, LIVING BLUES) and drummer Pierre van der Linden (TEE SET, BRAINBOX, FOCUS), a real Dutch supergroup.
TRACE sounds like the Dutch equivalent to early ELP but Rick has a wider array of keyboards, including Hammond B3 organ, Hohner clavinet and pianet, ARP – and EMI synthesizers, harpsichord, Solina string-ensemble, Mellotron and church organ. He even used the sound of a bagpipe. The music on the eponymous debut album is a treat for fans from bands like The NICE, ELP, TRIUMVIRAT and early LE ORME. It delivers exciting, often sumptuous, keyboard driven symphonic rock: the mainly instrumental music is loaded with virtuosic keyboard runs, swirling Hammond organ and majestic Mellotron, supported by a powerful and propulsive rhythm-section. The Musea CD-release contains two bonustracks (“Progress” and “Tabu”) and the history of Trace with nice pictures. Recommended to all progheads who want to be blown away by ‘keyboard pyrotechnics’ in the vein of Keith Emerson, Patrick Moraz or Toshio Egawa (from GERARD).
Review by erik neuteboom, progarchives.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip

Vinyl / CUE/ FLAC/ High Definition Cover: